American Cinematographer - June 2015 - 52

Q

Avengers Re-Assemble

floor plan and a model is a good exercise
in understanding the set and where the
light should come from, and that's
time-consuming."
January 2014 was spent doing
camera and screen tests. Working with
Technicolor, Davis crafted a look he
describes as "a print emulation LUT
with a bit of 'oomph.'" And on top of
that, each of the disparate locations
called for its own style and color-decision list.
The main unit's 93-day shoot
started in March 2014 in Italy's wintry
Aosta Valley, which stands in for the
fictional country of Sokovia, where the
Avengers try to retrieve Loki's powerful
scepter. Whedon and Davis also
planned the second-unit locations,
scouting in Johannesburg and Seoul,
where Captain America and Ultron
battle over control of Vision aboard a
moving truck on the Mapo Bridge.
Meanwhile, a helicopter unit captured
images of Bangladesh's Chittagong
Ship Breaking Yard.
The crew shot primarily with
Arri Alexa XTs, running two and often
three cameras on the main unit. A, B
and C cameras were operated by Julian
Morson (whose Steadicam was also
always on hand), Luke Redgrave and
Sam Renton, respectively, capturing
ArriRaw files to 512GB Codex
Capture Drive XR media. A custom
2.39:1 frame was extracted from Open

Top: The Avengers
launch into battle
in a scene shot in
Italy's Aosta
Valley. Middle:
Captain America
(Chris Evans)
springs into
action. Bottom:
Hawkeye (Jeremy
Renner) steers
clear of an
explosion.

52

June 2015

American Cinematographer



American Cinematographer - June 2015

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Contents
American Cinematographer - June 2015 - Cover1
American Cinematographer - June 2015 - Cover2
American Cinematographer - June 2015 - 1
American Cinematographer - June 2015 - 2
American Cinematographer - June 2015 - Contents
American Cinematographer - June 2015 - 4
American Cinematographer - June 2015 - 5
American Cinematographer - June 2015 - 6
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American Cinematographer - June 2015 - 80a
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American Cinematographer - June 2015 - 80c
American Cinematographer - June 2015 - 80d
American Cinematographer - June 2015 - 80e
American Cinematographer - June 2015 - 80f
American Cinematographer - June 2015 - 80g
American Cinematographer - June 2015 - 80h
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