American Cinematographer - July 2015 - 42

◗

Tortured Souls

Gray takes Angelique out on the town for a date.

42

to be quite a lot of overlap, so we're
prepping sets for two different units,
going out and measuring locations, and
getting construction to build everything. I'm constantly leapfrogging and
trying to stay one block ahead."
The art department, including
art directors, draftspeople and graphic
artists, totaled "probably about 20,"
McKinstry says "Then there's the setdecorating team and props. We also
have a practical electrician for when
there are practical lights incorporated
into a set piece." Like his fellow
crewmembers, McKinstry enjoys the
scale of the project. "It's not often you
get to design and build a theater!" he
enthuses.
Digital-imaging technician Niall
O'Brien calls the on-set workflow
"something I put together on Ripper
Street, and we've been working that way
ever since." On-set creative colorimetry
is
performed
using
Pomfort
LiveGrade, with Tangent Element


http://www.theasc.com http://www.theasc.com

Table of Contents for the Digital Edition of American Cinematographer - July 2015

Contents
American Cinematographer - July 2015 - Cover1
American Cinematographer - July 2015 - Cover2
American Cinematographer - July 2015 - 1
American Cinematographer - July 2015 - 2
American Cinematographer - July 2015 - Contents
American Cinematographer - July 2015 - 4
American Cinematographer - July 2015 - 5
American Cinematographer - July 2015 - 6
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