American Cinematographer - September 2012 - 106

AN ACS INITIATIVE

Advertiser’s Index
16x9, Inc. 104 Aadyn Technology 53 Abel Cine Tech 41 AC 1, 85, 93 Adorama 5, 57 AJA Video Systems, Inc. 21 American Film Market 107 Arri 9 Australian Cinematographers Society 106 AZGrip 104 Backstage Equipment, Inc. 80 Barger-Lite 89, 105 Birns & Sawyer 104 Blackmagic Design, Inc. 13 Cammate 95 Cavision Enterprises 65 Chapman/Leonard Studio Equipment Inc. 67 Chemical Wedding 101 Chimera 37 Cinematography Electronics 97 Cinekinetic 104 Clairmont Film & Digital 73 Codex Digital Ltd. 75 Congo Films S.A. 61 Content & Communications World 99 Convergent Design 71 Cooke Optics 7 CTT Exp & Rentals 83 Dadco LLC 89 Deluxe C2 DV Expo 91 Eastman Kodak 48a-l, C4 Edelkrone 69 EFD USA, Inc. 25 Film Gear 81 Filmtools 6 Fujifilm North America 29 Glidecam Industries 15 Grip Factory 95 Hertz Corporation 11 Hive Lighting 44 Innovision 105 J.L. Fisher 77 K 5600 51 Kino Flo 86 Koerner Camera Systems 83 LDI 103 Lee Filters 87 Lights! Action! Co. 104 Lighttools 55 Maccam 4 Manfrotto Distribution C3 Manios Optical 105 MAT Berlin 45 M. M. Mukhi & Sons 104 Movcam Tech. Co., Ltd. 23 Movie Tech AG 104, 105 NBC/Universal 59 New York Film Academy 27 Nila Inc. 60 Oppenheimer Camera Prod. 39, 104 P+S Technik Feinmechanik Gmbh 104 Panther 85 PC&E 97 PED Denz 81 Pille Film Gmbh 104 Polecam Ltd. 6 Powermills 105 Pro8mm 104 Rag Place, The 6 Red Digital Cinema 30-31 Schneider Optics 2 Servicevision USA 76 Super16 Inc. 104 Thales Angenieux 19 Tiffen Company 17, 43 VF Gadgets, Inc. 105 Willy’s Widgets 104 www.theasc.com 85, 92

Will Dion Beebe

ACS ASC

Don McAlpine ACS ASC & Dean Semler ACS ASC

make the grade?

Great or even pretty good Cinematographers are a lot more than a great eye. They’re the complete package. The art they throw their heart and soul into is not complete until the

To not include the Cinematographer is like not allowing the Director to work with the Editor. It’s an insult and it hurts. So please, when you go into a creative partnership with a cinematographer, make sure you let them complete their work– make sure they’re at the grade. Probably end up making you look pretty good too.

Respect
THE LOOK. THE SHOOT. THE GRADE.
106

the art.


http://www.theasc.com

American Cinematographer - September 2012

Table of Contents for the Digital Edition of American Cinematographer - September 2012

