American Cinematographer - June 2017 - 82
◗
Rules of Engagement
visual direction. The Handmaids wear
red, the Commanders' barren wives wear
blue, and the Marthas wear gray - [the
Marthas are] the help; they're barren
and can't take on a partner. We used a
particular shade of red that's complementary to a peacock-blue, and red and
blue are the most prominent colors in
Technicolor, which was part of my
inspiration for those shades. I thought if
they were in a frame together with a
neutral background, it would be so striking.
Watkinson: Our production
designer, Julie Berghoff, created her sets
with that in mind. Some things changed
along the way: Offred's bedroom in the
Commander's home was originally
going to be white, and it came out to be
more of a blue-gray color. Throughout
the season, in fact, the color of the light
that came in through the window would
change dramatically, so the whole room
- which was tiny - never felt like it
looked [exactly] the same.
Offred's bedroom was built on
stage, 5 feet off the ground due to the
staircase at the end of the corridor.
Outside the windows we used 10K
Molebeams for sunlight and Arri
SkyPanels either bounced into frames or
pointed directly at the window, depending on the scene. The SkyPanels are fully
Cast and crew
capture scenes
featuring
Offred and
Ofglen (Alexis
Bledel).
82
June 2017
American Cinematographer
Table of Contents for the Digital Edition of American Cinematographer - June 2017
Contents
American Cinematographer - June 2017 - Intro
American Cinematographer - June 2017 - Cover1
American Cinematographer - June 2017 - Cover2
American Cinematographer - June 2017 - 1
American Cinematographer - June 2017 - 2
American Cinematographer - June 2017 - Contents
American Cinematographer - June 2017 - 4
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American Cinematographer - June 2017 - 33A
American Cinematographer - June 2017 - 33B
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