American Cinematographer - September 2008 - (Page 3)

S E P T E M B E R 2 0 0 8 V O L . 8 9 N O . 9 The International Journal of Film & Digital Production Techniques On Our Cover: Keira Knightley portrays Lady Georgina Spencer, the Duchess of Devonshire, in The Duchess, shot by Gyula Pados, HSC. (Photo by Peter Mountain, courtesy of Paramount Vantage.) Features 30 44 54 64 Portrait of a Lady Gyula Pados, HSC lends elegant period ambience to The Duchess A Frightening Fable César Charlone, ABC envisions an apocalypse in Blindness A Tale of 2 Cinematographers James Chressanthis, ASC directs a documentary about two Society icons, No Subtitles Necessary: Laszlo and Vilmos 44 A Long-Awaited Redemption Max Ophüls’ Lola Montès is restored to its full glory Departments 8 10 14 18 76 82 96 97 98 100 102 104 Editor’s Note Global Village Short Takes: A Perfect Place Production Slate: Man on Wire The Last Enemy Post Focus: Ntropic Adds Effects to PSAs 54 New Products & Services International Marketplace Classified Ads Ad Index ASC Membership Roster Clubhouse News ASC Close-Up: Pete Kozachik 64 V i s i t u s o n l i n e a t w w w. t h e a s c . c o m http://www.theasc.com Table of Contents for the Digital Edition of American Cinematographer - September 2008American Cinematographer - September 2008ContentsEditor’s NoteGlobal VillageShort Takes: A Perfect PlaceProduction Slate: Man on Wire, The Last EnemyPortrait of a LadyA Frightening FableA Tale of 2 CinematographersA Long-Awaited RedemptionPost Focus: Ntropic Adds Effects to PSAsNew Products & ServicesInternational MarketplaceClassified AdsAd IndexASC Membership RosterClubhouse NewsASC Close-Up: Pete KozachikAmerican Cinematographer - September 2008American Cinematographer - September 2008 - American Cinematographer - September 2008 (Page Cover1)American Cinematographer - September 2008 - American Cinematographer - September 2008 (Page Cover2)American Cinematographer - September 2008 - American Cinematographer - September 2008 (Page 1)American Cinematographer - September 2008 - American Cinematographer - September 2008 (Page 2)American Cinematographer - September 2008 - Contents (Page 3)American Cinematographer - September 2008 - Contents (Page 4)American Cinematographer - September 2008 - Contents (Page 5)American Cinematographer - September 2008 - Contents (Page 6)American Cinematographer - September 2008 - Contents (Page 7)American Cinematographer - September 2008 - Editor’s Note (Page 8)American Cinematographer - September 2008 - Editor’s Note (Page 9)American Cinematographer - September 2008 - Global Village (Page 10)American Cinematographer - September 2008 - Global Village (Page 11)American Cinematographer - September 2008 - Global Village (Page 12)American Cinematographer - September 2008 - Global Village (Page 13)American Cinematographer - September 2008 - Short Takes: A Perfect Place (Page 14)American Cinematographer - September 2008 - Short Takes: A Perfect Place (Page 15)American Cinematographer - September 2008 - Short Takes: A Perfect Place (Page 16)American Cinematographer - September 2008 - Short Takes: A Perfect Place (Page 17)American Cinematographer - September 2008 - Production Slate: Man on Wire, The Last Enemy (Page 18)American Cinematographer - September 2008 - Production Slate: Man on Wire, The Last Enemy (Page 19)American Cinematographer - September 2008 - Production Slate: Man on Wire, The Last Enemy (Page 20)American Cinematographer - September 2008 - Production Slate: Man on Wire, The Last Enemy (Page 21)American Cinematographer - September 2008 - Production Slate: Man on Wire, The Last Enemy (Page 22)American Cinematographer - September 2008 - Production Slate: Man on Wire, The Last Enemy (Page 23)American Cinematographer - September 2008 - Production Slate: Man on Wire, The Last Enemy (Page 24)American Cinematographer - September 2008 - Production Slate: Man on Wire, The Last Enemy (Page 25)American Cinematographer - September 2008 - Production Slate: Man on Wire, The