American Cinematographer - September 2014 - 112

contracts for such companies as Sony,
Leica, Leader, Movcam, 16x9, Swit, Orca
Bags, IB/E Optics, Astro and DSC Labs -
will also be available through the Berlin
office.
"Adding the Berlin office is an
important step forward for Band Pro," says
Pokorny. "Berlin produces over 300 films
per year, and it's one of Europe's most
popular locations. In addition to providing
the best new production technology, the
focus of our consultancy lies in the definition and elaboration of individual workflows. We just have to be where the most
exciting projects are being realized."
Christopher Hantel, Band Pro
Munich's managing director, adds, "For us,
this is just more proof that Berlin and
Munich are the most exciting places for
media production. ... [Pokorny's] deep
technical knowledge, hands-on experience
and creative ideas will be a huge asset, and
we look forward to great synergies
between the two offices."
For additional information, visit
www.bandpro.com.
Arri CSC Expands to Atlanta
Full-service equipment-rental group
Arri CSC has announced the strategic
expansion of its network with the opening
of a camera-rental facility in Atlanta, Ga.
The new operation is conveniently located
for both studio and location productions.
"Arri CSC is very well positioned to
make a significant contribution to the
Atlanta market," says ASC associate Simon
Broad, president of Arri CSC. "We will
ensure that the company's extensive inventory of digital, film, anamorphic and spherical camera equipment is available to one of
the country's most vibrant production
communities along with the level of facility
and service that Arri CSC is known for."
For additional information, visit
www.arricsc.com.
SGO Updates Mamba FX
SGO has introduced Mamba FX
version 2.0, which marks a significant
upgrade to the company's visual-effects
compositing software.
A key feature of Mamba FX 2.0 is
the Layer Route Effect, which provides
support and associated functions for work112

ing with multi-layer EXR files; a single multilayer EXR file is capable of carrying multiple
streams of images as well as metadata.
These files are commonly used to hold
multiple render passes from CGI software,
or to carry multiple matte or alpha channels.
Mamba FX 2.0 includes features to split and
route the multiple layers, allowing Mamba
FX's other compositing tools to act on individual elements during the compositing
phase. Mamba FX 2.0's Spatial Isolation
Keyer interfaces with metadata that can be
passed from CGI software via the EXR files,
enabling advanced compositing techniques
such as isolating elements in a scene by
their 3-D (XYZ) location, their surface direction (normals), their object ID or their material ID.
Also new for Mamba FX 2.0 is a
high-speed "point cloud" shape tracker,
which enables compositors to track 2-D
roto shapes to shots very quickly. Multiple
shapes can be tracked and combined using
Boolean operations to rapidly create moving
matte shapes. Mamba FX 2.0 also includes
new color-space conversion tools, including
ACES workflows, to aid project color
management. Additional features include
an adaptive interface for monitor configuration as well as Dolby EDR support.
Mamba FX 2.0 is available for
Windows, Linux and Mac (Mountain Lion
10.8.5) and is fully compatible with SGO's
Mistika. Mamba FX 1.0 customers will
receive a free Mamba FX 2.0 update.
For additional information, visit
www.sgo.es.
