American Cinematographer - September 2011 - 88

New Products & Services
P+S Unveils X35 P+S Technik has introduced the PS-Cam X35, a robust digital camera that combines sync-sound and high-speed capabilities. The PS-Cam X35’s design allows continuously adjustable speed rates from 1-450 fps, and the camera boasts a dynamic range of 11 T-stops. The 18 GB internal memory allows for more than four minutes of 24 fps recording; a 36 GB memory upgrade is planned. The camera also features two switchable HD-SDI interfaces in 1.5G and 3G for external recording and monitoring. The camera features a CMOS 35Digital sensor with a 21.1x11.9mm capture size for 1920x1080 full HD. It currently features HD 4:2:2 10-bit uncompressed recording, but options are in the works for 4:4:4 10-bit and raw 12-bit uncompressed. The camera is also 3-D compatible and features time code in/out and genlock in/out, as well as RS232, USB, GigE and planned WLAN control. Numerous IMS-mount adapters are available for the X35’s PS-IMS lens mount. Other accessories include a hand unit for remote control, HD-SDI recorders, standard batteries and an electronic viewfinder. For additional information, visit www.pstechnik.de.

• SUBMISSION INFORMATION • Please e-mail New Products/Services releases to: newproducts@ascmag.com and include full contact information and product images. Photos must be TIFF or JPEG files of at least 300dpi.

quickly deployable system, SARAH boasts a new gyrostabilized camera head that is integrated using motion-control technology for repeatable moves. The head features automatic horizon leveling and can hold cameras such as the Canon EOS 5D Mark II, Red Epic, Sony PMW-F3 and Panasonic AG-AF100. The system offers a heading accuracy of 0.5 degrees and a DGPS boasting 2.5cm precision. For additional information, visit www.flying-cam.com. Oppenheimer Powers Alexa Oppenheimer Camera Products has introduced the Alexa OnBoard Mains Power Supply, offering a complete AC power solution for Arri’s Alexa digital camera. The device provides universal world power capability from 90-264volt AC at 50/60Hz. It mounts mechanically (not electrically) to the Gold Mount or V-Mount battery plate; electrically, it provides 28-volt DC power from its outlet to the camera’s two-pin Fischer inlet with a custom cable. If necessary, users can interchange the Power Supply mounting between Gold Mount and V Mount. The system weighs less than 3 pounds and is cooled by a quiet fan. The Power Supply includes four accessory ports, supplying one 14-volt outlet in the Arri-standard two-pin Lemo and three 28volt outlets in the Arri-standard three-pin Fischer. The total capacity of the Power Supply is 250 watts, giving users more than 100 watts of headroom over what the camera (and its own accessory ports) might draw. The system is housed in a custom enclosure that is powder coated for durability. The main components are rated at more than 3 million hours. The Power Supply comes with a one-year warranty against manufacturing defects. For additional information, visit www.oppenheimercamer aproducts.com. Meduza Offers Modular Stereo Shooting Meduza Systems recently unveiled the Meduza Camera System, a digital stereoscopic 3-D camera. Designed and built specifically to shoot 3-D, the Meduza allows filmmakers to shoot in native 4:3 format at 4096x3072 resolution. “The camera format and resolution level mean the image is being acquired at a 1:1 pixel ratio for 15-perf/70mm format and still allows for smaller extraction for traditional cinema and TV screens,” says Jonathan Kitzen, president of Meduza Systems.

Flying-Cam III Takes Flight Flying-Cam has introduced the Flying-Cam III, a.k.a. Special Aerial Response Automatic Helicopter, an all-electric vertical-takeoff-and-landing miniature unmanned aerial system boasting 30 minutes of flight time. The system is the result of seven years of R&D. Incorporating efficient aerodynamics, innovative automatic flight modes and modular interchangeable payloads in a portable,
88 September 2011

American Cinematographer


http://www.flying-cam.com http://www.pstechnik.de http://www.oppenheimercameraproducts.com http://www.oppenheimercameraproducts.com

American Cinematographer - September 2011

Table of Contents for the Digital Edition of American Cinematographer - September 2011

