American Cinematographer - July 2010 - 80

to organize the massive amounts of data and metadata that can be generated on a shoot. The beta version is available for free download at http://synaesthe sia.surrealroad.com/beta. For more information, visit www.surrealroad.com. Marshall Monitor Enters Field Marshall Electronics has added the V-LCD50-HDMI 5" monitor to its popular line of portable camera-top monitors. Packed with features, the portable unit is a perfect solution for DSLR and video professionals. The compact LED-backlit V-LCD50HDMI offers excellent picture performance and viewing angles. Standard features include a wide variety of formats and markers, four user-friendly configurable front-panel function buttons, RGB check field/field detect, RGB gain and bias control. The monitor also features Marshall’s False Color and Peaking filters, along with Image Flip, Freeze Frame, and HDMI Auto Color Space and Ratio Detect. The V-LCD50-HDMI can be powered either with the included power supply or with four AA batteries. Additionally, the bottom 1⁄4"-20 mount allows the monitor to be mounted to most DSLRs, cranes and jibs. For additional information, visit www.lcdracks.com. FSI Monitors Critical Color Flanders Scientific, Inc. has announced the release of the 24" LM2470W 10-bit RGB LED Matrix monitor. Incorporating all of the powerful features found across FSI’s monitor line, the LM2470W comes equipped with a true native 10-bit LCD panel and RGB LED Matrix Backlighting System. Designed for the most demanding color-critical applications, the monitor is capable of reproducing over 1.073 billion colors. The LM-2470W is an ultra-widegamut LCD monitor (102 percent of
80 July 2010

NTSC) with an advanced color-space selection option allowing users to instantly switch between Rec 709, SMPTE C, EBU and Wide Gamut modes. Additionally, the monitor comes standard with 3 Gbps HD/SD-SDI inputs, allowing the unit to support a 4:4:4 and 1080p50/60 source over a single serial digital interface. Other inputs include Component,

RGB, Composite and DVI-I; the fourmode waveform and vectorscope work for all inputs. Additionally, the monitor boasts a lightweight and rugged aluminum chassis, as well as audio disembedding, audio out, audio level meters and built-in speakers. For additional information, visit www.shopfsi.com and www.flanderssci entific.com. Wohler Adds Vectorscope to RM HD Monitors Wohler Technologies Inc. has announced the addition of vectorscope capability to all of the company’s new RM HD LCD video-monitoring products. Already equipped with waveform display and a broad range of metering and overlay options, these sleek, compact monitors bring increased functionality and efficiency to high-quality HD monitoring, particularly in the space-constrained production environment. “External gear such as hardware scopes not only require an additional equipment investment, but also demand valuable space in fixed and mobile installations,” says Kim Templeman-Holmes, executive vice president of global sales and marketing at Wohler. “By integrating vectorscope capability into all of our new RM HD monitors, we’ve boosted the systems’ value and eliminated a layer of
American Cinematographer

complexity in ensuring the quality of video sources. Operators now can acquire a rich array of source and signal data through the monitor by simply accessing that information through the onscreen display.” Ideal for confidence monitoring in mobile trucks, news and transmission control rooms, and duplication and postproduction facilities, products in the RM family of slim, lightweight LCD monitors enable monitoring of HD/SD-SDI video and composite video with embedded audio. Each system boasts two to four high-resolution screens that display HD or SD video, as well as meters for up to eight channels of audio. Additional overlays that can be added by the operator include safe area and safe title markers, a center mark, time code, display format and IMD. For additional information, visit www.wohler.com. Skooba Stables Cables Skooba Design has introduced the Cable Stable DLX, a completely redesigned edition of the unique cable and accessory organizer the company first developed and introduced in 2000. The Cable Stable DLX looks and opens like a book and features approximately 18 different storage spaces in a 12-ounce case the size of a traditional day planner. Opening the Cable Stable DLX, one side features a grid of elastic hold-downs in different sizes and orientations. The elastic strips “float” freely under reinforced retention strips so they can easily stretch and contract to accommodate a near-limitless assortment of portable gadgets, cords, adapters and other accessories. Mesh pockets line the side opposite the storage grid, and elastic loops for batteries, pens and thumb drives line the center divider; additionally, the exterior features a document/CD pocket. The Cable Stable DLX is available for a suggested retail price of $39.95. For more information, visit www.skoobade sign.com. ●


http://synaesthesia.surrealroad.com/beta http://synaesthesia.surrealroad.com/beta http://www.surrealroad.com http://www.wohler.com http://www.shopfsi.com http://www.flandersscientific.com http://www.flandersscientific.com http://www.lcdracks.com http://www.skoobadesign.com http://www.skoobadesign.com

American Cinematographer - July 2010

Table of Contents for the Digital Edition of American Cinematographer - July 2010

