American Cinematographer - July 2013 - 59

Left: Beatrice
eavesdrops on
Hero and her
maid, Margaret
(Ashley Johnson).
Below: The
filmmakers shoot
a scene in the
kitchen.

Benedick comes back into frame, and
we see both their faces.”
The next scene finds Beatrice and
Benedick together in the living room.
Their growing attraction is obvious.
Determined to punish Claudio for jilting her cousin, Beatrice is charging
around the set, demanding that if
Benedick truly loves her, he will kill
Claudio. Hunter recalls, “I was sitting
on a butt dolly [a stool with wheels],
scurrying around with the camera at
Beatrice’s eye level. Propelling yourself
around with your legs takes practice, but
you just develop these breathing skills
and these kinds of shock absorbers in
your body. At the end of the scene,
which was a five-minute oner, Beatrice
sits down on the couch. My AC pulled
the dolly out from under me, and I kind
of crouched down, remaining at her eye
level. Benedick stands behind the
couch, and I needed to go lower still in
order to keep his head in frame and still
remain at her eyeline.”
The living-room windows look
out onto the backyard, and day interiors
took advantage of all the light pouring
in, although additional fixtures, both
outside and inside, were often required.

Hunter and gaffer George Maxwell
donated several lights to the production.
“George and I have worked together for
years, and he is the perfect collaborator,”
says Hunter. “We used mainly HMIs,
Arri M18s, 4Ks, 6Ks, Jem Balls and
Hive Plasma lights.
“Everybody is using LEDs now,
and they’re great for certain applications, but they don’t have the same
punch and throw as an HMI, quartz or
www.theasc.com

tungsten light,” he continues. “The
Plasmas use very little energy and don’t
produce a lot of heat, yet they provide a
really powerful source.
“For a wraparound look, we built
book lights, [bouncing] a powerful
HMI into bead board or through
8-by-8 Light Grid diffusion, or we
placed Jem Balls off camera with
bleached or unbleached muslin covers.
The shape of the light is soft and wraps
July 2013

59


http://www.theasc.com

American Cinematographer - July 2013

Table of Contents for the Digital Edition of American Cinematographer - July 2013

American Cinematographer - July 2013
Contents
Editor’s Note
President’s Desk
Short Takes: Dreamland
Production Slate: Laurence Anyways • Post Tenebras Lux
Prime Target
Wild Planet
An Indie Twist on Shakespeare
Tournament of Death
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Don Burgess
American Cinematographer - July 2013 - American Cinematographer - July 2013
American Cinematographer - July 2013 - Cover2
American Cinematographer - July 2013 - 1
American Cinematographer - July 2013 - 2
American Cinematographer - July 2013 - Contents
American Cinematographer - July 2013 - 4
American Cinematographer - July 2013 - 5
American Cinematographer - July 2013 - 6
American Cinematographer - July 2013 - 7
American Cinematographer - July 2013 - 8
American Cinematographer - July 2013 - 9
American Cinematographer - July 2013 - Editor’s Note
American Cinematographer - July 2013 - 11
American Cinematographer - July 2013 - President’s Desk
American Cinematographer - July 2013 - 13
American Cinematographer - July 2013 - Short Takes: Dreamland
American Cinematographer - July 2013 - 15
American Cinematographer - July 2013 - 16
American Cinematographer - July 2013 - 17
American Cinematographer - July 2013 - 18
American Cinematographer - July 2013 - 19
American Cinematographer - July 2013 - Production Slate: Laurence Anyways • Post Tenebras Lux
American Cinematographer - July 2013 - 21
American Cinematographer - July 2013 - 22
American Cinematographer - July 2013 - 23
American Cinematographer - July 2013 - 24
American Cinematographer - July 2013 - 25
American Cinematographer - July 2013 - 26
American Cinematographer - July 2013 - 27
American Cinematographer - July 2013 - 28
American Cinematographer - July 2013 - 29
American Cinematographer - July 2013 - 30
American Cinematographer - July 2013 - 31
American Cinematographer - July 2013 - Prime Target
American Cinematographer - July 2013 - 33
American Cinematographer - July 2013 - 34
American Cinematographer - July 2013 - 35
American Cinematographer - July 2013 - 36
American Cinematographer - July 2013 - 37
American Cinematographer - July 2013 - 38
American Cinematographer - July 2013 - 39
American Cinematographer - July 2013 - 40
American Cinematographer - July 2013 - 41
American Cinematographer - July 2013 - 42
American Cinematographer - July 2013 - 43
American Cinematographer - July 2013 - Wild Planet
American Cinematographer - July 2013 - 45
American Cinematographer - July 2013 - 46
American Cinematographer - July 2013 - 47
American Cinematographer - July 2013 - 48
American Cinematographer - July 2013 - 49
American Cinematographer - July 2013 - 50
American Cinematographer - July 2013 - 51
American Cinematographer - July 2013 - 52
American Cinematographer - July 2013 - 53
American Cinematographer - July 2013 - 54
American Cinematographer - July 2013 - 55
American Cinematographer - July 2013 - An Indie Twist on Shakespeare
American Cinematographer - July 2013 - 57
American Cinematographer - July 2013 - 58
American Cinematographer - July 2013 - 59
American Cinematographer - July 2013 - 60
American Cinematographer - July 2013 - 61
American Cinematographer - July 2013 - 62
American Cinematographer - July 2013 - 63
American Cinematographer - July 2013 - Tournament of Death
American Cinematographer - July 2013 - 65
American Cinematographer - July 2013 - 66
American Cinematographer - July 2013 - 67
American Cinematographer - July 2013 - 68
American Cinematographer - July 2013 - 69
American Cinematographer - July 2013 - 70
American Cinematographer - July 2013 - 71
American Cinematographer - July 2013 - 72
American Cinematographer - July 2013 - 73
American Cinematographer - July 2013 - 74
American Cinematographer - July 2013 - 75
American Cinematographer - July 2013 - New Products & Services
American Cinematographer - July 2013 - 77
American Cinematographer - July 2013 - 78
American Cinematographer - July 2013 - 79
American Cinematographer - July 2013 - 80
American Cinematographer - July 2013 - 81
American Cinematographer - July 2013 - International Marketplace
American Cinematographer - July 2013 - Classified Ads
American Cinematographer - July 2013 - Ad Index
American Cinematographer - July 2013 - 85
American Cinematographer - July 2013 - Clubhouse News
American Cinematographer - July 2013 - 87
American Cinematographer - July 2013 - ASC Close-Up: Don Burgess
American Cinematographer - July 2013 - Cover3
American Cinematographer - July 2013 - Cover4
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