American Cinematographer - July 2015 - 60

◗

The Boys Are Back

Turtle fails to
impress MMA
fighter and
UFC Women's
Bantamweight
champion
Ronda Rousey.

justifiably renowned D.J. Lootens."
The production lit with HMI
and tungsten, and, as Rao notes, the
team used a complete line of Arri Pars
"for their punch and reliability. We
were particularly pleased with the M90
Par for its outstanding output-to-size
ratio."
Fierberg notes that he was striving for imagery that wouldn't look
glamorized. "I hope every scene in
Entourage looks like you think it would
look if you were at that place or event,"
he says. "My goal with lighting is to
capture and heighten reality, not detach
myself from it." Toward that end,
Fierberg avoided backlighting - just
as he had done on the series. "We also
never do coverage or close-ups when
we don't need them. Although we carry
two cameras, we set up the A camera as
if it is the only camera. Then, only if the
B camera has an uncompromised shot,
will it roll. I personally feel that when
I'm shooting with one primary camera,
I can light very quickly. It can be
quicker to do a couple shots one at a
time than trying to set up complicated
- and compromised - positions for
multiple cameras."
Entourage, he adds, was "a sidelight show. By putting the light at a
60

July 2015

American Cinematographer



Table of Contents for the Digital Edition of American Cinematographer - July 2015

Contents
American Cinematographer - July 2015 - Cover1
American Cinematographer - July 2015 - Cover2
American Cinematographer - July 2015 - 1
American Cinematographer - July 2015 - 2
American Cinematographer - July 2015 - Contents
American Cinematographer - July 2015 - 4
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