American Cinematographer - September 2011
Contents
Editor’s Note
President’s Desk
Short Takes: “Sleep Forever”
Production Slate: Circumstance • Brighton Rock
A Mighty Pen
Immersive Dance
Airing Dirty Laundry
Tips on Location Scouting
Post Focus: Cinelicious
Filmmakers’ Forum: 24-Frame Video Playback
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Dante Spinotti, ASC, AIC
American Cinematographer - September 2011 - American Cinematographer - September 2011
American Cinematographer - September 2011 - Cover2
American Cinematographer - September 2011 - 1
American Cinematographer - September 2011 - 2
American Cinematographer - September 2011 - Contents
American Cinematographer - September 2011 - 4
American Cinematographer - September 2011 - 5
American Cinematographer - September 2011 - 6
American Cinematographer - September 2011 - 7
American Cinematographer - September 2011 - Editor’s Note
American Cinematographer - September 2011 - 9
American Cinematographer - September 2011 - President’s Desk
American Cinematographer - September 2011 - 11
American Cinematographer - September 2011 - Short Takes: “Sleep Forever”
American Cinematographer - September 2011 - 13
American Cinematographer - September 2011 - 14
American Cinematographer - September 2011 - 15
American Cinematographer - September 2011 - Production Slate: Circumstance • Brighton Rock
American Cinematographer - September 2011 - 17
American Cinematographer - September 2011 - 18
American Cinematographer - September 2011 - 19
American Cinematographer - September 2011 - 20
American Cinematographer - September 2011 - 21
American Cinematographer - September 2011 - 22
American Cinematographer - September 2011 - 23
American Cinematographer - September 2011 - 24
American Cinematographer - September 2011 - 25
American Cinematographer - September 2011 - 26
American Cinematographer - September 2011 - 27
American Cinematographer - September 2011 - A Mighty Pen
American Cinematographer - September 2011 - 29
American Cinematographer - September 2011 - 30
American Cinematographer - September 2011 - 31
American Cinematographer - September 2011 - 32
American Cinematographer - September 2011 - 33
American Cinematographer - September 2011 - 34
American Cinematographer - September 2011 - 35
American Cinematographer - September 2011 - 36
American Cinematographer - September 2011 - 37
American Cinematographer - September 2011 - 38
American Cinematographer - September 2011 - 39
American Cinematographer - September 2011 - 40
American Cinematographer - September 2011 - 41
American Cinematographer - September 2011 - 42
American Cinematographer - September 2011 - 43
American Cinematographer - September 2011 - Immersive Dance
American Cinematographer - September 2011 - 45
American Cinematographer - September 2011 - 46
American Cinematographer - September 2011 - 47
American Cinematographer - September 2011 - 48
American Cinematographer - September 2011 - 49
American Cinematographer - September 2011 - 50
American Cinematographer - September 2011 - 51
American Cinematographer - September 2011 - 52
American Cinematographer - September 2011 - 53
American Cinematographer - September 2011 - 54
American Cinematographer - September 2011 - 55
American Cinematographer - September 2011 - Airing Dirty Laundry
American Cinematographer - September 2011 - 57
American Cinematographer - September 2011 - 58
American Cinematographer - September 2011 - 59
American Cinematographer - September 2011 - 60
American Cinematographer - September 2011 - 61
American Cinematographer - September 2011 - 62
