American Cinematographer - July 2008 - (Page 59) moment as they stroll through rural countryside at dusk, with the outskirts of Montreal standing in for Russia. “The Genesis gave me a huge advantage at magic hour,” notes Semler. “I managed to have the Steadicam pulling back with the actors and the B and C cameras off to the sides, walking with them. They also paused in two positions, and the side cameras stopped and did the over-theshoulder coverage. That enabled us to get everything done at the same time, with the actors feeling totally free. We took it right up to 2,000 ASA on the Genesis with +1 gain and a 360-degree shutter. At the end of the scene, I stepped out of my tent and it was dark outside, but the scene looked beautiful on the monitor.” Montreal’s Olympic stadium stood in as the futuristic headquarters of Siegfried and Kaos. “For the stadium, we bounced a dozen or so 18K HMIs into UltraBounce frames to create an overall ambience,” says Semler. Left: Kaos kingpins Siegfried (Terence Stamp, left) and Shtarker (Ken Davitian) are Control’s key enemies. Below: The masterfiends finalize their plans for world domination at a giant war table. Kino Flo fixtures were placed beneath the table to illuminate its “missile map.” “We shot two interior scenes with Terence Stamp using the outside light spilling in. In one, he sits at a desk playing a violin, with only a warm practical-light effect added; in the second, we had a war table that was actually an elevator stairwell closed off and covered with a map of the world that was lit from underneath by Kino Flos. We finished both scenes by lunch, and Terence said he would fly home the next day after the dailies report. But then we took the tapes off the cameras, cloned them in the projection trailer, and had the dailies report right away, so he was able to fly home that afternoon!” Smart and 99 finally arrive at their objective: a bakery on a Moscow riverbank that is suspected of being a front for nuclearweapons manufacturing. The setting combines shots taken on location in Russia with additional exteriors shot in Montreal and American Cinematographer 59
Table of Contents Feed for the Digital Edition of American Cinematographer - July 2008 American Cinematographer - July 2008 Contents Editor's Note Global Village: Torn from the Flag Short Takes: On a Tuesday Production Slate: Before the Rains WALL-E Batman Looms Larger A Not-So-Super Hero Spy vs. Spy Laugh Factory Post Focus: CineSynce Streamlines Dark Knight Effects New Products & Services International Marketplace Classified Ads Ad Index In Memoriam: Burton "Bud" Stone, Honorary ASC Clubhouse News ASC Close-Up: Bill Taylor American Cinematographer - July 2008 American Cinematographer - July 2008 - American Cinematographer - July 2008 (Page Cover1) American Cinematographer - July 2008 - American Cinematographer - July 2008 (Page Cover2) American Cinematographer - July 2008 - American Cinematographer - July 2008 (Page 1) American Cinematographer - July 2008 - American Cinematographer - July 2008 (Page 2) American Cinematographer - July 2008 - Contents (Page 3) American Cinematographer - July 2008 - Contents (Page 4) American Cinematographer - July 2008 - Contents (Page 5) American Cinematographer - July 2008 - Contents (Page 6) American Cinematographer - July 2008 - Contents (Page 7) American Cinematographer - July 2008 - Editor's Note (Page 8) American Cinematographer - July 2008 - Editor's Note (Page 9) American Cinematographer - July 2008 - Global Village: Torn from the Flag (Page 10) American Cinematographer - July 2008 - Global Village: Torn from the Flag (Page 11) American Cinematographer - July 2008 - Global Village: Torn from the Flag (Page 12) American Cinematographer - July 2008 - Global Village: Torn from the Flag (Page 13) American Cinematographer - July 2008 - Short Takes: On a Tuesday (Page 14) American Cinematographer - July 2008 - Short Takes: On a Tuesday (Page 15) American Cinematographer - July 2008 - Short Takes: On a Tuesday (Page 16) American Cinematographer - July 2008 - Short Takes: On a Tuesday (Page 17) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 18) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 19) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 20) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 21) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 22) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 23) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 24) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 25) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 26) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 27) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 28) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 29) American Cinematographer - July 2008 - Batman Looms Larger (Page 30) American Cinematographer - July 2008 - Batman Looms Larger (Page 31) American Cinematographer - July 2008 - Batman Looms Larger (Page 32) American Cinematographer - July 2008 - Batman Looms Larger (Page 33) American Cinematographer - July 2008 - Batman Looms Larger (Page 34) American Cinematographer - July 2008 - Batman Looms Larger (Page 35) American Cinematographer - July 2008 - Batman Looms Larger (Page 36) American Cinematographer - July 2008 - Batman Looms Larger (Page 37) American Cinematographer - July 2008 - Batman Looms Larger (Page 38) American Cinematographer - July 2008 - Batman Looms Larger (Page 39) American Cinematographer - July 2008 - Batman Looms Larger (Page 40) American Cinematographer - July 2008 - Batman Looms Larger (Page 41) American Cinematographer - July 2008 - Batman Looms Larger (Page 42) American Cinematographer - July 2008 - Batman Looms Larger (Page 43) American Cinematographer - July 2008 - Batman Looms Larger (Page 44) American Cinematographer - July 2008 - Batman Looms Larger (Page 45) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 46) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 47) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 48) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 49) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 50) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 51) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 52) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 53) American Cinematographer - July 2008 - Spy vs. Spy (Page 54) American Cinematographer - July 2008 - Spy vs. Spy (Page 55) American Cinematographer - July 2008 - Spy vs. Spy (Page 56) American Cinematographer - July 2008 - Spy vs. Spy (Page 57) American Cinematographer - July 2008 - Spy vs. Spy (Page 58) American Cinematographer - July 2008 - Spy vs. Spy (Page 59) American Cinematographer - July 2008 - Spy vs. Spy (Page 60) American Cinematographer - July 2008 - Spy vs. Spy (Page 61) American Cinematographer - July 2008 - Spy vs. Spy (Page 62) American Cinematographer - July 2008 - Spy vs. Spy (Page 63) American Cinematographer - July 2008 - Laugh Factory (Page 64) American Cinematographer - July 2008 - Laugh Factory (Page 65) American Cinematographer - July 2008 - Laugh Factory (Page 66) American Cinematographer - July 2008 - Laugh Factory (Page 67) American Cinematographer - July 2008 - Post Focus: CineSynce Streamlines Dark Knight Effects (Page 68) American Cinematographer - July 2008 - Post Focus: CineSynce Streamlines Dark Knight Effects (Page 69) American Cinematographer - July 2008 - Post Focus: CineSynce Streamlines Dark Knight Effects (Page 70) American Cinematographer - July 2008 - Post Focus: CineSynce Streamlines Dark Knight Effects (Page 71) American Cinematographer - July 2008 - Post Focus: CineSynce Streamlines Dark Knight Effects (Page 72) American Cinematographer - July 2008 - Post Focus: CineSynce Streamlines Dark Knight Effects (Page 73) American Cinematographer - July 2008 - New Products & Services (Page 74) American Cinematographer - July 2008 - New Products & Services (Page 75) American Cinematographer - July 2008 - New Products & Services (Page 76) American Cinematographer - July 2008 - New Products & Services (Page 77) American Cinematographer - July 2008 - International Marketplace (Page 78) American Cinematographer - July 2008 - Classified Ads (Page 79) American Cinematographer - July 2008 - Ad Index (Page 80) American Cinematographer - July 2008 - Ad Index (Page 81) American Cinematographer - July 2008 - In Memoriam: Burton "Bud" Stone, Honorary ASC (Page 82) American Cinematographer - July 2008 - In Memoriam: Burton "Bud" Stone, Honorary ASC (Page 83) American Cinematographer - July 2008 - Clubhouse News (Page 84) American Cinematographer - July 2008 - Clubhouse News (Page 85) American Cinematographer - July 2008 - Clubhouse News (Page 86) American Cinematographer - July 2008 - Clubhouse News (Page 87) American Cinematographer - July 2008 - ASC Close-Up: Bill Taylor (Page 88) American Cinematographer - July 2008 - ASC Close-Up: Bill Taylor (Page Cover3) American Cinematographer - July 2008 - ASC Close-Up: Bill Taylor (Page Cover4)
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