Last Enemy (Page 26)American Cinematographer - September 2008 - Production Slate: Man on Wire, The Last Enemy (Page 27)American Cinematographer - September 2008 - Production Slate: Man on Wire, The Last Enemy (Page 28)American Cinematographer - September 2008 - Production Slate: Man on Wire, The Last Enemy (Page 29)American Cinematographer - September 2008 - Portrait of a Lady (Page 30)American Cinematographer - September 2008 - Portrait of a Lady (Page 31)American Cinematographer - September 2008 - Portrait of a Lady (Page 32)American Cinematographer - September 2008 - Portrait of a Lady (Page 33)American Cinematographer - September 2008 - Portrait of a Lady (Page 34)American Cinematographer - September 2008 - Portrait of a Lady (Page 35)American Cinematographer - September 2008 - Portrait of a Lady (Page 36)American Cinematographer - September 2008 - Portrait of a Lady (Page 37)American Cinematographer - September 2008 - Portrait of a Lady (Page 38)American Cinematographer - September 2008 - Portrait of a Lady (Page 39)American Cinematographer - September 2008 - Portrait of a Lady (Page 40)American Cinematographer - September 2008 - Portrait of a Lady (Page 41)American Cinematographer - September 2008 - Portrait of a Lady (Page 42)American Cinematographer - September 2008 - Portrait of a Lady (Page 43)American Cinematographer - September 2008 - A Frightening Fable (Page 44)American Cinematographer - September 2008 - A Frightening Fable (Page 45)American Cinematographer - September 2008 - A Frightening Fable (Page 46)American Cinematographer - September 2008 - A Frightening Fable (Page 47)American Cinematographer - September 2008 - A Frightening Fable (Page 48)American Cinematographer - September 2008 - A Frightening Fable (Page 49)American Cinematographer - September 2008 - A Frightening Fable (Page 50)American Cinematographer - September 2008 - A Frightening Fable (Page 51)American Cinematographer - September 2008 - A Frightening Fable (Page 52)American Cinematographer - September 2008 - A Frightening Fable (Page 53)American Cinematographer - September 2008 - A Tale of 2 Cinematographers (Page 54)American Cinematographer - September 2008 - A Tale of 2 Cinematographers (Page 55)American Cinematographer - September 2008 - A Tale of 2 Cinematographers (Page 56)American Cinematographer - September 2008 - A Tale of 2 Cinematographers (Page 57)American Cinematographer - September 2008 - A Tale of 2 Cinematographers (Page 58)American Cinematographer - September 2008 - A Tale of 2 Cinematographers (Page 59)American Cinematographer - September 2008 - A Tale of 2 Cinematographers (Page 60)American Cinematographer - September 2008 - A Tale of 2 Cinematographers (Page 61)American Cinematographer - September 2008 - A Tale of 2 Cinematographers (Page 62)American Cinematographer - September 2008 - A Tale of 2 Cinematographers (Page 63)American Cinematographer - September 2008 - A Long-Awaited Redemption (Page 64)American Cinematographer - September 2008 - A Long-Awaited Redemption (Page 65)American Cinematographer - September 2008 - A Long-Awaited Redemption (Page 66)American Cinematographer - September 2008 - A Long-Awaited Redemption (Page 67)American Cinematographer - September 2008 - A Long-Awaited Redemption (Page 68)American Cinematographer - September 2008 - A Long-Awaited Redemption (Page 69)American Cinematographer - September 2008 - A Long-Awaited Redemption (Page 70)American Cinematographer - September 2008 - A Long-Awaited Redemption (Page 71)American Cinematographer - September 2008 - A Long-Awaited Redemption (Page 72)American Cinematographer - September 2008 - A Long-Awaited Redemption (Page 73)American Cinematographer - September 2008 - A Long-Awaited Redemption (Page 74)American Cinematographer - September 2008 - A Long-Awaited Redemption (Page 75)American Cinematographer - September 2008 - Post Focus: Ntropic Adds Effects to PSAs (Page 76)American Cinematographer - September 2008 - Post Focus: Ntropic Adds Effects to PSAs (Page 77)American Cinematographer - September 2008 - Post Focus: Ntropic Adds Effects to PSAs (Page 78)American Cinematographer - September 2008 - Post Focus: Ntropic Adds Effects to PSAs (Page 79)American Cinematographer - September 2008 - Post Focus: Ntropic Adds Effects to PSAs (Page 80)American Cinematographer - September 2008 - Post Focus: Ntropic Adds Effects to PSAs (Page 81)American Cinematographer - September 2008 - New Products & Services (Page 82)American Cinematographer - September 2008 - New Products & Services (Page 83)American Cinematographer - September 2008 - New Products & Services (Page 84)American Cinematographer - September 2008 - New Products & Services (Page 85)American Cinematographer - September 2008 - New Products & Services (Page 86)American Cinematographer - September 2008 - New Products & Services (Page 87)American Cinematographer - September 2008 - New Products & Services (Page 88)American Cinematographer - September 2008 - New Products & Services (Page 89)American Cinematographer - September 2008 - New Products & Services (Page 90)American Cinematographer - September 2008 - New Products & Services (Page 91)American Cinematographer - September 2008 - New Products & Services (Page 92)American Cinematographer - September 2008 - New Products & Services (Page 93)American Cinematographer - September 2008 - New Products & Services (Page 94)American Cinematographer - September 2008 - New Products & Services (Page 95)American Cinematographer - September 2008 - International Marketplace (Page 96)American Cinematographer - September 2008 - Classified Ads (Page 97)American Cinematographer - September 2008 - Ad Index (Page 98)American Cinematographer - September 2008 - Ad Index (Page 99)American Cinematographer - September 2008 - ASC Membership Roster (Page 100)American Cinematographer - September 2008 - ASC Membership Roster (Page 101)American Cinematographer - September 2008 - Clubhouse News (Page 102)American Cinematographer - September 2008 - Clubhouse News (Page 103)American Cinematographer - September 2008 - ASC Close-Up: Pete Kozachik (Page 104)American Cinematographer - September 2008 - ASC Close-Up: Pete Kozachik (Page Cover3)American Cinematographer - September 2008 - ASC Close-Up: Pete Kozachik (Page Cover4)http://www.nxtbook.com/nxtbooks/ac/ac1209http://www.nxtbook.com/nxtbooks/ac/ac1109_v2http://www.nxtbook.com/nxtbooks/ac/ac1109http://www.nxtbook.com/nxtbooks/ac/ac1009_v2http://www.nxtbook.com/nxtbooks/ac/ac1009http://www.nxtbook.com/nxtbooks/ac/ac0909http://www.nxtbook.com/nxtbooks/ac/ac0809http://www.nxtbook.com/nxtbooks/ac/ac0709http://www.nxtbook.com/nxtbooks/ac/ac0609http://www.nxtbook.com/nxtbooks/ac/ac0509http://www.nxtbook.com/nxtbooks/ac/ac0409http://www.nxtbook.com/nxtbooks/ac/ac0309http://www.nxtbook.com/nxtbooks/ac/ac0209http://www.nxtbook.com/nxtbooks/ac/ac0109http://www.nxtbook.com/nxtbooks/ac/ac1208http://www.nxtbook.com/nxtbooks/ac/ac1108http://www.nxtbook.com/nxtbooks/ac/ac1008http://www.nxtbook.com/nxtbooks/ac/ac0908http://www.nxtbook.com/nxtbooks/ac/ac0808http://www.nxtbook.com/nxtbooks/ac/ac0708http://www.nxtbook.com/nxtbooks/ac/ac0608http://www.nxtbook.com/nxtbooks/ac/ac0508http://www.nxtbook.com/nxtbooks/ac/ac0408http://www.nxtbook.com/nxtbooks/ac/ac0308http://www.nxtbook.com/nxtbooks/ac/ac0208http://www.nxtbook.com/nxtbooks/ac/ac0108http://www.nxtbook.com/nxtbooks/ac/ac1207http://www.nxtbook.com/nxtbooks/ac/ac1107http://www.nxtbook.com/nxtbooks/ac/ac1007http://www.nxtbook.com/nxtbooks/ac/ac0907http://www.nxtbook.com/nxtbooks/ac/ac0807http://www.nxtbook.com/nxtbooks/ac/ac0807donotusehttp://www.nxtbook.com/nxtbooks/ac/ac0707http://www.nxtbook.com/nxtbooks/ac/ac0607http://www.nxtbook.com/nxtbooks/ac/ac0507http://www.nxtbook.com/nxtbooks/ac/ac0207http://www.nxtbookMEDIA.com

For optimal viewing of this digital publication, please enable JavaScript and then refresh the page. If you would like to try to load the digital publication without using Flash Player detection, please click here.