Capturing All 4 Seasons Tom Stern, ASC, AFC and director Clint Eastwood transition to digital acquisition for the exuberant musical Jersey Boys. By Michael Goldman *|* 42 August 2014 W hen asked what director Clint Eastwood liked best about shooting a full-length feature with a digital camera system, the director's longtime collaborator, cinematographer Tom Stern, ASC, AFC, retorts that the answer should be obvious to anyone familiar with their working methods: Eastwood grooved on the ability to shoot longer takes for sustained periods without having to stop for magazine changes. Finding that groove proved crucial for Jersey Boys, Eastwood's first foray into both digital acquisition and the musical genre. Adapted from the hit Broadway play of the same name, American Cinematographer