The International Journal of Motion Imaging - July 2010 Vol. 91 No. 7
Features
Dream Thieves (Inception)
Elements of Power (The Last Airbender)
An Emotional Rebirth (I Am Love)
Crowning Achievements (The Tudors)
Departments
Editor’s Note
President’s Desk
Short Takes: “Telephone”
Production Slate: Lie to Me • The Killer Inside Me
Post Focus: Enhancing Frozen
Filmmakers’ Forum: Gale Tattersall
New Products & Services
International Marketplace
Classified Ads
Ad Index
In Memoria: Karl Malkames, ASC • Vincent Martinelli, ASC
Clubhouse News
ASC Close-Up: Thomas A. Del Ruth
American Cinematographer - July 2010 - The International Journal of Motion Imaging - July 2010 Vol. 91 No. 7
American Cinematographer - July 2010 - Cover2
American Cinematographer - July 2010 - 1
American Cinematographer - July 2010 - 2
American Cinematographer - July 2010 - 3
American Cinematographer - July 2010 - 4
American Cinematographer - July 2010 - 5
American Cinematographer - July 2010 - 6
American Cinematographer - July 2010 - 7
American Cinematographer - July 2010 - Editor’s Note
American Cinematographer - July 2010 - 9
American Cinematographer - July 2010 - President’s Desk
American Cinematographer - July 2010 - 11
American Cinematographer - July 2010 - Short Takes: “Telephone”
American Cinematographer - July 2010 - 13
American Cinematographer - July 2010 - 14
American Cinematographer - July 2010 - 15
American Cinematographer - July 2010 - Production Slate: Lie to Me • The Killer Inside Me
American Cinematographer - July 2010 - 17
American Cinematographer - July 2010 - 18
American Cinematographer - July 2010 - 19
American Cinematographer - July 2010 - 20
American Cinematographer - July 2010 - 21
American Cinematographer - July 2010 - 22
American Cinematographer - July 2010 - 23
American Cinematographer - July 2010 - 24
American Cinematographer - July 2010 - 25
American Cinematographer - July 2010 - Dream Thieves (Inception)
American Cinematographer - July 2010 - 27
American Cinematographer - July 2010 - 28
American Cinematographer - July 2010 - 29
American Cinematographer - July 2010 - 30
American Cinematographer - July 2010 - 31
American Cinematographer - July 2010 - 32
American Cinematographer - July 2010 - 33
American Cinematographer - July 2010 - 34
American Cinematographer - July 2010 - 35
American Cinematographer - July 2010 - 36
American Cinematographer - July 2010 - 37
American Cinematographer - July 2010 - 38
American Cinematographer - July 2010 - 39
American Cinematographer - July 2010 - Elements of Power (The Last Airbender)
American Cinematographer - July 2010 - 41
American Cinematographer - July 2010 - 42
American Cinematographer - July 2010 - 43
American Cinematographer - July 2010 - 44
American Cinematographer - July 2010 - 45
American Cinematographer - July 2010 - 46
American Cinematographer - July 2010 - 47
American Cinematographer - July 2010 - 48
American Cinematographer - July 2010 - 49
American Cinematographer - July 2010 - An Emotional Rebirth (I Am Love)
American Cinematographer - July 2010 - 51
American Cinematographer - July 2010 - 52
American Cinematographer - July 2010 - 53
American Cinematographer - July 2010 - 54
American Cinematographer - July 2010 - 55
American Cinematographer - July 2010 - 56
American Cinematographer - July 2010 - 57
American Cinematographer - July 2010 - Crowning Achievements (The Tudors)
American Cinematographer - July 2010 - 59
American Cinematographer - July 2010 - 60
American Cinematographer - July 2010 - 61
American Cinematographer - July 2010 - 62
American Cinematographer - July 2010 - 63
American Cinematographer - July 2010 - 64
American Cinematographer - July 2010 - 65
American Cinematographer - July 2010 - 66
American Cinematographer - July 2010 - 67
American Cinematographer - July 2010 - Post Focus: Enhancing Frozen
American Cinematographer - July 2010 - 69
American Cinematographer - July 2010 - 70
American Cinematographer - July 2010 - 71
American Cinematographer - July 2010 - Filmmakers’ Forum: Gale Tattersall
American Cinematographer - July 2010 - 73
American Cinematographer - July 2010 - New Products & Services
American Cinematographer - July 2010 - 75
American Cinematographer - July 2010 - 76
American Cinematographer - July 2010 - 77
American Cinematographer - July 2010 - 78
American Cinematographer - July 2010 - 79
American Cinematographer - July 2010 - 80
American Cinematographer - July 2010 - 81
American Cinematographer - July 2010 - International Marketplace
American Cinematographer - July 2010 - Classified Ads
American Cinematographer - July 2010 - Ad Index
American Cinematographer - July 2010 - 85
American Cinematographer - July 2010 - In Memoria: Karl Malkames, ASC • Vincent Martinelli, ASC
American Cinematographer - July 2010 - Clubhouse News
American Cinematographer - July 2010 - ASC Close-Up: Thomas A. Del Ruth
American Cinematographer - July 2010 - Cover3
American Cinematographer - July 2010 - Cover4
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