American Cinematographer - September 2013 - 107

durable carriage will not stick or jam.
All Vacion products are upgradable,
allowing customers to build upon their
investments rather than having to buy a
completely new system in order to take
advantage of design innovations and other
improvements.
For additional information, visit
www.vacion.com.
MovieTech Rolls Out Alpha Dolly
MovieTech has introduced the Alpha
Dolly. This light, compact and highly flexible
dolly combines the traditional dolly
concepts of an electromechanical column
and hydraulic arm with characteristics of a
pedestal.
The Alpha Dolly uses three 14.4-volt,
10-amp lithium-ion batteries to move the
column, which can bear payloads of 80-100
kg (176-220 pounds). The Alpha also allows
for very low shooting positions without the
need of a supplementary adapter, with a
column lift of 710mm (28") at its lowest
point. The seating position at the column is
equivalent to that of familiar hydraulic-liftarm dollies; through seat arm adapters
available in different lengths and
a new telescopic
seat arm, the seating position may be
adjusted in height.
The camera operator
may also rotate with
the column thanks to
the integrated 360degree rotation
system.
The Alpha
Dolly comes in
a complete basic
setup and the system is compatible with
many of the standard MovieTech accessories.
For additional information, visit
www.movietech.de.
Telemetrics Enables
Remote Control
Telemetrics has introduced the
Remote Camera Control System, which
provides a flexible architecture for a wide
range of networked or standalone cameraautomation applications. The System

includes the Robotic Camera Control Panel,
Camera Shader Panel and Enterprise Database Control Software.
The Robotic Camera Control Panel
supports RS-232 and Ethernet transmission
with unlimited control locations and
features a touch-screen graphical user inter-

face for ROP controls, a joystick for trim
controls (pan, tilt, zoom, etc.) and a special
assignable knob control.
The Camera Shader Panel offers a
convenient and flexible solution for
remotely matching multiple automated
cameras. It features intuitive controls and a
touch-screen interface, and supports
control for iris, master pedestal and shading
as well as CCU functions including master
gain, white gain, black level, gamma knee,
masking and test bars. Additional controls



http://www.vacion.com http://www.thekingdom.com.mx http://www.movietech.de http://www.thekingdom.com.mx

American Cinematographer - September 2013

Table of Contents for the Digital Edition of American Cinematographer - September 2013

Contents
American Cinematographer - September 2013 - Cover1
American Cinematographer - September 2013 - Cover2
American Cinematographer - September 2013 - 1
American Cinematographer - September 2013 - 2
American Cinematographer - September 2013 - Contents
American Cinematographer - September 2013 - 4
American Cinematographer - September 2013 - 5
American Cinematographer - September 2013 - 6
American Cinematographer - September 2013 - 7
American Cinematographer - September 2013 - 8
American Cinematographer - September 2013 - 9
American Cinematographer - September 2013 - 10
American Cinematographer - September 2013 - 11
American Cinematographer - September 2013 - 12
American Cinematographer - September 2013 - 13
American Cinematographer - September 2013 - 14
American Cinematographer - September 2013 - 15
American Cinematographer - September 2013 - 16
American Cinematographer - September 2013 - 17
American Cinematographer - September 2013 - 18
American Cinematographer - September 2013 - 19
American Cinematographer - September 2013 - 20
American Cinematographer - September 2013 - 21
American Cinematographer - September 2013 - 22
American Cinematographer - September 2013 - 23
American Cinematographer - September 2013 - 24
American Cinematographer - September 2013 - 25
American Cinematographer - September 2013 - 26
American Cinematographer - September 2013 - 27
American Cinematographer - September 2013 - 28
American Cinematographer - September 2013 - 29
American Cinematographer - September 2013 - 30
American Cinematographer - September 2013 - 31
American Cinematographer - September 2013 - 32
American Cinematographer - September 2013 - 33
American Cinematographer - September 2013 - 34
American Cinematographer - September 2013 - 35
American Cinematographer - September 2013 - 36
American Cinematographer - September 2013 - 37
American Cinematographer - September 2013 - 38
American Cinematographer - September 2013 - 39
American Cinematographer - September 2013 - 40
American Cinematographer - September 2013 - K1
American Cinematographer - September 2013 - K2
American Cinematographer - September 2013 - K3
American Cinematographer - September 2013 - K4
American Cinematographer - September 2013 - K5
American Cinematographer - September 2013 - K6
American Cinematographer - September 2013 - K7
American Cinematographer - September 2013 - K8
American Cinematographer - September 2013 - K9
American Cinematographer - September 2013 - K10
American Cinematographer - September 2013 - K11
American Cinematographer - September 2013 - K12
American Cinematographer - September 2013 - 41
American Cinematographer - September 2013 - 42
American Cinematographer - September 2013 - 43
American Cinematographer - September 2013 - 44
American Cinematographer - September 2013 - 45
American Cinematographer - September 2013 - 46
American Cinematographer - September 2013 - 47
American Cinematographer - September 2013 - 48
American Cinematographer - September 2013 - 49
American Cinematographer - September 2013 - 50
American Cinematographer - September 2013 - 51
American Cinematographer - September 2013 - 52
American Cinematographer - September 2013 - 53
American Cinematographer - September 2013 - 54
American Cinematographer - September 2013 - 55
American Cinematographer - September 2013 - 56
American Cinematographer - September 2013 - 57
American Cinematographer - September 2013 - 58
American Cinematographer - September 2013 - 59
American Cinematographer - September 2013 - 60
American Cinematographer - September 2013 - 61
American Cinematographer - September 2013 - 62
American Cinematographer - September 2013 - 63
American Cinematographer - September 2013 - 64
American Cinematographer - September 2013 - 65
American Cinematographer - September 2013 - 66
American Cinematographer - September 2013 - 67
American Cinematographer - September 2013 - 68
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American Cinematographer - September 2013 - 70
American Cinematographer - September 2013 - 71
American Cinematographer - September 2013 - 72
American Cinematographer - September 2013 - 73
American Cinematographer - September 2013 - 74
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American Cinematographer - September 2013 - 76
American Cinematographer - September 2013 - 77
American Cinematographer - September 2013 - 78
American Cinematographer - September 2013 - 79
American Cinematographer - September 2013 - 80
American Cinematographer - September 2013 - 81
American Cinematographer - September 2013 - 82
American Cinematographer - September 2013 - 83
American Cinematographer - September 2013 - 84
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American Cinematographer - September 2013 - 89
American Cinematographer - September 2013 - 90
American Cinematographer - September 2013 - 91
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American Cinematographer - September 2013 - 93
American Cinematographer - September 2013 - 94
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American Cinematographer - September 2013 - 98
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American Cinematographer - September 2013 - 100
American Cinematographer - September 2013 - 101
American Cinematographer - September 2013 - 102
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American Cinematographer - September 2013 - Cover3
American Cinematographer - September 2013 - Cover4
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