American Cinematographer - September 2011 - 63
American Cinematographer - September 2011 - 64
American Cinematographer - September 2011 - 65
American Cinematographer - September 2011 - 66
American Cinematographer - September 2011 - 67
American Cinematographer - September 2011 - Tips on Location Scouting
American Cinematographer - September 2011 - 69
American Cinematographer - September 2011 - 70
American Cinematographer - September 2011 - 71
American Cinematographer - September 2011 - 72
American Cinematographer - September 2011 - 73
American Cinematographer - September 2011 - 74
American Cinematographer - September 2011 - 75
American Cinematographer - September 2011 - 76
American Cinematographer - September 2011 - 77
American Cinematographer - September 2011 - Post Focus: Cinelicious
American Cinematographer - September 2011 - 79
American Cinematographer - September 2011 - 80
American Cinematographer - September 2011 - 81
American Cinematographer - September 2011 - 82
American Cinematographer - September 2011 - 83
American Cinematographer - September 2011 - Filmmakers’ Forum: 24-Frame Video Playback
American Cinematographer - September 2011 - 85
American Cinematographer - September 2011 - 86
American Cinematographer - September 2011 - 87
American Cinematographer - September 2011 - New Products & Services
American Cinematographer - September 2011 - 89
American Cinematographer - September 2011 - 90
American Cinematographer - September 2011 - 91
American Cinematographer - September 2011 - 92
American Cinematographer - September 2011 - 93
American Cinematographer - September 2011 - 94
American Cinematographer - September 2011 - 95
American Cinematographer - September 2011 - International Marketplace
American Cinematographer - September 2011 - Classified Ads
American Cinematographer - September 2011 - Ad Index
American Cinematographer - September 2011 - 99
American Cinematographer - September 2011 - ASC Membership Roster
American Cinematographer - September 2011 - 101
American Cinematographer - September 2011 - Clubhouse News
American Cinematographer - September 2011 - 103
American Cinematographer - September 2011 - ASC Close-Up: Dante Spinotti, ASC, AIC
American Cinematographer - September 2011 - Cover3
American Cinematographer - September 2011 - Cover4
https://www.nxtbook.com/nxtbooks/ac/ac1218_v2
https://www.nxtbook.com/nxtbooks/ac/ac1118_v2
https://www.nxtbook.com/nxtbooks/ac/ac1018_v2
https://www.nxtbook.com/nxtbooks/ac/ac0918_v2
https://www.nxtbook.com/nxtbooks/ac/ac0818_v2
https://www.nxtbook.com/nxtbooks/ac/ac0718_v2
https://www.nxtbook.com/nxtbooks/ac/ac0618_v2
https://www.nxtbook.com/nxtbooks/ac/ac0518_v2
https://www.nxtbook.com/nxtbooks/ac/ac0418_v2
https://www.nxtbook.com/nxtbooks/ac/ac0318_v2
https://www.nxtbook.com/nxtbooks/ac/ac0218_v2
https://www.nxtbook.com/nxtbooks/ac/ac0118_v2
https://www.nxtbook.com/nxtbooks/ac/ac1217_v2
https://www.nxtbook.com/nxtbooks/ac/ac1117_v2
https://www.nxtbook.com/nxtbooks/ac/ac1017_v2
https://www.nxtbook.com/nxtbooks/ac/ac0917_v2
https://www.nxtbook.com/nxtbooks/ac/ac0817_v2
https://www.nxtbook.com/nxtbooks/ac/ac0717_v2
https://www.nxtbook.com/nxtbooks/ac/ac0617_v2
https://www.nxtbook.com/nxtbooks/ac/ac0517_v2
https://www.nxtbook.com/nxtbooks/ac/ac0417_v2
https://www.nxtbook.com/nxtbooks/ac/ac0317_v2
https://www.nxtbook.com/nxtbooks/ac/ac0217_v2
https://www.nxtbook.com/nxtbooks/ac/ac0117_v2
https://www.nxtbook.com/nxtbooks/ac/ac1216_v2
https://www.nxtbook.com/nxtbooks/ac/ac1116_v2
https://www.nxtbook.com/nxtbooks/ac/ac1016_v2
