American Cinematographer - June 2013 - I11

Find a Lab
with Kodak’s Lab
Locator App and
Online Directory
On location in an unfamiliar
the UK and at the levels that
a major studio project would
expect in every regard; that
is our commitment.” Projects
on the horizon for i dailies (via
Company 3) include Disney’s
Cinderella for director Kenneth
Branagh. (www.i-dailies.co.uk)
London-based i dailies
is installing a second
PHOTOMEC Processer, which
will run at 100 feet per minute,
doubling their capacity to
90,000 feet per eight-hour
overnight shift. The lab always
fi nishes the processing that
began at the start of the shift,
and if necessary, can run a
daytime processing bath on
demand. The facility is also
putting in the infrastructure
to provide 35mm printing
services for rush printing and
print deliverables for delivery
schedule requirements. “I can
honestly say that we have a real
passion for fi lm,” says i dailies
co-founder Nigel Horn. “We are
dedicated to helping provide a
viable infrastructure for all fi lmoriginated
projects shooting in
Cineworks Digital
Studios, Inc. has facilities in
Miami, Florida; New Orleans,
Louisiana; and Studio City and
Santa Monica, California. The
New Orleans location offers
a full-service front-end lab, in
addition to a comprehensive
digital infrastructure where
traditional post-production
workfl ows and HD converge.
President Vinny Hogan,
a 36-year veteran in the
industry, leads this highly
experienced staff that follows
meticulous guidelines for
quality assurances. Film
projects that have reached out
to Cineworks for their expertise
and post-production solutions
include Olympus Has Fallen,
Twelve Years a Slave, Oldboy, The
Paperboy, G.I. Joe: Retaliation,
and Looper.
(www.cineworks.com)
The KODAK IMAGECARE
Program is a prestigious quality
program for motion picture
fi lm processing laboratories.
With member labs in Bulgaria,
Canada, Czech Republic,
France, Germany, Greece,
India, Japan, Malaysia, Mexico,
Poland, Romania, Turkey and
the UK, the Program includes
rigorous quality standards
that assure member labs
adhere to established practices
with full documentation of
procedures and calibration.
Kodak works very closely with
laboratory personnel to assure
these standards are met and
maintained.
Visit www.kodak.com/go/
imagecare for more information
on the KODAK IMAGECARE
Program and a list of member
laboratories with contact
information.
city, and need to fi nd a lab? Using
your current location and selecting
the service you are looking for,
Kodak’s free Lab Locator app will
fi nd a location near you and provide
contact information and a map to
help you get there. The tool also
provides the ability to search other
locations by fi lling out the search
form.
The Lab Locator app is available
for iOS and ANDROID Devices. The
same information is also available
on Kodak’s website. The online lab
directory allows you to search for
facilities by service and/or country.
To download the app, visit the
iTunes Store or ANDROID Market,
or go to http://motion.kodak.com/
motion/Support/Laboratories_
Directory/index.htm to fi nd the
right location for your project.
Photos: Top: Film scanner
at FotoKem. Top, inset:
Technicolor-PostWorks DI
room. Bottom left: Hiromi
Inatsuchi, president of
IMAGICA WEST, a subsidiary
of IMAGICA Corp. Right
center: London-based i dailies.
http://www.i-dailies.co.uk http://motion.kodak.com/motion/Support/Laboratories_Directory/index.htm http://www.kodak.com/go/imagecare http://www.kodak.com/go/imagecare http://www.cineworks.com

American Cinematographer - June 2013

Table of Contents for the Digital Edition of American Cinematographer - June 2013

