American Cinematographer - June 2017 - 35

Unit photography by Chuck Zlotnick, courtesy of Marvel Studios.

convictions while contending with a
mutinous uprising led by the witless
but powerful Taserface (Chris
Sullivan).
Just as the Guardians' situation
seems beyond hope, an unexpected force
intervenes on their behalf, and they
crash-land on a forest planet to be
greeted by the mysterious Ego (Kurt
Russell), who tells Quill that he is his
long-lost father. Accepting Ego's offer to
return with him to his planet, Quill,
Gamora and Drax board his spaceship,
where they meet his socially awkward,
antennaed servant Mantis (Pom
Klementieff), who possesses empathic
powers.
Amid all of this, Gamora has been
reunited with her adopted sister and
Guardians foe Nebula (Karen Gillan),
who's intent on pursuing sibling rivalry
to a bloody finish. And added to that are
the Guardians' own interpersonal
"family" issues, as their adventures split
them apart and challenge them to sort
out their differences and forge ahead as a
team.
Writer-director James Gunn
collaborated on the first installment with
director of photography Ben Davis,
BSC. This time around, however, Davis
and other members of the original crew

Opposite: Rocket (voiced by Bradley Cooper) and Baby Groot (voiced by Vin Diesel) are back in
action with their fellow teammates in Guardians of the Galaxy Vol. 2. This page, top: The ragtag
group also includes (from left) Yondu (Michael Rooker); Nebula (Karen Gillan); Peter Quill, aka
Star-Lord (Chris Pratt); Gamora (Zoe Saldana); Mantis (Pom Klementieff); and Drax (Dave
Bautista). Bottom: Cinematographer Henry Braham, BSC chats with Rooker.

were tied up with Doctor Strange, also a
Marvel Studios project, so Gunn
approached another British cinematographer: Henry Braham, BSC, who had
recently shot The Legend of Tarzan with
director David Yates.
It was Nikolas Korda, an executive producer on Tarzan as well as on
Guardians of the Galaxy Vol. 2, who
suggested Braham, and Gunn found the
www.theasc.com

hire fortuitous. "Henry was willing to
take risks and try something new and
bold," Gunn tells AC in an e-mail. "And
frankly, he's just a good guy. He has
donkeys and goats on his farm in
England - and if there's anything I love
as much as great cinematography, it's
donkeys and goats."
Braham sat down with Gunn at
the Los Angeles-based director's home
June 2017

35



http://www.theasc.com

Table of Contents for the Digital Edition of American Cinematographer - June 2017

Contents
American Cinematographer - June 2017 - Intro
American Cinematographer - June 2017 - Cover1
American Cinematographer - June 2017 - Cover2
American Cinematographer - June 2017 - 1
American Cinematographer - June 2017 - 2
American Cinematographer - June 2017 - Contents
American Cinematographer - June 2017 - 4
American Cinematographer - June 2017 - 5
American Cinematographer - June 2017 - 6
American Cinematographer - June 2017 - 7
American Cinematographer - June 2017 - 8
American Cinematographer - June 2017 - 9
American Cinematographer - June 2017 - 10
American Cinematographer - June 2017 - 11
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American Cinematographer - June 2017 - 14
American Cinematographer - June 2017 - 15
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American Cinematographer - June 2017 - 17
American Cinematographer - June 2017 - 18
American Cinematographer - June 2017 - 19
American Cinematographer - June 2017 - 20
American Cinematographer - June 2017 - 21
American Cinematographer - June 2017 - 22
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American Cinematographer - June 2017 - 27
American Cinematographer - June 2017 - 28
American Cinematographer - June 2017 - 29
American Cinematographer - June 2017 - 30
American Cinematographer - June 2017 - 31
American Cinematographer - June 2017 - 32
American Cinematographer - June 2017 - 33
American Cinematographer - June 2017 - 33A
American Cinematographer - June 2017 - 33B
American Cinematographer - June 2017 - 34
American Cinematographer - June 2017 - 35
American Cinematographer - June 2017 - 36
American Cinematographer - June 2017 - 37
American Cinematographer - June 2017 - 38
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American Cinematographer - June 2017 - Cover3
American Cinematographer - June 2017 - Cover4
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