American Cinematographer - July 2017 - 64

◗

Cannibal Run

DaVinci Resolve. "Given my grading
theater in the camera truck, I was able to
do more complex grading: vignettes,
ISO changes, keys and even tracked
windows."
The final grade was completed at
Runway Post with colorist Zach
Medow - who had also performed the
grade for Girl - on Blackmagic
Design's DaVinci Resolve with original
ArriRaw files in P3 color space for a 2K
DCP finish. "On-set LUT and dailies
were used as starting-point reference for
the DI," Vincent notes.
After working in black-andwhite on A Girl Walks Home Alone at
Night, Vincent and Amirpour were both
anxious to play with color, and they got
their chance during The Bad Batch's
night exteriors. "I wanted us to paint
with colors during those night locations," says Amirpour. "I have different
look books and audio-visual references
depending on which collaborator or
department head I'm working with.
[For night exteriors] there's this photographer, Troy Paiva, who's been shooting
with colored lights in abandoned locations since the 1990s. His books were a

Above: The Dream's
cultish compound
offers an oasis
from the desert
sun. Right: Vincent
and Amirpour
conceived distinct
color palettes for
the feature's
principal locations.
"For Comfort," the
cinematographer
explains, "we used
more of a neon
wash of blues and
greens."

64

July 2017

American Cinematographer



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American Cinematographer - July 2017 - Cover1
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American Cinematographer - July 2017 - 1
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