American Cinematographer - September 2013 - 90

◗

American Mythology

Top: After being
pursued into a
stream, Bob
confronts his
attacker. Middle
and bottom: The
crew films the
scene, which
Young kept in
backlight using
an 8K cube
balloon.

contrast with a warm key and a cooler
fill. How did you light that?
Young: The idea was that we
were mixing sodium vapor and mercury
vapor as our two sources. We used a
400-watt sodium-vapor lamp through
the front windshield, and we cut it up
like crazy. For the cyan light coming
through the back, I had a 5K gelled with
¼ Plus Green and CTB right above the
car on a Condor. We tweaked the colors
later to make them feel a little more
orange and blue. That’s the scene that
has the heaviest strokes in terms of
lighting because we wanted it to feel a
little over-the-top. I used the Master
Primes, and I didn’t underexpose at all,
so the blacks are a lot sharper.
As long as we’re talking about
people in cars, how did you shoot the
night scene in which Bob is driving his
truck and approaching headlights pass
by him, then turn around and follow
him?
Young: All of that was on a
process trailer. To light Bob, we used a
1K straight onto a bounce card and cut
up so it fell right on him and sort of
caressed the window. I didn’t want him
floating in black, so we had to also make
it subtle on the truck. For the car that
hits him with the headlights, we rigged
two Par cans on a pickup with a little
putt-putt generator in the back. We had
to mount the lights because the truck
was too low when we had Bob’s truck
up on the process trailer. Once we raised
the Par cans, they were right at Bob’s eye
90

September 2013

American Cinematographer



American Cinematographer - September 2013

Table of Contents for the Digital Edition of American Cinematographer - September 2013

Contents
American Cinematographer - September 2013 - Cover1
American Cinematographer - September 2013 - Cover2
American Cinematographer - September 2013 - 1
American Cinematographer - September 2013 - 2
American Cinematographer - September 2013 - Contents
American Cinematographer - September 2013 - 4
American Cinematographer - September 2013 - 5
American Cinematographer - September 2013 - 6
American Cinematographer - September 2013 - 7
American Cinematographer - September 2013 - 8
American Cinematographer - September 2013 - 9
American Cinematographer - September 2013 - 10
American Cinematographer - September 2013 - 11
American Cinematographer - September 2013 - 12
American Cinematographer - September 2013 - 13
American Cinematographer - September 2013 - 14
American Cinematographer - September 2013 - 15
American Cinematographer - September 2013 - 16
American Cinematographer - September 2013 - 17
American Cinematographer - September 2013 - 18
American Cinematographer - September 2013 - 19
American Cinematographer - September 2013 - 20
American Cinematographer - September 2013 - 21
American Cinematographer - September 2013 - 22
American Cinematographer - September 2013 - 23
American Cinematographer - September 2013 - 24
American Cinematographer - September 2013 - 25
American Cinematographer - September 2013 - 26
American Cinematographer - September 2013 - 27
American Cinematographer - September 2013 - 28
American Cinematographer - September 2013 - 29
American Cinematographer - September 2013 - 30
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American Cinematographer - September 2013 - 33
American Cinematographer - September 2013 - 34
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American Cinematographer - September 2013 - 36
American Cinematographer - September 2013 - 37
American Cinematographer - September 2013 - 38
American Cinematographer - September 2013 - 39
American Cinematographer - September 2013 - 40
American Cinematographer - September 2013 - K1
American Cinematographer - September 2013 - K2
American Cinematographer - September 2013 - K3
American Cinematographer - September 2013 - K4
American Cinematographer - September 2013 - K5
American Cinematographer - September 2013 - K6
American Cinematographer - September 2013 - K7
American Cinematographer - September 2013 - K8
American Cinematographer - September 2013 - K9
American Cinematographer - September 2013 - K10
American Cinematographer - September 2013 - K11
American Cinematographer - September 2013 - K12
American Cinematographer - September 2013 - 41
American Cinematographer - September 2013 - 42
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American Cinematographer - September 2013 - 46
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American Cinematographer - September 2013 - 102
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American Cinematographer - September 2013 - 111
American Cinematographer - September 2013 - 112
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American Cinematographer - September 2013 - Cover3
American Cinematographer - September 2013 - Cover4
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