American Cinematographer - August 2015 - 70
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Personal Battles
The crew captures the action for the Caesars Palace fight.
70
August 2015
American Cinematographer
things once it got in the air." Hogan
reports that by the time all the fights
were programmed, he had a total of
more than 800 cues.
Fiore describes the underlying
technique in lighting the ring as intermixing "movie lighting and concert
lighting." The fight-rig fixtures included
156 Par cans on the truss immediately
surrounding the ring, 20 Vari-Lite VLX
LED Washes and 28 VL3000 Spots for
moving lights, and 16 Clay Paky
Sharpys on the ground to create searchlight-beam effects in the air. "The
Sharpys are featured fairly heavily," says
Hogan. "They're in the background of
every shot. In addition to the moving
lights, we used a staggering amount of
cable: 12,650 feet - or 2.4 miles - of
six-circuit multicable."
To light the actors in the ring,
Fiore placed a large soft box above the
center. "We wanted to sculpt the light
around our boxers," he says. "We put a
lot of our efforts toward the center of
the ring."
Morrison notes that the soft box
provided a lot of flexibility. "We hid it in
the grid above the ring, and we had
complete control over whether we
wanted it dark or light on a specific side
or wanted to focus light into the ring,"
he says. "We could raise or lower the
lights within the soft box for more or
less intensity. By making a decision to
throw a lighting-control device over the
soft grid hanging above the ring, we
allowed ourselves greater flexibility -
we could roll with the punches. We used
all the lights in the truss to backlight or
frontlight the actors, and we used those
moving lights to get nice rims on their
heads or bounce off them."
The university location stood in
for three different fighting venues -
the first, second and fourth matches -
and Fiore determined that all four fights
would each have a different color
palette. "The first fight was Madison
Square Garden blue, with lots of blue
moving lights - a cool, observational
palette," he says. "The second fight
[which takes place in Atlantic City]
begins to use greens. The third fight, in
Table of Contents for the Digital Edition of American Cinematographer - August 2015
Contents
American Cinematographer - August 2015 - Cover1
American Cinematographer - August 2015 - Cover2
American Cinematographer - August 2015 - 1
American Cinematographer - August 2015 - 2
American Cinematographer - August 2015 - Contents
American Cinematographer - August 2015 - 4
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American Cinematographer - August 2015 - 6
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