https://www.nxtbook.com/nxtbooks/ac/ac0916_v2
https://www.nxtbook.com/nxtbooks/ac/ac0816_v2
https://www.nxtbook.com/nxtbooks/ac/ac0716_v2
https://www.nxtbook.com/nxtbooks/ac/ac0616_v2
https://www.nxtbook.com/nxtbooks/ac/ac0516_v2
https://www.nxtbook.com/nxtbooks/ac/ac0416_v2
https://www.nxtbook.com/nxtbooks/ac/ac0316_v2
https://www.nxtbook.com/nxtbooks/ac/ac0216_v2
https://www.nxtbook.com/nxtbooks/ac/ac0116_v2
https://www.nxtbook.com/nxtbooks/ac/ac1215_v2
https://www.nxtbook.com/nxtbooks/ac/ac1115_v2
https://www.nxtbook.com/nxtbooks/ac/ac1015_v2
https://www.nxtbook.com/nxtbooks/ac/ac0915_v2
https://www.nxtbook.com/nxtbooks/ac/ac0815_v2
https://www.nxtbook.com/nxtbooks/ac/ac0715_v2
https://www.nxtbook.com/nxtbooks/ac/ac0615_v2
https://www.nxtbook.com/nxtbooks/ac/ac0515_v2
https://www.nxtbook.com/nxtbooks/ac/ac0415_v2
https://www.nxtbook.com/nxtbooks/ac/ac0315_v2
https://www.nxtbook.com/nxtbooks/ac/ac0215_v2
https://www.nxtbook.com/nxtbooks/ac/ac0115_v2
https://www.nxtbook.com/nxtbooks/ac/ac1214
https://www.nxtbook.com/nxtbooks/ac/ac1114
https://www.nxtbook.com/nxtbooks/ac/ac1014
https://www.nxtbook.com/nxtbooks/ac/ac0914
https://www.nxtbook.com/nxtbooks/ac/ac0814
https://www.nxtbook.com/nxtbooks/ac/ac0714
https://www.nxtbook.com/nxtbooks/ac/ac0614
https://www.nxtbook.com/nxtbooks/ac/ac0514
https://www.nxtbook.com/nxtbooks/ac/ac0414
https://www.nxtbook.com/nxtbooks/ac/ac0314
https://www.nxtbook.com/nxtbooks/ac/ac0214
https://www.nxtbook.com/nxtbooks/ac/ac0114
https://www.nxtbook.com/nxtbooks/ac/ac1213
https://www.nxtbook.com/nxtbooks/ac/ac1113
https://www.nxtbook.com/nxtbooks/ac/ac1013
https://www.nxtbook.com/nxtbooks/ac/ac0913
https://www.nxtbook.com/nxtbooks/ac/ac0813
https://www.nxtbook.com/nxtbooks/ac/ac0713
https://www.nxtbook.com/nxtbooks/ac/ac0613
https://www.nxtbook.com/nxtbooks/ac/ac0513
https://www.nxtbook.com/nxtbooks/ac/ac0413
https://www.nxtbook.com/nxtbooks/ac/ac0313
https://www.nxtbook.com/nxtbooks/ac/ac0213
https://www.nxtbook.com/nxtbooks/ac/ac0113
https://www.nxtbook.com/nxtbooks/ac/ac1212
https://www.nxtbook.com/nxtbooks/ac/ac1112
https://www.nxtbook.com/nxtbooks/ac/ac1012
https://www.nxtbook.com/nxtbooks/ac/ac0912
https://www.nxtbook.com/nxtbooks/ac/ac0812
https://www.nxtbook.com/nxtbooks/ac/ac0712
https://www.nxtbook.com/nxtbooks/ac/ac0612
https://www.nxtbook.com/nxtbooks/ac/ac0512
https://www.nxtbook.com/nxtbooks/ac/ac0412
https://www.nxtbook.com/nxtbooks/ac/ac0312
https://www.nxtbook.com/nxtbooks/ac/ac0212
https://www.nxtbook.com/nxtbooks/ac/ac0112
https://www.nxtbook.com/nxtbooks/ac/ac1211
https://www.nxtbook.com/nxtbooks/ac/ac1111
https://www.nxtbook.com/nxtbooks/ac/ac1011
https://www.nxtbook.com/nxtbooks/ac/ac0911
https://www.nxtbook.com/nxtbooks/ac/ac0811
https://www.nxtbook.com/nxtbooks/ac/ac0711
https://www.nxtbook.com/nxtbooks/ac/ac0611
https://www.nxtbook.com/nxtbooks/ac/ac0511
https://www.nxtbook.com/nxtbooks/ac/ac0411
https://www.nxtbook.com/nxtbooks/ac/ac0311
https://www.nxtbook.com/nxtbooks/ac/ac0211
https://www.nxtbook.com/nxtbooks/ac/ac0111
https://www.nxtbook.com/nxtbooks/ac/ac1210
https://www.nxtbook.com/nxtbooks/ac/ac1110
https://www.nxtbook.com/nxtbooks/ac/ac1010
https://www.nxtbook.com/nxtbooks/ac/ac0910
https://www.nxtbook.com/nxtbooks/ac/ac0810
https://www.nxtbook.com/nxtbooks/ac/ac0710
https://www.nxtbook.com/nxtbooks/ac/ac0610
https://www.nxtbook.com/nxtbooks/ac/ac0510
https://www.nxtbook.com/nxtbooks/ac/ac0410
https://www.nxtbook.com/nxtbooks/ac/ac0310
https://www.nxtbook.com/nxtbooks/ac/ac0210
https://www.nxtbook.com/nxtbooks/ac/ac0110
https://www.nxtbookmedia.com