Q Picturing Tomorrow Alex Carr, the filmmakers recorded 16bit linear raw files to the F65's internal recorder with a 2.20:1 frame marker on the footage, so that the movie could then be configured for both standard 2.20:1 - "Brad wanted to honor the old 65mm format," notes Miranda - and Imax 1.90:1 presentation. The 2.20:1 frame marker was used for the F55 footage as well. The film's lens package comprised Arri/Zeiss Master Primes (ranging from 14mm to 150mm) and Fujinon Premier zooms (14.5-45mm T2.0, 18-85mm T2.0, 24-180mm T2.6 and 75-400mm T2.8-3.8) - essentially the same package Miranda paired with an F65 for Oblivion (AC May '13). Miranda opines that the combination of Master Primes and Premier zooms is "the sharpest way to go" when shooting with an F65 for a 4K master. First AC Daniel Ming adds that the 4K mandate kept the focus pullers on their toes. "It became apparent that what is generally considered to be within tolerance for lens calibration was not good enough for 4K, especially with wider lenses," Ming says. "An image that looked good at 2K or HD could look At the 1964 World's Fair, young Frank Walker (Thomas Robinson) is given a pin by a girl named Athena. The tip of the Eiffel Tower on the "It's a Small World" ride scans the pin and the young boy is routed to a Tomorrowland transport. 68 June 2015 American Cinematographer