American Cinematographer - July 2014 - 56

◗

Time Benders

Dr. Bolivar Trask (Peter Dinklage) plots to eradicate the mutant population.

off-speed, which added elegance to his
movement. We often used massive
amounts of wind with [Peters] on a
treadmill and the camera at high speed
to distort his face and enhance the feeling of moving at such speeds. At one
56

July 2014

point, we see Quicksilver running so
fast that his centrifugal force allows him
to run along the walls, with his body
completely horizontal. This was done
with a spinning rig in the center of the
set, with arms that held the rigging for
American Cinematographer

both the camera and stunt performer."
The finished film incorporates
some 1,200 visual-effects shots, most of
which married practical photography
with CGI elements. To aid the practical
photography, the filmmakers employed
a number of specialized tools, including
Technocrane's remote-operated and
programmable Technodolly dolly/crane
system, which allowed them to more
easily capture motion-control shots
with what Sigel describes as a "quick
and easy setup." Additionally, Alexa
Classic cameras were mounted on a
Cameron-Pace underwater 3-D rig for
shots of Wolverine being cast into the
Potomac by Magneto. "Underwater
lends itself particularly well to native
3-D capture, because there are always
bubbles, floating debris, etc.," says
Gervais. "Dimensionalizing these shots
can be costly and time-consuming."
A sequence in which the massive,
mutant-hunting Sentinel robots go
berserk outside the White House called
for a liberal mix of live action and
digital imagery. The production con-



American Cinematographer - July 2014

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American Cinematographer - July 2014 - Cover1
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American Cinematographer - July 2014 - 1
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