American Cinematographer - July 2017 - 32

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A Warrior Rises
Louvre Museum - the setup for a
scene in which modern-day antiquitiesexpert Diana is handed a package from
a Wayne Enterprises armored truck -
before returning to London. The
production's plan to start the shoot in
the City of Light was postponed
because of the November 13, 2015
terror attacks.
Much of the London and
Belgium exterior work - all shot in the
U.K. - as well as all interiors, was shot
on Kodak Vision3 500T 5219 stock.
The crew wanted overcast days and shot
with an 81EF filter instead of a traditional 85-series filter. "I was not fully
correcting [the daylight scenes] for
tungsten film," Jensen explains. "I only
partially corrected the negative, so it had
a blue-cyan bias, which is a look we
went with and enhanced in the grade."
He used Vision3 250D 5207 and 50D
5203 for some of the bright Italian exteriors, rendering those Themyscirabased daylight scenes more naturally
than the cooler London locales.
The production generally shot
interiors at T2.8, exteriors in Italy
between 5.6 and 8, and exteriors in
London - during the volatile, mostly
sun-deprived winter - at around T4.
Jensen reports that he used NDs "and a
lot of cursing expletives when the sun
would come out at the exact moment I
didn't want it to." He thanks 1st AD
Tommy Gormley for allowing him to
wait for clouds to roll by so shots would
match.
Trenches, as well as a village in
Belgium liberated by Wonder Woman
and co., were constructed on the Warner
Bros. back lot. The crew used large black
silks on telehandlers to block out sun
when possible, but on the frequent occasions when the wind made massive silks
too dangerous, the production had to
shoot without them and hope for the
best.
Panavision's Panaflex Millennium
XL2 was the go-to camera, shooting 4perf Super 35 framed for the 2.39:1
aspect ratio. Arri's Arriflex 435 was
called upon for some slow-motion
work. "We shot between 60 fps and 150

Above:
Restrained by
the golden Lasso
of Truth, Trevor
is questioned by
Diana and her
mother, Queen
Hippolyta
(Connie Nielsen).
Right and below:
Cast and crew
work through
the scene on the
Themyscira
throne-room set.

32

July 2017

American Cinematographer



Table of Contents for the Digital Edition of American Cinematographer - July 2017

Contents
American Cinematographer - July 2017 - Cover1
American Cinematographer - July 2017 - Cover2
American Cinematographer - July 2017 - 1
American Cinematographer - July 2017 - 2
American Cinematographer - July 2017 - Contents
American Cinematographer - July 2017 - 4
American Cinematographer - July 2017 - 5
American Cinematographer - July 2017 - 6
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American Cinematographer - July 2017 - 41
American Cinematographer - July 2017 - 41A
American Cinematographer - July 2017 - 41B
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