American Cinematographer - September 2012
Contents
Editor’s Note
President’s Desk
Short Takes: 8
Production Slate: Side by Side • World Without End
Natural Bourne Killer
Around the World in 65mm
Hair-Raising Heroics
Optimizing Digital-Camera Workflows
Post Focus: Eldorado
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: John Newby
American Cinematographer - September 2012 - American Cinematographer - September 2012
American Cinematographer - September 2012 - Cover2
American Cinematographer - September 2012 - 1
American Cinematographer - September 2012 - 2
American Cinematographer - September 2012 - Contents
American Cinematographer - September 2012 - 4
American Cinematographer - September 2012 - 5
American Cinematographer - September 2012 - 6
American Cinematographer - September 2012 - 7
American Cinematographer - September 2012 - Editor’s Note
American Cinematographer - September 2012 - 9
American Cinematographer - September 2012 - President’s Desk
American Cinematographer - September 2012 - 11
American Cinematographer - September 2012 - Short Takes: 8
American Cinematographer - September 2012 - 13
American Cinematographer - September 2012 - 14
American Cinematographer - September 2012 - 15
American Cinematographer - September 2012 - 16
American Cinematographer - September 2012 - 17
American Cinematographer - September 2012 - Production Slate: Side by Side • World Without End
American Cinematographer - September 2012 - 19
American Cinematographer - September 2012 - 20
American Cinematographer - September 2012 - 21
American Cinematographer - September 2012 - 22
American Cinematographer - September 2012 - 23
American Cinematographer - September 2012 - 24
American Cinematographer - September 2012 - 25
American Cinematographer - September 2012 - 26
American Cinematographer - September 2012 - 27
American Cinematographer - September 2012 - 28
American Cinematographer - September 2012 - 29
American Cinematographer - September 2012 - 30
American Cinematographer - September 2012 - 31
American Cinematographer - September 2012 - Natural Bourne Killer
American Cinematographer - September 2012 - 33
American Cinematographer - September 2012 - 34
American Cinematographer - September 2012 - 35
American Cinematographer - September 2012 - 36
American Cinematographer - September 2012 - 37
American Cinematographer - September 2012 - 38
American Cinematographer - September 2012 - 39
American Cinematographer - September 2012 - 40
American Cinematographer - September 2012 - 41
American Cinematographer - September 2012 - 42
American Cinematographer - September 2012 - 43
American Cinematographer - September 2012 - 44
American Cinematographer - September 2012 - 45
American Cinematographer - September 2012 - Around the World in 65mm
American Cinematographer - September 2012 - 47
American Cinematographer - September 2012 - 48
American Cinematographer - September 2012 - 48A
American Cinematographer - September 2012 - 48B
American Cinematographer - September 2012 - 48C
American Cinematographer - September 2012 - 48D
American Cinematographer - September 2012 - 48E
American Cinematographer - September 2012 - 48F
American Cinematographer - September 2012 - 48G
American Cinematographer - September 2012 - 48H
American Cinematographer - September 2012 - 48I
American Cinematographer - September 2012 - 48J
American Cinematographer - September 2012 - 48K
American Cinematographer - September 2012 - 48L
American Cinematographer - September 2012 - 49
American Cinematographer - September 2012 - 50
American Cinematographer - September 2012 - 51
American Cinematographer - September 2012 - 52
American Cinematographer - September 2012 - 53
American Cinematographer - September 2012 - 54
American Cinematographer - September 2012 - 55
American Cinematographer - September 2012 - 56
American Cinematographer - September 2012 - 57
American Cinematographer - September 2012 - 58
American Cinematographer - September 2012 - 59
American Cinematographer - September 2012 - 60
American Cinematographer - September 2012 - 61
American Cinematographer - September 2012 - Hair-Raising Heroics
American Cinematographer - September 2012 - 63
American Cinematographer - September 2012 - 64
American Cinematographer - September 2012 - 65
American Cinematographer - September 2012 - 66
American Cinematographer - September 2012 - 67
American Cinematographer - September 2012 - 68
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American Cinematographer - September 2012 - 70
American Cinematographer - September 2012 - 71
American Cinematographer - September 2012 - 72
American Cinematographer - September 2012 - 73
American Cinematographer - September 2012 - 74
American Cinematographer - September 2012 - 75
American Cinematographer - September 2012 - 76
American Cinematographer - September 2012 - 77
American Cinematographer - September 2012 - Optimizing Digital-Camera Workflows
American Cinematographer - September 2012 - 79
American Cinematographer - September 2012 - 80
American Cinematographer - September 2012 - 81
American Cinematographer - September 2012 - 82
American Cinematographer - September 2012 - 83
American Cinematographer - September 2012 - 84
American Cinematographer - September 2012 - 85
American Cinematographer - September 2012 - 86
American Cinematographer - September 2012 - 87
American Cinematographer - September 2012 - Post Focus: Eldorado
American Cinematographer - September 2012 - 89
American Cinematographer - September 2012 - 90
American Cinematographer - September 2012 - 91
American Cinematographer - September 2012 - 92
American Cinematographer - September 2012 - 93
American Cinematographer - September 2012 - 95
American Cinematographer - September 2012 - 96
American Cinematographer - September 2012 - 97
American Cinematographer - September 2012 - 98
American Cinematographer - September 2012 - 99
American Cinematographer - September 2012 - 100
American Cinematographer - September 2012 - 101
American Cinematographer - September 2012 - 102
American Cinematographer - September 2012 - 103
American Cinematographer - September 2012 - International Marketplace
American Cinematographer - September 2012 - Ad Index
American Cinematographer - September 2012 - 106
American Cinematographer - September 2012 - 107
American Cinematographer - September 2012 - ASC Membership Roster
American Cinematographer - September 2012 - 109
American Cinematographer - September 2012 - Clubhouse News
American Cinematographer - September 2012 - 111
American Cinematographer - September 2012 - ASC Close-Up: John Newby
American Cinematographer - September 2012 - Cover3
American Cinematographer - September 2012 - Cover4
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