American Cinematographer - June 2018 - 46

◗

Heroes United
Right:
Spider-Man
(Tom Holland)
and Iron Man
venture
off-planet,
teaming up
with Drax
(Dave Bautista),
Star-Lord (Chris
Pratt) and
Mantis to fight
Thanos. Below
left: The camera
is at the ready
for a shot of
Downey. Below
right: Bautista
and Pratt review
the script with
Anthony Russo.

created by the Q-Ship. This sequence
required Wood and supervising art
director Ray Chan to re-create the Big
Apple on four Atlanta streets. Condors
with solids or diffusion frames would
have been too cumbersome, so Coo
and Murrell instead blocked the sun
with three helium-filled 20'x20'x3'
SourceMaker floating Grip Clouds,
tethered at their bottom corners.
46

June 2018

Murrell notes, "When the sun
moves, you can move the Cloud to cover
it, and you have a better camera angle
because you're not trying to frame out a
large condor base." Condors were used
to support Arrimax 18K HMIs that
could provide a backlight "sun" source
from either end of the street; 18Ks were
also placed on stands behind 12'x12' and
12'x20' rags for fill.
American Cinematographer

The sequence aboard the
Asgardian Ark is predominantly cold
blue, motivated by a nebula visible
outside a giant picture window at the
front of the destroyed vessel. "It's pretty
creepy," Opaloch offers. "We wanted it to
feel menacing and exposed. It's a burning
ship, with the power flickering out and
fires flaring up, and it's adrift in space.
Cold, sterile light is coming into it." ➣



Table of Contents for the Digital Edition of American Cinematographer - June 2018

Contents
American Cinematographer - June 2018 - Intro
American Cinematographer - June 2018 - Cover1
American Cinematographer - June 2018 - Cover2
American Cinematographer - June 2018 - 1
American Cinematographer - June 2018 - 2
American Cinematographer - June 2018 - Contents
American Cinematographer - June 2018 - 4
American Cinematographer - June 2018 - 5
American Cinematographer - June 2018 - 6
American Cinematographer - June 2018 - 7
American Cinematographer - June 2018 - 8
American Cinematographer - June 2018 - 9
American Cinematographer - June 2018 - 10
American Cinematographer - June 2018 - 11
American Cinematographer - June 2018 - 12
American Cinematographer - June 2018 - 13
American Cinematographer - June 2018 - 14
American Cinematographer - June 2018 - 15
American Cinematographer - June 2018 - 16
American Cinematographer - June 2018 - 17
American Cinematographer - June 2018 - 18
American Cinematographer - June 2018 - 19
American Cinematographer - June 2018 - 20
American Cinematographer - June 2018 - 21
American Cinematographer - June 2018 - 22
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American Cinematographer - June 2018 - 24
American Cinematographer - June 2018 - 25
American Cinematographer - June 2018 - 26
American Cinematographer - June 2018 - 27
American Cinematographer - June 2018 - 28
American Cinematographer - June 2018 - 29
American Cinematographer - June 2018 - 30
American Cinematographer - June 2018 - 31
American Cinematographer - June 2018 - 32
American Cinematographer - June 2018 - 33
American Cinematographer - June 2018 - 34
American Cinematographer - June 2018 - 35
American Cinematographer - June 2018 - 36
American Cinematographer - June 2018 - 37
American Cinematographer - June 2018 - 38
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American Cinematographer - June 2018 - 40
American Cinematographer - June 2018 - 41
American Cinematographer - June 2018 - 42
American Cinematographer - June 2018 - 43
American Cinematographer - June 2018 - 44
American Cinematographer - June 2018 - 45
American Cinematographer - June 2018 - 46
American Cinematographer - June 2018 - 47
American Cinematographer - June 2018 - 48
American Cinematographer - June 2018 - 49
American Cinematographer - June 2018 - 50
American Cinematographer - June 2018 - 51
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American Cinematographer - June 2018 - 53
American Cinematographer - June 2018 - 54
American Cinematographer - June 2018 - 55
American Cinematographer - June 2018 - 56
American Cinematographer - June 2018 - 57
American Cinematographer - June 2018 - 58
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American Cinematographer - June 2018 - 60
American Cinematographer - June 2018 - 61
American Cinematographer - June 2018 - 62
American Cinematographer - June 2018 - 63
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American Cinematographer - June 2018 - 70
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American Cinematographer - June 2018 - 73
American Cinematographer - June 2018 - 74
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American Cinematographer - June 2018 - 78
American Cinematographer - June 2018 - 79
American Cinematographer - June 2018 - 80
American Cinematographer - June 2018 - 81
American Cinematographer - June 2018 - 82
American Cinematographer - June 2018 - 83
American Cinematographer - June 2018 - 84
American Cinematographer - June 2018 - 85
American Cinematographer - June 2018 - 86
American Cinematographer - June 2018 - 87
American Cinematographer - June 2018 - 88
American Cinematographer - June 2018 - 89
American Cinematographer - June 2018 - 90
American Cinematographer - June 2018 - 91
American Cinematographer - June 2018 - 92
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American Cinematographer - June 2018 - 94
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American Cinematographer - June 2018 - 96
American Cinematographer - June 2018 - 97
American Cinematographer - June 2018 - 98
American Cinematographer - June 2018 - 99
American Cinematographer - June 2018 - 100
American Cinematographer - June 2018 - 101
American Cinematographer - June 2018 - 102
American Cinematographer - June 2018 - 103
American Cinematographer - June 2018 - 104
American Cinematographer - June 2018 - 105
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American Cinematographer - June 2018 - 136
American Cinematographer - June 2018 - Cover3
American Cinematographer - June 2018 - Cover4
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