Autodesk Acquires Shotgun
Autodesk Inc. has signed a definitive
agreement to acquire Shotgun Software, a
developer of scalable, cloud-based production tracking, review and asset-management software for the film, television and


http://www.maccam.tv http://www.bandpro.com http://www.arricsc.com http://www.sgo.es http://www.maccam.tv

American Cinematographer - September 2014

Table of Contents for the Digital Edition of American Cinematographer - September 2014

Contents
American Cinematographer - September 2014 - Cover1
American Cinematographer - September 2014 - Cover2
American Cinematographer - September 2014 - 1
American Cinematographer - September 2014 - 2
American Cinematographer - September 2014 - Contents
American Cinematographer - September 2014 - 4
American Cinematographer - September 2014 - 5
American Cinematographer - September 2014 - 6
American Cinematographer - September 2014 - 7
American Cinematographer - September 2014 - 8
American Cinematographer - September 2014 - 9
American Cinematographer - September 2014 - 10
American Cinematographer - September 2014 - 11
American Cinematographer - September 2014 - 12
American Cinematographer - September 2014 - 13
American Cinematographer - September 2014 - 14
American Cinematographer - September 2014 - 15
American Cinematographer - September 2014 - 16
American Cinematographer - September 2014 - 17
American Cinematographer - September 2014 - 18
American Cinematographer - September 2014 - 19
American Cinematographer - September 2014 - 20
American Cinematographer - September 2014 - 21
American Cinematographer - September 2014 - 22
American Cinematographer - September 2014 - 23
American Cinematographer - September 2014 - 24
American Cinematographer - September 2014 - 25
American Cinematographer - September 2014 - 26
American Cinematographer - September 2014 - 27
American Cinematographer - September 2014 - 28
American Cinematographer - September 2014 - 29
American Cinematographer - September 2014 - 30
American Cinematographer - September 2014 - 31
American Cinematographer - September 2014 - 32
American Cinematographer - September 2014 - 33
American Cinematographer - September 2014 - 34
American Cinematographer - September 2014 - 35
American Cinematographer - September 2014 - 36
American Cinematographer - September 2014 - 37
American Cinematographer - September 2014 - 38
American Cinematographer - September 2014 - 39
American Cinematographer - September 2014 - 40
American Cinematographer - September 2014 - 41
American Cinematographer - September 2014 - 42
American Cinematographer - September 2014 - 43
American Cinematographer - September 2014 - 44
American Cinematographer - September 2014 - 44a
American Cinematographer - September 2014 - 44b
American Cinematographer - September 2014 - 45
American Cinematographer - September 2014 - 46
American Cinematographer - September 2014 - 47
American Cinematographer - September 2014 - 48
American Cinematographer - September 2014 - 49
American Cinematographer - September 2014 - 50
American Cinematographer - September 2014 - 51
American Cinematographer - September 2014 - 52
American Cinematographer - September 2014 - 53
American Cinematographer - September 2014 - 54
American Cinematographer - September 2014 - 55
American Cinematographer - September 2014 - 56
American Cinematographer - September 2014 - 57
American Cinematographer - September 2014 - 58
American Cinematographer - September 2014 - 59
American Cinematographer - September 2014 - 60
American Cinematographer - September 2014 - 61
American Cinematographer - September 2014 - 62
American Cinematographer - September 2014 - 63
American Cinematographer - September 2014 - 64
American Cinematographer - September 2014 - 65
American Cinematographer - September 2014 - 66
American Cinematographer - September 2014 - 67
American Cinematographer - September 2014 - 68
