American Cinematographer - August 2015 - 67

Top left and bottom right: Hope returns to the ring
for a charity event held inside a church. Top right:
Fiore and crew utilized skirted balloons to light a
banquet scene.

Garden was a modest space at Indiana
University of Pennsylvania. "This was
what was available, and we tried to
create the ring as accurately as possible,"
says Fiore. "We could put in our lighting
rigs and stay there for the period of time
we needed to shoot. Even if the scale
wasn't accurate, the center of the ring
was."
Fiore gave the maps and diagrams
of Madison Square Garden to lightingconsole programmer and operator Kevin
Hogan, who explains, "They asked me
to figure out the rig, but there were
hundreds of fixtures and perimeter
trusses, and it wasn't possible for us to
do. So there were a lot of discussions
about how much to shoot practically
and how much would be expanded in
visual effects." With a mandate to create
as much footage in-camera as possible,
Fiore also conferred with visual-effects
supervisor Sean Devereaux on the
specifics of virtually expanding the
arena.
To re-create the HBO-style experience, the production employed six Arri

Alexa XTs supplied by Arri CSC (now
Arri Rental). Radiant Images provided
the lens package as well as Vision
Research Phantom, Silicon Imaging SI2K Mini and Red Epic Dragon
cameras, which were used for specialized
shots. HBO is specific about camera
placement, a blueprint Fiore followed as
closely as possible. "One camera is in the
middle of the audience, and you get left
and right of the ring," he says. "[They
are] very specific as to height; you had to
see above the second rope, meaning the
fighters would be clear of all the ropes."
According to 1st AC Larry Nielsen, an
www.theasc.com

Angenieux HR 25-250mm (T3.5)
zoom was used for these shots.
Another camera was above the
ring near the location's ceiling, 40'-50'
up, and captured the image for the
Jumbotron. "In Madison Square
Garden, the operator has a huge
pedestal camera with zoom controls in a
steel deck above the audience," says
Fiore. Nielsen reports that the highangle camera used in the film was fitted
with an Angenieux Optimo 24-290mm
(T2.8) zoom.
Palladino and Cypher were positioned ringside on the left and right,
August 2015

67



http://www.theasc.com

Table of Contents for the Digital Edition of American Cinematographer - August 2015

Contents
American Cinematographer - August 2015 - Cover1
American Cinematographer - August 2015 - Cover2
American Cinematographer - August 2015 - 1
American Cinematographer - August 2015 - 2
American Cinematographer - August 2015 - Contents
American Cinematographer - August 2015 - 4
American Cinematographer - August 2015 - 5
American Cinematographer - August 2015 - 6
American Cinematographer - August 2015 - 7
American Cinematographer - August 2015 - 8
American Cinematographer - August 2015 - 9
American Cinematographer - August 2015 - 10
American Cinematographer - August 2015 - 11
American Cinematographer - August 2015 - 12
American Cinematographer - August 2015 - 13
American Cinematographer - August 2015 - 14
American Cinematographer - August 2015 - 15
American Cinematographer - August 2015 - 16
American Cinematographer - August 2015 - 17
American Cinematographer - August 2015 - 18
American Cinematographer - August 2015 - 19
American Cinematographer - August 2015 - 20
American Cinematographer - August 2015 - 21
American Cinematographer - August 2015 - 22
American Cinematographer - August 2015 - 23
American Cinematographer - August 2015 - 24
American Cinematographer - August 2015 - 25
American Cinematographer - August 2015 - 26
American Cinematographer - August 2015 - 27
American Cinematographer - August 2015 - 28
American Cinematographer - August 2015 - 29
American Cinematographer - August 2015 - 30
American Cinematographer - August 2015 - 31
American Cinematographer - August 2015 - 32
American Cinematographer - August 2015 - 33
American Cinematographer - August 2015 - 34
American Cinematographer - August 2015 - 35
American Cinematographer - August 2015 - 36
American Cinematographer - August 2015 - 37
American Cinematographer - August 2015 - 38
American Cinematographer - August 2015 - 39
American Cinematographer - August 2015 - 40
American Cinematographer - August 2015 - 41
American Cinematographer - August 2015 - 42
American Cinematographer - August 2015 - 43
American Cinematographer - August 2015 - 44
American Cinematographer - August 2015 - 45
American Cinematographer - August 2015 - 46
American Cinematographer - August 2015 - 47
American Cinematographer - August 2015 - 48
American Cinematographer - August 2015 - 49
American Cinematographer - August 2015 - 50
American Cinematographer - August 2015 - 51
American Cinematographer - August 2015 - 52
American Cinematographer - August 2015 - 53
American Cinematographer - August 2015 - 54
American Cinematographer - August 2015 - 55
American Cinematographer - August 2015 - 56
American Cinematographer - August 2015 - 57
American Cinematographer - August 2015 - 58
American Cinematographer - August 2015 - 59
American Cinematographer - August 2015 - 60
American Cinematographer - August 2015 - 61
American Cinematographer - August 2015 - 62
American Cinematographer - August 2015 - 63
American Cinematographer - August 2015 - 64
American Cinematographer - August 2015 - 65
American Cinematographer - August 2015 - 66
American Cinematographer - August 2015 - 67
American Cinematographer - August 2015 - 68
American Cinematographer - August 2015 - 69
American Cinematographer - August 2015 - 70
American Cinematographer - August 2015 - 71
American Cinematographer - August 2015 - 72
American Cinematographer - August 2015 - 73
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American Cinematographer - August 2015 - 76
American Cinematographer - August 2015 - 77
American Cinematographer - August 2015 - 78
American Cinematographer - August 2015 - 79
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American Cinematographer - August 2015 - 84
American Cinematographer - August 2015 - 85
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American Cinematographer - August 2015 - 87
American Cinematographer - August 2015 - 88
American Cinematographer - August 2015 - Cover3
American Cinematographer - August 2015 - Cover4
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