American Cinematographer - September 2007 - (Page 52) Cultural Immersion explains, “We wanted to send Todd and Asha on the road and develop their romance, and originally we had them going to the erotic temples at Khajuraho [in northern India], but when we sat down to do the budget we realized we couldn’t afford to go there. Then we thought of using an existing temple set, but the ones we saw were a lot less detailed and ornate than the real thing, and they didn’t have the erotic element we wanted. We scouted the island of Elephanta, where there are Shiva Lingams and other statues in a great cave on top of a mountain. The historical society gave us permission to film there, and I rewrote the scene to happen in the cave, but when we went on a second recce to determine angles and figure out lighting, Teo was almost arrested for putting his mini-tripod on the ground. That’s when we discovered we wouldn’t be allowed to put sticks Jeffcoat (standing), Maniaci and Silverman line up a shot of Hamilton. essary props didn’t materialize,” says Maniaci. “Because we’d done all that prep, we understood what we wanted to get out of those scenes, and John could quickly rewrite and adapt the scene to the new circumstances.” An example of this is a scene shared by Todd and Asha in a small temple housing a Shiva Lingam, a sexually charged symbol of the universe’s invisible energy. Jeffcoat Samy’s DV & Edit WE ACCEPT MASTERCARD, VISA, AMERICAN EXPRESS & DISCOVER. SCHOOL, UNIVERSITY & CORPORATE P.O.’S WELCOME BEFORE YOU BUY YOUR DIGITAL CINEMA EQUIPMENT, TALK TO US! www.samysdv.com A Division of Samy’s Camera 585 Venice Blvd. Venice, CA 90291 (310) 450-4365 FAX (310) 450-3079 HDW-F900 Cine Alta HDCAM PDW-F350 PDW-F330 XDCAM HD Camcorders The HDW-F900 CineAlta camcorder is capable of capturing images at 24/25/30 frame progressive or 50/60 interlace at 1080 resolution. The HDW-F900h utilizes a 2.2 Mega Pixel FIT CCD and comes equipped with various gamma curves for superior imaging. Features dual filter wheels, comprehensive software adjustment parameters for superior image control. HD recording in 1080/59.94i, 50i, 29.97P, 25P and native 23.98P. The operator can also select the desired bit rate to record in, either 35, 25 or 18 Mb/s depending on the desired picture quality and recording length. Being a dual format camcorder, it can also record in SD mode at 25 Mb/s. The PDW-F350 True 24P, overcranking and undercranking. Plus time lapse, slow Please shutter and SD/HD switchable recording. TM AG-HPX500 New! AJ-HDX900 Affordable Professional Hi-Definition Camera • Adds on support for 1080i and 720p • Three 2/3" 520,000 Progressive CCD imagers • 24P/30P/60i recording capability • Captures film-like 24-frame images using CineGamma for our PRODUCTION PACKAGE PROMOTIONS! Three 2/3”CCD P2 HD Camcorder • Utilizes interchangeable lenses • Can shoot everything from 1080i to 720p variable frame rates •Features four XLR inputs, a chromaticaberration compensation function, call and eight gamma modes AJ-SDX900 Also Available New! HVR-Z1U Professional HDV Camera • Record HDV, DVCAM and DV images at 60i, 50i, 30, 25 or 24 fps, in either SD or HD • Three Super HAD™, 1/3-inch, 16:9 native CCDs • 12X Optical Zoom Carl Zeiss Vario-Sonnar T* Lens • 14 bit A/D with Digital Extended Processor (DXP) HVR-V1U 3CMOS 1080p HDV Camcorder • In addition to standard 60i, shoot progressive scan footage and still edit using regular Sony HDV equipment • 14-bit Enhanced Imaging Processor, outputting a 1920x1080/60p 4:2:2 video signal • • • • 2/3” P2 HD Camcorder Ultra-reliable solid-state camcorder records in 17 HD and SD formats Excels at low-light shooting New AVC-Intra codec option The P2 card provides superior reliability in harsh environments and when exposed to shock, vibration and temperature change AJ-HPX2000 1/3" 3-CCD 16:9 HD/DVCPRO/DV • Cinema P2 Camera with CineSwitch™ • Technology, CineGamma™ Software and IEEE 1394 Interface AG-HVX200 AJ-SD93 Also Available 52 SONY IS A REGISTERED TRADEMARK NOT RESPONSIBLE FOR TYPOGRAPHICAL ERRORS. PRICES SUBJECT TO CHANGE WITHOUT NOTICE. http://www.samysdv.com http://www.samysdv.com