American Cinematographer - September 2014 - 69
American Cinematographer - September 2014 - 70
American Cinematographer - September 2014 - 71
American Cinematographer - September 2014 - 72
American Cinematographer - September 2014 - 73
American Cinematographer - September 2014 - 74
American Cinematographer - September 2014 - 75
American Cinematographer - September 2014 - 76
American Cinematographer - September 2014 - 77
American Cinematographer - September 2014 - 78
American Cinematographer - September 2014 - 79
American Cinematographer - September 2014 - 80
American Cinematographer - September 2014 - 81
American Cinematographer - September 2014 - 82
American Cinematographer - September 2014 - 83
American Cinematographer - September 2014 - 84
American Cinematographer - September 2014 - 85
American Cinematographer - September 2014 - 86
American Cinematographer - September 2014 - 87
American Cinematographer - September 2014 - 88
American Cinematographer - September 2014 - 89
American Cinematographer - September 2014 - 90
American Cinematographer - September 2014 - 91
American Cinematographer - September 2014 - 92
American Cinematographer - September 2014 - 93
American Cinematographer - September 2014 - 94
American Cinematographer - September 2014 - 95
American Cinematographer - September 2014 - 96
American Cinematographer - September 2014 - 97
American Cinematographer - September 2014 - 98
American Cinematographer - September 2014 - 99
American Cinematographer - September 2014 - 100
American Cinematographer - September 2014 - 101
American Cinematographer - September 2014 - 102
American Cinematographer - September 2014 - 103
American Cinematographer - September 2014 - 104
American Cinematographer - September 2014 - 104a
American Cinematographer - September 2014 - 104b
American Cinematographer - September 2014 - 105
American Cinematographer - September 2014 - 106
American Cinematographer - September 2014 - 107
American Cinematographer - September 2014 - 108
American Cinematographer - September 2014 - 109
American Cinematographer - September 2014 - 110
American Cinematographer - September 2014 - 111
American Cinematographer - September 2014 - 112
American Cinematographer - September 2014 - 113
American Cinematographer - September 2014 - 114
American Cinematographer - September 2014 - 115
American Cinematographer - September 2014 - 116
American Cinematographer - September 2014 - 117
American Cinematographer - September 2014 - 118
American Cinematographer - September 2014 - 119
American Cinematographer - September 2014 - 120
American Cinematographer - September 2014 - 121
American Cinematographer - September 2014 - 122
American Cinematographer - September 2014 - 123
American Cinematographer - September 2014 - 124
American Cinematographer - September 2014 - Cover3
American Cinematographer - September 2014 - Cover4
https://www.nxtbook.com/nxtbooks/ac/ac1218_v2
https://www.nxtbook.com/nxtbooks/ac/ac1118_v2
https://www.nxtbook.com/nxtbooks/ac/ac1018_v2
https://www.nxtbook.com/nxtbooks/ac/ac0918_v2
https://www.nxtbook.com/nxtbooks/ac/ac0818_v2
https://www.nxtbook.com/nxtbooks/ac/ac0718_v2
https://www.nxtbook.com/nxtbooks/ac/ac0618_v2
https://www.nxtbook.com/nxtbooks/ac/ac0518_v2
https://www.nxtbook.com/nxtbooks/ac/ac0418_v2
https://www.nxtbook.com/nxtbooks/ac/ac0318_v2
https://www.nxtbook.com/nxtbooks/ac/ac0218_v2
https://www.nxtbook.com/nxtbooks/ac/ac0118_v2
https://www.nxtbook.com/nxtbooks/ac/ac1217_v2
https://www.nxtbook.com/nxtbooks/ac/ac1117_v2
https://www.nxtbook.com/nxtbooks/ac/ac1017_v2
https://www.nxtbook.com/nxtbooks/ac/ac0917_v2
https://www.nxtbook.com/nxtbooks/ac/ac0817_v2
https://www.nxtbook.com/nxtbooks/ac/ac0717_v2
https://www.nxtbook.com/nxtbooks/ac/ac0617_v2
https://www.nxtbook.com/nxtbooks/ac/ac0517_v2
https://www.nxtbook.com/nxtbooks/ac/ac0417_v2
