American Cinematographer - August 2016 - 35

◗

Hostile Planet

Kirk and
Chekov find
themselves
separated from
their
crewmates
after
abandoning
ship and
landing on the
enemy planet.

Ultra Prime 8R, for ultra-wide shots.
"Steve felt it was fine to shoot spherically at times if we had to go wider,"
Irwin says.
Working in collaboration with
digital-imaging technician Chris
Cavanaugh, Irwin also benefited from
the Arri Lens Data System (LDS),
which permitted him to see real-time
focal distance and depth-of-field data
on screen, along with other metadata
such as lens size, T-stop and distance, for
greater exposure control. "That helped
Greg," Cavanaugh says, "but it also
helped visual-effects wranglers to see
information for their notes. Plus, that
information is stored in the ArriRaw
files, giving everyone access to it in the
post pipeline."
A custom four-channel fiberoptic system designed by a team from
Otto Nemenz connected cameras to
Sony PVMA250 25" OLED monitors.
Cavanaugh monitored Log C imagery
at his station, and used a combination of
Pomfort's LiveGrade and Blackmagic
Design's DaVinci Resolve 11 to apply a
show LUT developed in partnership
with EFilm colorist Tom Reiser, who
would later perform the final grade. (See

sidebar, page 34.)
"I also used [Blackmagic
Design's] UltraStudio hardware to
capture screen shots on my cart
throughout the day, for lighting and
camera reference," Cavanaugh says.
"Since we had LDS on screen, those
stills served as reference for T-stop, shutter and white balance, and they came in
handy when shooting a scene over
several weeks, on second unit and on
reshoots. We would then generate a
www.theasc.com

custom look for each scene using CDLs,
ensuring Steve's intention was passed to
dailies and the post pipeline. For our
dailies workflow, [Deluxe's EC3 location
unit] set up a [pop-up] facility at
Vancouver Film Studios [where the
production's stages were located]. The
editorial team was also working in the
same space. Since that was our primary
shooting location, our loader would
simply walk camera media over for
downloading, backup and archiving." ➣
August 2016

35



http://www.theasc.com

Table of Contents for the Digital Edition of American Cinematographer - August 2016

Contents
American Cinematographer - August 2016 - Intro
American Cinematographer - August 2016 - Cover1
American Cinematographer - August 2016 - Cover2
American Cinematographer - August 2016 - 1
American Cinematographer - August 2016 - 2
American Cinematographer - August 2016 - Contents
American Cinematographer - August 2016 - 4
American Cinematographer - August 2016 - 5
American Cinematographer - August 2016 - 6
American Cinematographer - August 2016 - 7
American Cinematographer - August 2016 - 8
American Cinematographer - August 2016 - 9
American Cinematographer - August 2016 - 10
American Cinematographer - August 2016 - 11
American Cinematographer - August 2016 - 12
American Cinematographer - August 2016 - 13
American Cinematographer - August 2016 - 14
American Cinematographer - August 2016 - 15
American Cinematographer - August 2016 - 16
American Cinematographer - August 2016 - 17
American Cinematographer - August 2016 - 18
American Cinematographer - August 2016 - 19
American Cinematographer - August 2016 - 20
American Cinematographer - August 2016 - 21
American Cinematographer - August 2016 - 22
American Cinematographer - August 2016 - 23
American Cinematographer - August 2016 - 24
American Cinematographer - August 2016 - 25
American Cinematographer - August 2016 - 26
American Cinematographer - August 2016 - 27
American Cinematographer - August 2016 - 28
American Cinematographer - August 2016 - 29
American Cinematographer - August 2016 - 30
American Cinematographer - August 2016 - 31
American Cinematographer - August 2016 - 32
American Cinematographer - August 2016 - 33
American Cinematographer - August 2016 - 34
American Cinematographer - August 2016 - 35
American Cinematographer - August 2016 - 36
American Cinematographer - August 2016 - 37
American Cinematographer - August 2016 - 38
American Cinematographer - August 2016 - 39
American Cinematographer - August 2016 - 40
American Cinematographer - August 2016 - 41
American Cinematographer - August 2016 - 42
American Cinematographer - August 2016 - 43
American Cinematographer - August 2016 - 44
American Cinematographer - August 2016 - 45
American Cinematographer - August 2016 - 46
American Cinematographer - August 2016 - 47
American Cinematographer - August 2016 - 48
American Cinematographer - August 2016 - 49
American Cinematographer - August 2016 - 50
American Cinematographer - August 2016 - 51
American Cinematographer - August 2016 - 52
American Cinematographer - August 2016 - 53
American Cinematographer - August 2016 - 54
American Cinematographer - August 2016 - 55
American Cinematographer - August 2016 - 56
American Cinematographer - August 2016 - 57
American Cinematographer - August 2016 - 58
American Cinematographer - August 2016 - 59
American Cinematographer - August 2016 - 60
American Cinematographer - August 2016 - 61
American Cinematographer - August 2016 - 62
American Cinematographer - August 2016 - 63
American Cinematographer - August 2016 - 64
American Cinematographer - August 2016 - 65
American Cinematographer - August 2016 - 66
American Cinematographer - August 2016 - 67
American Cinematographer - August 2016 - 68
American Cinematographer - August 2016 - 69
American Cinematographer - August 2016 - 70
American Cinematographer - August 2016 - 71
American Cinematographer - August 2016 - 72
American Cinematographer - August 2016 - 73
American Cinematographer - August 2016 - 74
American Cinematographer - August 2016 - 75
American Cinematographer - August 2016 - 76
American Cinematographer - August 2016 - 77
American Cinematographer - August 2016 - 78
American Cinematographer - August 2016 - 79
American Cinematographer - August 2016 - 80
American Cinematographer - August 2016 - 81
American Cinematographer - August 2016 - 82
American Cinematographer - August 2016 - 83
American Cinematographer - August 2016 - 84
American Cinematographer - August 2016 - 85
American Cinematographer - August 2016 - 86
American Cinematographer - August 2016 - 87
American Cinematographer - August 2016 - 88
American Cinematographer - August 2016 - Cover3
American Cinematographer - August 2016 - Cover4
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