American Cinematographer - June 2018 - 34
◗
Heroes United
Top: Rocket (voiced by Bradley Cooper) and Mantis (Pom Klementieff) examine Thor (Chris Hemsworth)
after finding him floating in space. Middle: Thor, Rocket and a teenage Groot (voiced by Vin Diesel)
navigate the Guardians' pod. Bottom: Joe Russo (bottom left) discusses the action with Hemsworth.
34
June 2018
American Cinematographer
the phone while his brother attends an
ADR session in the weeks leading up to
the movie's release, Joe Russo refers to
those stories as "the greatest battle that
ever occurred in the Marvel universe."
Given the scale of the action and
the number of headliners on the call
sheet, speculation has run rampant
regarding the combined budget for the
pair of movies, the second of which is
slated for release on May 3, 2019. "They
certainly are expensive," Russo concedes.
"The scale and scope is enormous and in
some ways unprecedented. But beyond
the effort it takes to execute something
this ambitious, it's no different than
making anything else we've done. There
are cameras pointed at actors, and it's our
job to get emotionally truthful performances out of them. There are a lot of
grand-scale [visual effects], and that's
where a lot of the money goes, but it's no
different than the work we did on
Captain America: The Winter Soldier and
Captain America: Civil War - just exponentially greater."
For both of those films, the Russos
partnered with director of photography
Trent Opaloch, who returned for Infinity
War and its sequel. Civil War served as a
warm-up for these latest productions, as
the earlier feature involved a 17-minute
battle sequence, involving a dozen superheroes, that was shot with Arri's Alexa 65
digital camera system and formatted for
1.9:1 presentation on Imax screens. The
two new movies have been conceived
entirely for 1.9:1 Imax presentation and
have been shot with modified Alexa 65s
that Imax refers to as "Imax/Arri 2D"
cameras; according to a statement from
Imax, the company worked with Arri to
optimize the camera image for presentation on Imax's xenon- and laser-projection systems.
"We have a lot of characters of
great width and height who are wellsuited to the Imax format," Joe Russo
says. "Plus there are beautiful landscapes
created by [production designer] Charlie
Wood that really fill the Imax frame in an
unbelievable way. In my opinion, the
[optimal] way to see this movie is in
➣
Imax."
Table of Contents for the Digital Edition of American Cinematographer - June 2018
Contents
American Cinematographer - June 2018 - Intro
American Cinematographer - June 2018 - Cover1
American Cinematographer - June 2018 - Cover2
American Cinematographer - June 2018 - 1
American Cinematographer - June 2018 - 2
American Cinematographer - June 2018 - Contents
American Cinematographer - June 2018 - 4
American Cinematographer - June 2018 - 5
American Cinematographer - June 2018 - 6
American Cinematographer - June 2018 - 7
American Cinematographer - June 2018 - 8
American Cinematographer - June 2018 - 9
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American Cinematographer - June 2018 - 20
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American Cinematographer - June 2018 - 31
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American Cinematographer - June 2018 - 33
American Cinematographer - June 2018 - 34
American Cinematographer - June 2018 - 35
American Cinematographer - June 2018 - 36
American Cinematographer - June 2018 - 37
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American Cinematographer - June 2018 - Cover3
American Cinematographer - June 2018 - Cover4
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