American Cinematographer - July 2014 - 51

Wolverine takes a
moment to heal
from multiple
gunshot wounds.

We also took reds and gave them a rich,
primary-red look. We messed around
with pretty much every color, we did
skin softening, and I'd track windows
for almost every take. What we did was
really extensive, and that was before the
3-D pass."
Nakamura calls the dailies work
"a helpful guide," even for scenes in
which he and Sigel ended up making
significant changes in the final grade.
Indeed, Sigel emphasizes that he often
made changes to his color decisions in
the DI. Nevertheless, he says this dailies
tactic offered a much better sense of
where the visuals were heading during
production, and a much better foundation for experimentation.
At the end of post on a 3-D
movie, the cinematographer notes, "you
have to do a 3-D pass at 3½ foot
lamberts, a 3-D pass at 6 foot lamberts,
and a 2-D pass, and then there are still
visual-effects shots trickling in with still
more fine-tuning to do. You always get
down to the very last seconds before
your deadline. By handling dailies in
this fashion, we were able to eliminate
some of the work and reduce some of

the things that [Nakamura] would have
to spend his time on [during the DI].
He could also get things closer to final
before I even got into the DI suite, so he
and I could get right to fine-tuning,
rather than starting from scratch. Our
dailies ended up being a great tool for
communication with Stephen, and the
DI ended up being an evolution of a
www.theasc.com

look we established in the dailies that
we were very comfortable with."
Days of Future Past features a
number of elaborate sets created by
production designer John Myhre,
another veteran of the first X-Men film.
For example, chief lighting technician
Tony "Nako" Nakonechnyj points to a
major set meant to represent an ancient
July 2014

51



http://www.theasc.com

American Cinematographer - July 2014

Table of Contents for the Digital Edition of American Cinematographer - July 2014

Contents
American Cinematographer - July 2014 - Cover1
American Cinematographer - July 2014 - Cover2
American Cinematographer - July 2014 - 1
American Cinematographer - July 2014 - 2
American Cinematographer - July 2014 - Contents
American Cinematographer - July 2014 - 4
American Cinematographer - July 2014 - 5
American Cinematographer - July 2014 - 6
American Cinematographer - July 2014 - 7
American Cinematographer - July 2014 - 8
American Cinematographer - July 2014 - 9
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American Cinematographer - July 2014 - 14
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American Cinematographer - July 2014 - 18
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American Cinematographer - July 2014 - 20
American Cinematographer - July 2014 - 21
American Cinematographer - July 2014 - 22
American Cinematographer - July 2014 - 23
American Cinematographer - July 2014 - 24
American Cinematographer - July 2014 - 25
American Cinematographer - July 2014 - 26
American Cinematographer - July 2014 - 27
American Cinematographer - July 2014 - 28
American Cinematographer - July 2014 - 29
American Cinematographer - July 2014 - 30
American Cinematographer - July 2014 - 31
American Cinematographer - July 2014 - 32
American Cinematographer - July 2014 - 33
American Cinematographer - July 2014 - 34
American Cinematographer - July 2014 - 35
American Cinematographer - July 2014 - 36
American Cinematographer - July 2014 - 37
American Cinematographer - July 2014 - 38
American Cinematographer - July 2014 - 39
American Cinematographer - July 2014 - 40
American Cinematographer - July 2014 - 41
American Cinematographer - July 2014 - 42
American Cinematographer - July 2014 - 43
American Cinematographer - July 2014 - 44
American Cinematographer - July 2014 - 45
American Cinematographer - July 2014 - 46
American Cinematographer - July 2014 - 47
American Cinematographer - July 2014 - 48
American Cinematographer - July 2014 - 49
American Cinematographer - July 2014 - 50
American Cinematographer - July 2014 - 51
American Cinematographer - July 2014 - 52
American Cinematographer - July 2014 - 53
American Cinematographer - July 2014 - 54
American Cinematographer - July 2014 - 55
American Cinematographer - July 2014 - 56
American Cinematographer - July 2014 - 57
American Cinematographer - July 2014 - 58
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