American Cinematographer - August 2008 - (Page 66) An Eye-Popping Adventure Right: The crew prepares to film action in a water tank. Below: Schuman’s diagram of the scene’s lighting. era was almost always in motion, and as it would move closer to or farther from a subject, the convergence was adjusted to keep the lenses properly oriented as the subjects shifted. “We had to have not only a focus puller, but also a separate assistant for pulling dynamic conver- gence and dynamic interaxial distance,” says Schuman. Key 1st AC Dennis Rogers recommends that future 3-D productions include two additional people on the camera crew: one with focus-pulling experience to pull IO and convergence, and another who is a support technician for just the stereo rig (similar to a specialized technician for a remote head). He notes, “Nobody should feel guilty about having a dedicated support technician for 3-D — look at what the production is gaining. You have to add to the standard production Underwater tank - Olympic Stadium (#417) Date: July 20th, 2006 ; Scale : 1/8” = 1 SIDE VIEW x4 TOP VIEW 1.2K HydroPar CC 4460 12K PAR Image 80 underwater (5500K) 18K Fresnel (stand by) x6 66 August 2008
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