American Cinematographer - July 2008 - (Page 61) turned out, all of the firelight from the propane explosions really lit up the background, so we decided to just surround the set with black, and Joe did a great job of adding the Moscow skyline in post.” In addition to the bakery exterior, the Russia sequences include a nighttime trip through Moscow’s picturesque Red Square, where Semler was able to shoot primarily with the location’s existing lighting. Gilson details, “I was sent ahead to Red Square early with a light meter and a digital camera to determine the level of lighting. There was a mixture of sodium-vapor and incandescent industrial-lighting units on top of a large department store. Dean was pretty confident there was enough base-level illumination to work with the Genesis, so we just augmented that with small cosmetic lights on the actors.” Later, with the war against Kaos still raging, Smart and 99 must try to prevent an assassination during a concert. The sequence was filmed in downtown Los Angeles at the Walt Disney Concert Hall, an iconic building designed by Frank Gehry. Semler found the interior’s existing orchestra lighting to be suitable for base-level ambience, which he boosted with Airstar 8K tungsten balloons. “We didn’t really have to bring in any major lighting,” he says. “I also loved shooting the exterior of the hall; the reflective metal gave us an incredible number of highlights. Those are sometimes a concern with digital, but we never had any problems.” Get Smart’s finale finds Max and 99 in a speeding SUV, barreling down railroad tracks toward an oncoming train. The Chief attempts to rescue his endangered employees with a low-flying propeller plane, which was realized entirely via CGI. The sequence was filmed in the Vernon train yards Above: The crew captures greenscreen footage of Carell for another airborne gag involving a smaller airplane. Column at near left: Smart hangs for dear life onto the towline pulling an aerial ad, which hurtles him past a city bus and an SUV. American Cinematographer 61
Table of Contents Feed for the Digital Edition of American Cinematographer - July 2008 American Cinematographer - July 2008 Contents Editor's Note Global Village: Torn from the Flag Short Takes: On a Tuesday Production Slate: Before the Rains WALL-E Batman Looms Larger A Not-So-Super Hero Spy vs. Spy Laugh Factory Post Focus: CineSynce Streamlines Dark Knight Effects New Products & Services International Marketplace Classified Ads Ad Index In Memoriam: Burton "Bud" Stone, Honorary ASC Clubhouse News ASC Close-Up: Bill Taylor American Cinematographer - July 2008 American Cinematographer - July 2008 - American Cinematographer - July 2008 (Page Cover1) American Cinematographer - July 2008 - American Cinematographer - July 2008 (Page Cover2) American Cinematographer - July 2008 - American Cinematographer - July 2008 (Page 1) American Cinematographer - July 2008 - American Cinematographer - July 2008 (Page 2) American Cinematographer - July 2008 - Contents (Page 3) American Cinematographer - July 2008 - Contents (Page 4) American Cinematographer - July 2008 - Contents (Page 5) American Cinematographer - July 2008 - Contents (Page 6) American Cinematographer - July 2008 - Contents (Page 7) American Cinematographer - July 2008 - Editor's Note (Page 8) American Cinematographer - July 2008 - Editor's Note (Page 9) American Cinematographer - July 2008 - Global Village: Torn from the Flag (Page 10) American Cinematographer - July 2008 - Global Village: Torn from the Flag (Page 11) American Cinematographer - July 2008 - Global Village: Torn from the Flag (Page 12) American Cinematographer - July 2008 - Global Village: Torn from the Flag (Page 13) American Cinematographer - July 2008 - Short Takes: On a Tuesday (Page 14) American Cinematographer - July 2008 - Short Takes: On a Tuesday (Page 15) American Cinematographer - July 2008 - Short Takes: On a Tuesday (Page 16) American Cinematographer - July 2008 - Short Takes: On a Tuesday (Page 17) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 18) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 19) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 20) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 21) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 22) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 23) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 24) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 25) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 26) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 27) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 28) American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E (Page 29) American Cinematographer - July 2008 - Batman Looms Larger (Page 30) American Cinematographer - July 2008 - Batman Looms Larger (Page 31) American Cinematographer - July 2008 - Batman Looms Larger (Page 32) American Cinematographer - July 2008 - Batman Looms Larger (Page 33) American Cinematographer - July 2008 - Batman Looms Larger (Page 34) American Cinematographer - July 2008 - Batman Looms Larger (Page 35) American Cinematographer - July 2008 - Batman Looms Larger (Page 36) American Cinematographer - July 2008 - Batman Looms Larger (Page 37) American Cinematographer - July 2008 - Batman Looms Larger (Page 38) American Cinematographer - July 2008 - Batman Looms Larger (Page 39) American Cinematographer - July 2008 - Batman Looms Larger (Page 40) American Cinematographer - July 2008 - Batman Looms Larger (Page 41) American Cinematographer - July 2008 - Batman Looms Larger (Page 42) American Cinematographer - July 2008 - Batman Looms Larger (Page 43) American Cinematographer - July 2008 - Batman Looms Larger (Page 44) American Cinematographer - July 2008 - Batman Looms Larger (Page 45) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 46) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 47) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 48) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 49) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 50) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 51) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 52) American Cinematographer - July 2008 - A Not-So-Super Hero (Page 53) American Cinematographer - July 2008 - Spy vs. Spy (Page 54) American Cinematographer - July 2008 - Spy vs. Spy (Page 55) American Cinematographer - July 2008 - Spy vs. Spy (Page 56) American Cinematographer - July 2008 - Spy vs. Spy (Page 57) American Cinematographer - July 2008 - Spy vs. Spy (Page 58) American Cinematographer - July 2008 - Spy vs. Spy (Page 59) American Cinematographer - July 2008 - Spy vs. Spy (Page 60) American Cinematographer - July 2008 - Spy vs. Spy (Page 61) American Cinematographer - July 2008 - Spy vs. Spy (Page 62) American Cinematographer - July 2008 - Spy vs. Spy (Page 63) American Cinematographer - July 2008 - Laugh Factory (Page 64) American Cinematographer - July 2008 - Laugh Factory (Page 65) American Cinematographer - July 2008 - Laugh Factory (Page 66) American Cinematographer - July 2008 - Laugh Factory (Page 67) American Cinematographer - July 2008 - Post Focus: CineSynce Streamlines Dark Knight Effects (Page 68) American Cinematographer - July 2008 - Post Focus: CineSynce Streamlines Dark Knight Effects (Page 69) American Cinematographer - July 2008 - Post Focus: CineSynce Streamlines Dark Knight Effects (Page 70) American Cinematographer - July 2008 - Post Focus: CineSynce Streamlines Dark Knight Effects (Page 71) American Cinematographer - July 2008 - Post Focus: CineSynce Streamlines Dark Knight Effects (Page 72) American Cinematographer - July 2008 - Post Focus: CineSynce Streamlines Dark Knight Effects (Page 73) American Cinematographer - July 2008 - New Products & Services (Page 74) American Cinematographer - July 2008 - New Products & Services (Page 75) American Cinematographer - July 2008 - New Products & Services (Page 76) American Cinematographer - July 2008 - New Products & Services (Page 77) American Cinematographer - July 2008 - International Marketplace (Page 78) American Cinematographer - July 2008 - Classified Ads (Page 79) American Cinematographer - July 2008 - Ad Index (Page 80) American Cinematographer - July 2008 - Ad Index (Page 81) American Cinematographer - July 2008 - In Memoriam: Burton "Bud" Stone, Honorary ASC (Page 82) American Cinematographer - July 2008 - In Memoriam: Burton "Bud" Stone, Honorary ASC (Page 83) American Cinematographer - July 2008 - Clubhouse News (Page 84) American Cinematographer - July 2008 - Clubhouse News (Page 85) American Cinematographer - July 2008 - Clubhouse News (Page 86) American Cinematographer - July 2008 - Clubhouse News (Page 87) American Cinematographer - July 2008 - ASC Close-Up: Bill Taylor (Page 88) American Cinematographer - July 2008 - ASC Close-Up: Bill Taylor (Page Cover3) American Cinematographer - July 2008 - ASC Close-Up: Bill Taylor (Page Cover4)
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