https://www.nxtbook.com/nxtbooks/ac/ac0317_v2
https://www.nxtbook.com/nxtbooks/ac/ac0217_v2
https://www.nxtbook.com/nxtbooks/ac/ac0117_v2
https://www.nxtbook.com/nxtbooks/ac/ac1216_v2
https://www.nxtbook.com/nxtbooks/ac/ac1116_v2
https://www.nxtbook.com/nxtbooks/ac/ac1016_v2
https://www.nxtbook.com/nxtbooks/ac/ac0916_v2
https://www.nxtbook.com/nxtbooks/ac/ac0816_v2
https://www.nxtbook.com/nxtbooks/ac/ac0716_v2
https://www.nxtbook.com/nxtbooks/ac/ac0616_v2
https://www.nxtbook.com/nxtbooks/ac/ac0516_v2
https://www.nxtbook.com/nxtbooks/ac/ac0416_v2
https://www.nxtbook.com/nxtbooks/ac/ac0316_v2
https://www.nxtbook.com/nxtbooks/ac/ac0216_v2
https://www.nxtbook.com/nxtbooks/ac/ac0116_v2
https://www.nxtbook.com/nxtbooks/ac/ac1215_v2
https://www.nxtbook.com/nxtbooks/ac/ac1115_v2
https://www.nxtbook.com/nxtbooks/ac/ac1015_v2
https://www.nxtbook.com/nxtbooks/ac/ac0915_v2
https://www.nxtbook.com/nxtbooks/ac/ac0815_v2
https://www.nxtbook.com/nxtbooks/ac/ac0715_v2
https://www.nxtbook.com/nxtbooks/ac/ac0615_v2
https://www.nxtbook.com/nxtbooks/ac/ac0515_v2
https://www.nxtbook.com/nxtbooks/ac/ac0415_v2
https://www.nxtbook.com/nxtbooks/ac/ac0315_v2
https://www.nxtbook.com/nxtbooks/ac/ac0215_v2
https://www.nxtbook.com/nxtbooks/ac/ac0115_v2
https://www.nxtbook.com/nxtbooks/ac/ac1214
https://www.nxtbook.com/nxtbooks/ac/ac1114
https://www.nxtbook.com/nxtbooks/ac/ac1014
https://www.nxtbook.com/nxtbooks/ac/ac0914
https://www.nxtbook.com/nxtbooks/ac/ac0814
https://www.nxtbook.com/nxtbooks/ac/ac0714
https://www.nxtbook.com/nxtbooks/ac/ac0614
https://www.nxtbook.com/nxtbooks/ac/ac0514
https://www.nxtbook.com/nxtbooks/ac/ac0414
https://www.nxtbook.com/nxtbooks/ac/ac0314
https://www.nxtbook.com/nxtbooks/ac/ac0214
https://www.nxtbook.com/nxtbooks/ac/ac0114
https://www.nxtbook.com/nxtbooks/ac/ac1213
https://www.nxtbook.com/nxtbooks/ac/ac1113
https://www.nxtbook.com/nxtbooks/ac/ac1013
https://www.nxtbook.com/nxtbooks/ac/ac0913
https://www.nxtbook.com/nxtbooks/ac/ac0813
https://www.nxtbook.com/nxtbooks/ac/ac0713
https://www.nxtbook.com/nxtbooks/ac/ac0613
https://www.nxtbook.com/nxtbooks/ac/ac0513
https://www.nxtbook.com/nxtbooks/ac/ac0413
https://www.nxtbook.com/nxtbooks/ac/ac0313
https://www.nxtbook.com/nxtbooks/ac/ac0213
https://www.nxtbook.com/nxtbooks/ac/ac0113
https://www.nxtbook.com/nxtbooks/ac/ac1212
https://www.nxtbook.com/nxtbooks/ac/ac1112
https://www.nxtbook.com/nxtbooks/ac/ac1012
https://www.nxtbook.com/nxtbooks/ac/ac0912
https://www.nxtbook.com/nxtbooks/ac/ac0812
https://www.nxtbook.com/nxtbooks/ac/ac0712
https://www.nxtbook.com/nxtbooks/ac/ac0612
https://www.nxtbook.com/nxtbooks/ac/ac0512
https://www.nxtbook.com/nxtbooks/ac/ac0412
https://www.nxtbook.com/nxtbooks/ac/ac0312
https://www.nxtbook.com/nxtbooks/ac/ac0212
https://www.nxtbook.com/nxtbooks/ac/ac0112
https://www.nxtbook.com/nxtbooks/ac/ac1211
https://www.nxtbook.com/nxtbooks/ac/ac1111
https://www.nxtbook.com/nxtbooks/ac/ac1011
https://www.nxtbook.com/nxtbooks/ac/ac0911
https://www.nxtbook.com/nxtbooks/ac/ac0811
https://www.nxtbook.com/nxtbooks/ac/ac0711
https://www.nxtbook.com/nxtbooks/ac/ac0611
https://www.nxtbook.com/nxtbooks/ac/ac0511
https://www.nxtbook.com/nxtbooks/ac/ac0411
https://www.nxtbook.com/nxtbooks/ac/ac0311
https://www.nxtbook.com/nxtbooks/ac/ac0211
https://www.nxtbook.com/nxtbooks/ac/ac0111
https://www.nxtbook.com/nxtbooks/ac/ac1210
https://www.nxtbook.com/nxtbooks/ac/ac1110
https://www.nxtbook.com/nxtbooks/ac/ac1010
https://www.nxtbook.com/nxtbooks/ac/ac0910
https://www.nxtbook.com/nxtbooks/ac/ac0810
https://www.nxtbook.com/nxtbooks/ac/ac0710
https://www.nxtbook.com/nxtbooks/ac/ac0610
https://www.nxtbook.com/nxtbooks/ac/ac0510
https://www.nxtbook.com/nxtbooks/ac/ac0410
https://www.nxtbook.com/nxtbooks/ac/ac0310
https://www.nxtbook.com/nxtbooks/ac/ac0210
https://www.nxtbook.com/nxtbooks/ac/ac0110
https://www.nxtbookmedia.com