American Cinematographer - July 2008 - 68
Post Focus The National Association of Broadcasters (NAB) conference, held annually in Las Vegas, Nevada, has become a main stage for manufacturers to showcase technological advancements that impact a variety of audio-visual workflows through every phase of production, from prep through post. AC was on the NAB show floor this year, and some items about the tools that were unveiled have already appeared in New Products and Services. However, we also examined some tools that directly affect the cinematographer’s vision as motion pictures travel down the post pike. Our coverage will continue over the next few months in these pages and online (www.theasc.com). What follows is a look at some of the most noteworthy developments for post professionals. CineSync Streamlines Dark Knight Effects by Jon D. Witmer Based on Apple QuickTime technology, the CineSync remote review and approval system from RSR synchronizes the timeline and playback of movies while offering drawing and text-annotation tools, allowing users in different corners of the world to communicate clearly and efficiently. The program, which received a Pro upgrade in time for NAB, has proven particularly beneficial in keeping geographically distant visual-effects houses on the same page. Corresponding with AC via email, Rory McGregor, RSR’s CineSync product manager, writes from Australia, “CineSync is simply about allowing people to have a fully interactive ‘visual’ conversation, providing an absolute visual context for everything being discussed. You don’t need to try to describe something on the screen; you 68 July 2008 RSR’s CineSync review-and-approval application was used during The Dark Knight ’s postproduction to streamline communication between director Christopher Nolan in Los Angeles and visual-effects facilities in London and Paris. can point to it, circle it or play the footage, and everyone else in the review session — wherever they are in the world — will instantly know what you mean.” Since its introduction, CineSync has been put through the paces on dozens of features, including Blood Diamond and Iron Man. After working with the program on Superman Returns, visual-effects producer Joyce Cox recommended it to her collaborator on The Dark Knight, visual-effects supervisor Nick Davis. “My last couple of shows had all been in London, so there was no real need for it,” says Davis. For The Dark Knight, though, postproduction spanned half the globe; visualeffects work was divvied up among Paris facility Buf and London facilities Framestore CFC, Double Negative and Cinesite, and director Christopher Nolan remained in Los Angeles for editing. Davis continues, “[Based on]
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American Cinematographer - July 2008
Table of Contents for the Digital Edition of American Cinematographer - July 2008
American Cinematographer - July 2008
Contents
Editor's Note
Global Village: Torn from the Flag
Short Takes: On a Tuesday
Production Slate: Before the Rains WALL-E
Batman Looms Larger
A Not-So-Super Hero
Spy vs. Spy
Laugh Factory
Post Focus: CineSynce Streamlines Dark Knight Effects
New Products & Services
International Marketplace
Classified Ads
Ad Index
In Memoriam: Burton "Bud" Stone, Honorary ASC
Clubhouse News
ASC Close-Up: Bill Taylor
American Cinematographer - July 2008 - American Cinematographer - July 2008
American Cinematographer - July 2008 - Cover2
American Cinematographer - July 2008 - 1
American Cinematographer - July 2008 - 2
American Cinematographer - July 2008 - Contents
American Cinematographer - July 2008 - 4
American Cinematographer - July 2008 - 5
American Cinematographer - July 2008 - 6
American Cinematographer - July 2008 - 7
American Cinematographer - July 2008 - Editor's Note
American Cinematographer - July 2008 - 9
American Cinematographer - July 2008 - Global Village: Torn from the Flag
American Cinematographer - July 2008 - 11
American Cinematographer - July 2008 - 12
American Cinematographer - July 2008 - 13
American Cinematographer - July 2008 - Short Takes: On a Tuesday
American Cinematographer - July 2008 - 15
American Cinematographer - July 2008 - 16
American Cinematographer - July 2008 - 17
American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E
American Cinematographer - July 2008 - 19
American Cinematographer - July 2008 - 20
American Cinematographer - July 2008 - 21
American Cinematographer - July 2008 - 22
American Cinematographer - July 2008 - 23
American Cinematographer - July 2008 - 24
American Cinematographer - July 2008 - 25
American Cinematographer - July 2008 - 26
American Cinematographer - July 2008 - 27
American Cinematographer - July 2008 - 28
American Cinematographer - July 2008 - 29
American Cinematographer - July 2008 - Batman Looms Larger
American Cinematographer - July 2008 - 31
American Cinematographer - July 2008 - 32
American Cinematographer - July 2008 - 33
American Cinematographer - July 2008 - 34
American Cinematographer - July 2008 - 35
American Cinematographer - July 2008 - 36
American Cinematographer - July 2008 - 37
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American Cinematographer - July 2008 - 40
American Cinematographer - July 2008 - 41
American Cinematographer - July 2008 - 42
American Cinematographer - July 2008 - 43
American Cinematographer - July 2008 - 44
American Cinematographer - July 2008 - 45
American Cinematographer - July 2008 - A Not-So-Super Hero
American Cinematographer - July 2008 - 47
American Cinematographer - July 2008 - 48
American Cinematographer - July 2008 - 49
American Cinematographer - July 2008 - 50
American Cinematographer - July 2008 - 51
American Cinematographer - July 2008 - 52
American Cinematographer - July 2008 - 53
American Cinematographer - July 2008 - Spy vs. Spy
American Cinematographer - July 2008 - 55
American Cinematographer - July 2008 - 56
American Cinematographer - July 2008 - 57
American Cinematographer - July 2008 - 58
American Cinematographer - July 2008 - 59
American Cinematographer - July 2008 - 60
American Cinematographer - July 2008 - 61
American Cinematographer - July 2008 - 62
American Cinematographer - July 2008 - 63
American Cinematographer - July 2008 - Laugh Factory
American Cinematographer - July 2008 - 65
American Cinematographer - July 2008 - 66
American Cinematographer - July 2008 - 67
American Cinematographer - July 2008 - Post Focus: CineSynce Streamlines Dark Knight Effects
American Cinematographer - July 2008 - 69
American Cinematographer - July 2008 - 70
American Cinematographer - July 2008 - 71
American Cinematographer - July 2008 - 72
American Cinematographer - July 2008 - 73
American Cinematographer - July 2008 - New Products & Services
American Cinematographer - July 2008 - 75
American Cinematographer - July 2008 - 76
American Cinematographer - July 2008 - 77
American Cinematographer - July 2008 - International Marketplace
American Cinematographer - July 2008 - Classified Ads
American Cinematographer - July 2008 - Ad Index
American Cinematographer - July 2008 - 81
American Cinematographer - July 2008 - In Memoriam: Burton "Bud" Stone, Honorary ASC
American Cinematographer - July 2008 - 83
American Cinematographer - July 2008 - Clubhouse News
American Cinematographer - July 2008 - 85
American Cinematographer - July 2008 - 86
American Cinematographer - July 2008 - 87
American Cinematographer - July 2008 - ASC Close-Up: Bill Taylor
American Cinematographer - July 2008 - Cover3
American Cinematographer - July 2008 - Cover4
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