American Cinematographer - June 2016 - 69

Neihouse to direct the astronauts away
from pushing the ISO on the C500s.
"When you crank up the ISO, you really
start to expose dead pixels," the
cinematographer explains. "We did do
some low-light shooting with [the C500]
inside the Space Station where the
astronauts [conduct] a lettuce-growing
experiment. It was actually under a
pinkish-fuchsia light, and they bumped up
the ISO [to 10,000] to shoot in there.
Unfortunately, we had to do a lot of deadpixel cleanup on those shots. Otherwise,
about the most we pushed the C500s was
up to 1,600 ISO."
Although the production focuses
on the planet from space, there are three
terrestrial shots in the movie, including a
piece of vintage footage that was actually
the opening shot of 1971's North of
Superior, which was "probably the very first
aerial shot that was ever done for an Imax
movie," Neihouse explains. "It's a shot of
Lake Superior, flying low. [In A Beautiful
Planet, as] the shot continues up into the
hills, it becomes a CGI shot, and the
world transforms to the landscape of
Mars."
The cinematographer goes on to
detail a new shot he personally
photographed: "We did a shot of the sun
with the Space Station flying in front of
it. It was a real-time shot, and it required
our being in a very specific spot on Earth,
within a very narrow 5-kilometer band at
a specific time, in order to get the perfect
positioning of the Space Station as it
crossed between us and the sun. We
started by Big Bear Lake [in California]
and ended up in Idaho over four days of
leapfrogging. I wanted to get up as high in
the mountains as we could to avoid the
thicker part of the atmosphere and get a
clearer image; we also had to time it so
that we could shoot it right about high
noon, when the Station would be closest
to the camera. The Station's crossing of the
sun only lasts .53 seconds, so we shot it
with a Phantom Flex4K at 1,000 fps, with
a [Canon EF 800mm f5.6 L IS USM]
and a 2x extender on it. [That frame rate]
turns .53 seconds into 18 seconds on
screen, and we captured a perfect
silhouette of the ISS passing in front of the


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Table of Contents for the Digital Edition of American Cinematographer - June 2016

Contents
American Cinematographer - June 2016 - Intro
American Cinematographer - June 2016 - Cover1
American Cinematographer - June 2016 - Cover2
American Cinematographer - June 2016 - 1
American Cinematographer - June 2016 - 2
American Cinematographer - June 2016 - Contents
American Cinematographer - June 2016 - 4
American Cinematographer - June 2016 - 5
American Cinematographer - June 2016 - 6
American Cinematographer - June 2016 - 7
American Cinematographer - June 2016 - 8
American Cinematographer - June 2016 - 9
American Cinematographer - June 2016 - 10
American Cinematographer - June 2016 - 11
American Cinematographer - June 2016 - 12
American Cinematographer - June 2016 - 13
American Cinematographer - June 2016 - 14
American Cinematographer - June 2016 - 15
American Cinematographer - June 2016 - 16
American Cinematographer - June 2016 - 17
American Cinematographer - June 2016 - 18
American Cinematographer - June 2016 - 19
American Cinematographer - June 2016 - 20
American Cinematographer - June 2016 - 21
American Cinematographer - June 2016 - 22
American Cinematographer - June 2016 - 23
American Cinematographer - June 2016 - 24
American Cinematographer - June 2016 - 25
American Cinematographer - June 2016 - 26
American Cinematographer - June 2016 - 27
American Cinematographer - June 2016 - 28
American Cinematographer - June 2016 - 29
American Cinematographer - June 2016 - 30
American Cinematographer - June 2016 - 31
American Cinematographer - June 2016 - 32
American Cinematographer - June 2016 - 33
American Cinematographer - June 2016 - 34
American Cinematographer - June 2016 - 35
American Cinematographer - June 2016 - 36
American Cinematographer - June 2016 - 37
American Cinematographer - June 2016 - 38
American Cinematographer - June 2016 - 39
American Cinematographer - June 2016 - 40
American Cinematographer - June 2016 - 41
American Cinematographer - June 2016 - 42
American Cinematographer - June 2016 - 43
American Cinematographer - June 2016 - 44
American Cinematographer - June 2016 - 45
American Cinematographer - June 2016 - 46
American Cinematographer - June 2016 - 47
American Cinematographer - June 2016 - 48
American Cinematographer - June 2016 - 49
American Cinematographer - June 2016 - 50
American Cinematographer - June 2016 - 51
American Cinematographer - June 2016 - 52
American Cinematographer - June 2016 - 53
American Cinematographer - June 2016 - 54
American Cinematographer - June 2016 - 55
American Cinematographer - June 2016 - 56
American Cinematographer - June 2016 - 57
American Cinematographer - June 2016 - 58
American Cinematographer - June 2016 - 59
American Cinematographer - June 2016 - 60
American Cinematographer - June 2016 - 61
American Cinematographer - June 2016 - 62
American Cinematographer - June 2016 - 63
American Cinematographer - June 2016 - 64
American Cinematographer - June 2016 - 65
American Cinematographer - June 2016 - 66
American Cinematographer - June 2016 - 67
American Cinematographer - June 2016 - 68
American Cinematographer - June 2016 - 69
American Cinematographer - June 2016 - 70
American Cinematographer - June 2016 - 71
American Cinematographer - June 2016 - 72
American Cinematographer - June 2016 - 73
American Cinematographer - June 2016 - 74
American Cinematographer - June 2016 - 75
American Cinematographer - June 2016 - 76
American Cinematographer - June 2016 - 77
American Cinematographer - June 2016 - 78
American Cinematographer - June 2016 - 79
American Cinematographer - June 2016 - 80
American Cinematographer - June 2016 - 81
American Cinematographer - June 2016 - 82
American Cinematographer - June 2016 - 83
American Cinematographer - June 2016 - 84
American Cinematographer - June 2016 - 85
American Cinematographer - June 2016 - 86
American Cinematographer - June 2016 - 87
American Cinematographer - June 2016 - 88
American Cinematographer - June 2016 - 89
American Cinematographer - June 2016 - 90
American Cinematographer - June 2016 - 91
American Cinematographer - June 2016 - 92
American Cinematographer - June 2016 - 93
American Cinematographer - June 2016 - 94
American Cinematographer - June 2016 - 95
American Cinematographer - June 2016 - 96
American Cinematographer - June 2016 - 97
American Cinematographer - June 2016 - 98
American Cinematographer - June 2016 - 99
American Cinematographer - June 2016 - 100
American Cinematographer - June 2016 - 101
American Cinematographer - June 2016 - 102
American Cinematographer - June 2016 - 103
American Cinematographer - June 2016 - 104
American Cinematographer - June 2016 - 105
American Cinematographer - June 2016 - 106
American Cinematographer - June 2016 - 107
American Cinematographer - June 2016 - 108
American Cinematographer - June 2016 - 109
American Cinematographer - June 2016 - 110
American Cinematographer - June 2016 - 111
American Cinematographer - June 2016 - 112
American Cinematographer - June 2016 - 113
American Cinematographer - June 2016 - 114
American Cinematographer - June 2016 - 115
American Cinematographer - June 2016 - 116
American Cinematographer - June 2016 - 117
American Cinematographer - June 2016 - 118
American Cinematographer - June 2016 - 119
American Cinematographer - June 2016 - 120
American Cinematographer - June 2016 - Cover3
American Cinematographer - June 2016 - Cover4
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