American Cinematographer - September 2011 - 44
An expert team helps Wim Wenders fuse dance and cinema for the 3-D feature Pina.
By Benjamin B •|•
Dance P
ina blends cinema and dance in a powerful mélange that illustrates the emotional and storytelling potential of 3-D stereo filmmaking as applied to performance. The subject of the film, which premiered at this year’s Berlinale, is the work of the late choreographer Pina Bausch, whose theatrical dance pieces give the film its strong emotional resonance. The film was directed by Wim Wenders, who assembled a formidable team for his first 3-D feature. Producer Erwin Schmidt recalls that the filmmakers had to “learn how to shoot a movie in 3-D,” and Wenders called upon 3-D supervisor François Garnier, who in turn recommended stereographer Alain Derobe. Director of photography Hélène Louvart was asked to adapt Bausch’s theatrical-lighting
September 2011 44
Immersive
American Cinematographer
design to the cinematic medium, and she also operated the camera for the stage footage. Joerg Widmer was the camera operator for the exteriors. Bausch was known as a pioneer of Tanztheater, a combination of modern dance and theatrical performance, which she developed for 36 years with her troupe, living and performing in Wuppertal, Germany. Wenders, whose credits include The Buena Vista Social Club, Wings of Desire and Paris, Texas (AC Feb. ’85), was a great admirer of Bausch’s work, and spoke to her for many years about collaborating on a film. Unfortunately, she died suddenly in 2009, shortly before filming was to begin. At first the project was canceled, but the grief-stricken dancers in her troupe persuaded Wenders to proceed with it. In Pina, Wenders interweaves genres and styles to create an intricate homage to the woman and her work. The film is structured around excerpts from four of Bausch’s major works, which are performed onstage by her troupe: The Rite of
American Cinematographer - September 2011
Table of Contents for the Digital Edition of American Cinematographer - September 2011
American Cinematographer - September 2011
Contents
Editor’s Note
President’s Desk
Short Takes: “Sleep Forever”
Production Slate: Circumstance • Brighton Rock
A Mighty Pen
Immersive Dance
Airing Dirty Laundry
Tips on Location Scouting
Post Focus: Cinelicious
Filmmakers’ Forum: 24-Frame Video Playback
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Dante Spinotti, ASC, AIC
American Cinematographer - September 2011 - American Cinematographer - September 2011
American Cinematographer - September 2011 - Cover2
American Cinematographer - September 2011 - 1
American Cinematographer - September 2011 - 2
American Cinematographer - September 2011 - Contents
American Cinematographer - September 2011 - 4
American Cinematographer - September 2011 - 5
American Cinematographer - September 2011 - 6
American Cinematographer - September 2011 - 7
American Cinematographer - September 2011 - Editor’s Note
American Cinematographer - September 2011 - 9
American Cinematographer - September 2011 - President’s Desk
American Cinematographer - September 2011 - 11
American Cinematographer - September 2011 - Short Takes: “Sleep Forever”
American Cinematographer - September 2011 - 13
American Cinematographer - September 2011 - 14
American Cinematographer - September 2011 - 15
American Cinematographer - September 2011 - Production Slate: Circumstance • Brighton Rock
American Cinematographer - September 2011 - 17
American Cinematographer - September 2011 - 18
American Cinematographer - September 2011 - 19
American Cinematographer - September 2011 - 20
American Cinematographer - September 2011 - 21
American Cinematographer - September 2011 - 22
American Cinematographer - September 2011 - 23
American Cinematographer - September 2011 - 24
American Cinematographer - September 2011 - 25
American Cinematographer - September 2011 - 26
American Cinematographer - September 2011 - 27
American Cinematographer - September 2011 - A Mighty Pen
American Cinematographer - September 2011 - 29
American Cinematographer - September 2011 - 30
American Cinematographer - September 2011 - 31
American Cinematographer - September 2011 - 32
American Cinematographer - September 2011 - 33
American Cinematographer - September 2011 - 34
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American Cinematographer - September 2011 - 39
American Cinematographer - September 2011 - 40
American Cinematographer - September 2011 - 41
American Cinematographer - September 2011 - 42
American Cinematographer - September 2011 - 43
American Cinematographer - September 2011 - Immersive Dance
American Cinematographer - September 2011 - 45
American Cinematographer - September 2011 - 46
American Cinematographer - September 2011 - 47
American Cinematographer - September 2011 - 48
American Cinematographer - September 2011 - 49
American Cinematographer - September 2011 - 50
American Cinematographer - September 2011 - 51
American Cinematographer - September 2011 - 52
American Cinematographer - September 2011 - 53
American Cinematographer - September 2011 - 54
American Cinematographer - September 2011 - 55
American Cinematographer - September 2011 - Airing Dirty Laundry
American Cinematographer - September 2011 - 57
American Cinematographer - September 2011 - 58
American Cinematographer - September 2011 - 59
American Cinematographer - September 2011 - 60
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American Cinematographer - September 2011 - 63
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American Cinematographer - September 2011 - 65
American Cinematographer - September 2011 - 66
American Cinematographer - September 2011 - 67
American Cinematographer - September 2011 - Tips on Location Scouting
American Cinematographer - September 2011 - 69
American Cinematographer - September 2011 - 70
American Cinematographer - September 2011 - 71
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American Cinematographer - September 2011 - 73
American Cinematographer - September 2011 - 74
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American Cinematographer - September 2011 - 76
American Cinematographer - September 2011 - 77
American Cinematographer - September 2011 - Post Focus: Cinelicious
American Cinematographer - September 2011 - 79
American Cinematographer - September 2011 - 80
American Cinematographer - September 2011 - 81
American Cinematographer - September 2011 - 82
American Cinematographer - September 2011 - 83
American Cinematographer - September 2011 - Filmmakers’ Forum: 24-Frame Video Playback
American Cinematographer - September 2011 - 85
American Cinematographer - September 2011 - 86
American Cinematographer - September 2011 - 87
American Cinematographer - September 2011 - New Products & Services
American Cinematographer - September 2011 - 89
American Cinematographer - September 2011 - 90
American Cinematographer - September 2011 - 91
American Cinematographer - September 2011 - 92
American Cinematographer - September 2011 - 93
American Cinematographer - September 2011 - 94
American Cinematographer - September 2011 - 95
American Cinematographer - September 2011 - International Marketplace
American Cinematographer - September 2011 - Classified Ads
American Cinematographer - September 2011 - Ad Index
American Cinematographer - September 2011 - 99
American Cinematographer - September 2011 - ASC Membership Roster
American Cinematographer - September 2011 - 101
American Cinematographer - September 2011 - Clubhouse News
American Cinematographer - September 2011 - 103
American Cinematographer - September 2011 - ASC Close-Up: Dante Spinotti, ASC, AIC
American Cinematographer - September 2011 - Cover3
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