American Cinematographer - September 2008 - (Page 40) kisslite R Portrait of a Lady Above: Diffused Arrisun 12K Pars and 18Ks were mounted on scaffolds to send “daylight” streaming through location windows. Below: A crane is pressed into service for a period street scene. LIGHTWEIGHT VERSATILE DESIGN • Fixed & rotating filter stages • Top & bottom French flags • 12Volt-40Volt input range • Wireless dimming CASINO ROYALE KITE RUNNER MAMMA MIA EASTERN PROMISES GOLDEN COMPASS Relatively lightweight, they suited the location filming and the need to move quickly between setups. “The way we covered scenes kind of progressed,” notes Dibb. “To start with, we were very much using one camera, but as time went on and I got to know the second camera unit’s way of working, the second camera came more into play and remained so throughout. They were very independent, which worked because most of my time was spent focusing on what I really needed from the first camera. “We were shooting a nineweek schedule on a film that should probably have had 12 weeks, so there just wouldn’t have been any way to do it with only one camera,” the director continues. “It was one of those things that starts as a practical consideration and winds up as something that has great creative benefits as well.” Sales and Rental Worldwide US www.sl-x.us (818) 764 1313 online www.vfgadgets.com www.gekkotechnology.com 40 http://www.sl-x.us http://www.vfgadgets.com http://www.gekkotechnology.com
For optimal viewing of this digital publication, please enable JavaScript and then refresh the page. If you would like to try to load the digital publication without using Flash Player detection, please click here.