Table of Contents Feed for the Digital Edition of American Cinematographer - September 2007 Contents Editor’s Note Global Village DVD Playback Production Slate Bourne Again Cultural Immersion Baroque Visions Once Upon a Time in Bucharest Short Takes Post Focus Filmmakers’ Forum New Products & Services Points East International Marketplace Classified Ads Ad Index ASC Membership Roster Clubhouse News Wrap Shot American Cinematographer - September 2007 American Cinematographer - September 2007 - (Page Intro) American Cinematographer - September 2007 - (Page Cover1) American Cinematographer - September 2007 - (Page Cover2) American Cinematographer - September 2007 - (Page 1) American Cinematographer - September 2007 - (Page 2) American Cinematographer - September 2007 - Contents (Page 3) American Cinematographer - September 2007 - Contents (Page 4) American Cinematographer - September 2007 - Contents (Page 5) American Cinematographer - September 2007 - Contents (Page 6) American Cinematographer - September 2007 - Contents (Page 7) American Cinematographer - September 2007 - Editor’s Note (Page 8) American Cinematographer - September 2007 - Editor’s Note (Page 9) American Cinematographer - September 2007 - Global Village (Page 10) American Cinematographer - September 2007 - Global Village (Page 11) American Cinematographer - September 2007 - Global Village (Page 12) American Cinematographer - September 2007 - Global Village (Page 13) American Cinematographer - September 2007 - DVD Playback (Page 14) American Cinematographer - September 2007 - DVD Playback (Page 15) American Cinematographer - September 2007 - DVD Playback (Page 16) American Cinematographer - September 2007 - DVD Playback (Page 17) American Cinematographer - September 2007 - DVD Playback (Page 18) American Cinematographer - September 2007 - DVD Playback (Page 19) American Cinematographer - September 2007 - Production Slate (Page 20) American Cinematographer - September 2007 - Production Slate (Page 21) American Cinematographer - September 2007 - Production Slate (Page 22) American Cinematographer - September 2007 - Production Slate (Page 23) American Cinematographer - September 2007 - Production Slate (Page 24) American Cinematographer - September 2007 - Production Slate (Page 25) American Cinematographer - September 2007 - Production Slate (Page 26) American Cinematographer - September 2007 - Production Slate (Page 27) American Cinematographer - September 2007 - Production Slate (Page 28) American Cinematographer - September 2007 - Production Slate (Page 29) American Cinematographer - September 2007 - Production Slate (Page 30) American Cinematographer - September 2007 - Production Slate (Page 31) American Cinematographer - September 2007 - Bourne Again (Page 32) American Cinematographer - September 2007 - Bourne Again (Page 33) American Cinematographer - September 2007 - Bourne Again (Page 34) American Cinematographer - September 2007 - Bourne Again (Page 35) American Cinematographer - September 2007 - Bourne Again (Page 36) American Cinematographer - September 2007 - Bourne Again (Page 37) American Cinematographer - September 2007 - Bourne Again (Page 38) American Cinematographer - September 2007 - Bourne Again (Page 39) American Cinematographer - September 2007 - Bourne Again (Page 40) American Cinematographer - September 2007 - Bourne Again (Page 41) American Cinematographer - September 2007 - Bourne Again (Page 42) American Cinematographer - September 2007 - Bourne Again (Page 43) American Cinematographer - September 2007 - Cultural Immersion (Page 44) American Cinematographer - September 2007 - Cultural Immersion (Page 45) American Cinematographer - September 2007 - Cultural Immersion (Page 46) American Cinematographer - September 2007 - Cultural Immersion (Page 47) American Cinematographer - September 2007 - Cultural Immersion (Page 48) American Cinematographer - September 2007 - Cultural Immersion (Page 49) American Cinematographer - September 2007 - Cultural Immersion (Page 50) American Cinematographer - September 2007 - Cultural Immersion (Page 51) American Cinematographer - September 2007 - Cultural Immersion (Page 52) American Cinematographer - September 2007 - Cultural Immersion (Page 53) American Cinematographer - September 2007 - Baroque Visions (Page 54) American Cinematographer - September 2007 - Baroque Visions (Page 55) American Cinematographer - September 2007 - Baroque Visions (Page 56) American Cinematographer - September 2007 - Baroque Visions (Page 57) American Cinematographer - September 2007 - Baroque Visions (Page 58) American Cinematographer - September 2007 - Baroque Visions (Page 59) American Cinematographer - September 2007 - Baroque Visions (Page 60) American Cinematographer - September 2007 - Baroque Visions (Page 61) American Cinematographer - September 2007 - Baroque Visions (Page 62) American Cinematographer - September 2007 - Baroque Visions (Page 63) American Cinematographer - September 2007 - Baroque Visions (Page 64) American Cinematographer - September 2007 - Baroque Visions (Page 65) American Cinematographer - September 2007 - Once Upon a Time in Bucharest (Page 66) American Cinematographer - September 2007 - Once Upon a Time in Bucharest (Page 67) American Cinematographer - September 2007 - Once Upon a Time in Bucharest (Page 68) American Cinematographer - September 2007 - Once Upon a Time in Bucharest (Page 69) American Cinematographer - September 2007 - Once Upon a Time in Bucharest (Page 70) American Cinematographer - September 2007 - Once Upon a Time in Bucharest (Page 71) American Cinematographer - September 2007 - Short Takes (Page 72) American Cinematographer - September 2007 - Short Takes (Page 73) American Cinematographer - September 2007 - Short Takes (Page 74) American Cinematographer - September 2007 - Short Takes (Page 75) American Cinematographer - September 2007 - Short Takes (Page 76) American Cinematographer - September 2007 - Short Takes (Page 77) American Cinematographer - September 2007 - Post Focus (Page 78) American Cinematographer - September 2007 - Post Focus (Page 79) American Cinematographer - September 2007 - Post Focus (Page 80) American Cinematographer - September 2007 - Post Focus (Page 81) American Cinematographer - September 2007 - Post Focus (Page 82) American Cinematographer - September 2007 - Post Focus (Page 83) American Cinematographer - September 2007 - Post Focus (Page 84) American Cinematographer - September 2007 - Post Focus (Page 85) American Cinematographer - September 2007 - Filmmakers’ Forum (Page 86) American Cinematographer - September 2007 - Filmmakers’ Forum (Page 87) American Cinematographer - September 2007 - Filmmakers’ Forum (Page 88) American Cinematographer - September 2007 - Filmmakers’ Forum (Page 89) American Cinematographer - September 2007 - New Products & Services (Page 90) American Cinematographer - September 2007 - New Products & Services (Page 91) American Cinematographer - September 2007 - New Products & Services (Page 92) American Cinematographer - September 2007 - New Products & Services (Page 93) American Cinematographer - September 2007 - New Products & Services (Page 94) American Cinematographer - September 2007 - New Products & Services (Page 95) American Cinematographer - September 2007 - New Products & Services (Page 96) American Cinematographer - September 2007 - New Products & Services (Page 97) American Cinematographer - September 2007 - New Products & Services (Page 98) American Cinematographer - September 2007 - New Products & Services (Page 99) American Cinematographer - September 2007 - New Products & Services (Page 100) American Cinematographer - September 2007 - New Products & Services (Page 101) American Cinematographer - September 2007 - Points East (Page 102) American Cinematographer - September 2007 - Points East (Page 103) American Cinematographer - September 2007 - International Marketplace (Page 104) American Cinematographer - September 2007 - Classified Ads (Page 105) American Cinematographer - September 2007 - Ad Index (Page 106) American Cinematographer - September 2007 - Ad Index (Page 107) American Cinematographer - September 2007 - ASC Membership Roster (Page 108) American Cinematographer - September 2007 - ASC Membership Roster (Page 109) American Cinematographer - September 2007 - Clubhouse News (Page 110) American Cinematographer - September 2007 - Clubhouse News (Page 111) American Cinematographer - September 2007 - Wrap Shot (Page 112) American Cinematographer - September 2007 - Wrap Shot (Page Cover3) American Cinematographer - September 2007 - Wrap Shot (Page Cover4)
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