American Cinematographer - June 2016 - 76

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Old-School Thrills

Top and middle:
For the Bel Air
party, guests cross
over steel-deck
platforms rigged
with RGB LED
ribbons disguised
as practicals.
Bottom: The crew
captures a fight
scene featuring
Crowe and actor
Keith David.

builds his own units under the banner of
Grounded Production Services (GPS).
"When you work with Philippe," Stern
notes, "you work with carts of Jem [Paper
Lantern] Harps, Jem Balls and Skylight
Skyballs - anything that's round. I
knew I wasn't going to get away from
that, but here was an opportunity to
show him the tools I'd built and used
with other people."
Their workhorse units were GPS
d-Light Albatross 4'x4' Hybrid lights,
and narrow and medium d-Light hybrid
Singles. "The narrows are 21⁄2 inches
wide and the mediums are 5 inches wide,
so we would often rig them just above
frame to augment a practical," says Stern.
"Now instead of a 4-foot diameter
sphere, you can have a 4-foot square
that's 4 inches deep. It has an egg crate,
so we can make it more directional, and
we can put it right up against the actors
because it doesn't generate any heat."
The GPS LED lights boast a
higher-than-95 CRI rating and the
diffused-incandescent quality of a paper
lantern. "As long as the light is fairly
balanced, I don't care what it's made of,"
the cinematographer says. "The thing is
where to put the light, and how soft it is.
I'm not saying LEDs should replace
everything, but because of the short time
76

June 2016

American Cinematographer



Table of Contents for the Digital Edition of American Cinematographer - June 2016

Contents
American Cinematographer - June 2016 - Intro
American Cinematographer - June 2016 - Cover1
American Cinematographer - June 2016 - Cover2
American Cinematographer - June 2016 - 1
American Cinematographer - June 2016 - 2
American Cinematographer - June 2016 - Contents
American Cinematographer - June 2016 - 4
American Cinematographer - June 2016 - 5
American Cinematographer - June 2016 - 6
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