American Cinematographer - June 2013
Contents
Editor’s Note
President’s Desk
Short Takes: “The Volt Plasma Challenge”
Production Slate: Frances Ha • Spring Breakers
Boldly Captured
Living Large
A Killer with 2 Faces
Utopian Dreams
Filmmakers’ Forum: Edgar Burcksen, ACE
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Shelly Johnson
American Cinematographer - June 2013 - American Cinematographer - June 2013
American Cinematographer - June 2013 - Cover2
American Cinematographer - June 2013 - Contents
American Cinematographer - June 2013 - 2
American Cinematographer - June 2013 - 3
American Cinematographer - June 2013 - 4
American Cinematographer - June 2013 - 5
American Cinematographer - June 2013 - 6
American Cinematographer - June 2013 - 7
American Cinematographer - June 2013 - 8
American Cinematographer - June 2013 - 9
American Cinematographer - June 2013 - Editor’s Note
American Cinematographer - June 2013 - 11
American Cinematographer - June 2013 - President’s Desk
American Cinematographer - June 2013 - 13
American Cinematographer - June 2013 - Short Takes: “The Volt Plasma Challenge”
American Cinematographer - June 2013 - 15
American Cinematographer - June 2013 - 16
American Cinematographer - June 2013 - 17
American Cinematographer - June 2013 - 18
American Cinematographer - June 2013 - 19
American Cinematographer - June 2013 - Production Slate: Frances Ha • Spring Breakers
American Cinematographer - June 2013 - 21
American Cinematographer - June 2013 - 22
American Cinematographer - June 2013 - 23
American Cinematographer - June 2013 - 24
American Cinematographer - June 2013 - 25
American Cinematographer - June 2013 - 26
American Cinematographer - June 2013 - 27
American Cinematographer - June 2013 - 28
American Cinematographer - June 2013 - 29
American Cinematographer - June 2013 - 30
American Cinematographer - June 2013 - 31
American Cinematographer - June 2013 - 32
American Cinematographer - June 2013 - 33
American Cinematographer - June 2013 - Boldly Captured
American Cinematographer - June 2013 - 35
American Cinematographer - June 2013 - 36
American Cinematographer - June 2013 - 37
American Cinematographer - June 2013 - 38
American Cinematographer - June 2013 - 39
American Cinematographer - June 2013 - 40
American Cinematographer - June 2013 - 41
American Cinematographer - June 2013 - 42
American Cinematographer - June 2013 - 43
American Cinematographer - June 2013 - 44
American Cinematographer - June 2013 - 45
American Cinematographer - June 2013 - 46
American Cinematographer - June 2013 - 47
American Cinematographer - June 2013 - Living Large
American Cinematographer - June 2013 - 49
American Cinematographer - June 2013 - 50
American Cinematographer - June 2013 - 51
American Cinematographer - June 2013 - 52
American Cinematographer - June 2013 - 53
American Cinematographer - June 2013 - 54
American Cinematographer - June 2013 - 55
American Cinematographer - June 2013 - 56
American Cinematographer - June 2013 - 57
American Cinematographer - June 2013 - 58
American Cinematographer - June 2013 - 59
American Cinematographer - June 2013 - A Killer with 2 Faces
American Cinematographer - June 2013 - 61
American Cinematographer - June 2013 - 62
American Cinematographer - June 2013 - 63
American Cinematographer - June 2013 - 64
American Cinematographer - June 2013 - I1
American Cinematographer - June 2013 - I2
American Cinematographer - June 2013 - I3
American Cinematographer - June 2013 - I4
American Cinematographer - June 2013 - I5
American Cinematographer - June 2013 - I6
American Cinematographer - June 2013 - I7
American Cinematographer - June 2013 - I8
American Cinematographer - June 2013 - I9
American Cinematographer - June 2013 - I10
American Cinematographer - June 2013 - I11
American Cinematographer - June 2013 - I12
American Cinematographer - June 2013 - 65
American Cinematographer - June 2013 - 66
American Cinematographer - June 2013 - 67
American Cinematographer - June 2013 - Utopian Dreams
American Cinematographer - June 2013 - 69
American Cinematographer - June 2013 - 70
American Cinematographer - June 2013 - 71
American Cinematographer - June 2013 - 72
American Cinematographer - June 2013 - 73
American Cinematographer - June 2013 - 74
American Cinematographer - June 2013 - 75
American Cinematographer - June 2013 - 76
American Cinematographer - June 2013 - 77
American Cinematographer - June 2013 - 78
American Cinematographer - June 2013 - 79
American Cinematographer - June 2013 - 80
American Cinematographer - June 2013 - 81
American Cinematographer - June 2013 - Filmmakers’ Forum: Edgar Burcksen, ACE
American Cinematographer - June 2013 - 83
American Cinematographer - June 2013 - 84
American Cinematographer - June 2013 - 85
American Cinematographer - June 2013 - New Products & Services
American Cinematographer - June 2013 - 87
American Cinematographer - June 2013 - 88
American Cinematographer - June 2013 - 89
American Cinematographer - June 2013 - 90
American Cinematographer - June 2013 - 91
American Cinematographer - June 2013 - 92
American Cinematographer - June 2013 - 93
American Cinematographer - June 2013 - 94
American Cinematographer - June 2013 - 95
American Cinematographer - June 2013 - 96
American Cinematographer - June 2013 - 97
American Cinematographer - June 2013 - 98
American Cinematographer - June 2013 - 99
American Cinematographer - June 2013 - International Marketplace
American Cinematographer - June 2013 - Classified Ads
American Cinematographer - June 2013 - Ad Index
American Cinematographer - June 2013 - 103
American Cinematographer - June 2013 - ASC Membership Roster
American Cinematographer - June 2013 - 105
American Cinematographer - June 2013 - Clubhouse News
American Cinematographer - June 2013 - 107
American Cinematographer - June 2013 - ASC Close-Up: Shelly Johnson
American Cinematographer - June 2013 - Cover3
American Cinematographer - June 2013 - Cover4
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