American Cinematographer - September 2014 - 26
used [as focus pullers] still apply [in the digital world], but wireless monitoring has
proven to be a new treat, and it really helped
on this show."
For the handheld A camera, the
production relied on three lightweight Angenieux Optimo zooms: 15-40mm T2.6, 2876mm T2.6 and 45-120mm T2.8. On the B
camera, they primarily used the Optimo 24290mm T2.8 zoom, as well as a Vantage
Film Hawk 150-450mm T2.8 zoom.
As Cassar explains, "We are not a
show that does 10 takes - we do two or
three. And there is a great physicality to the
work from the operator's point of view. They
have to be sensitive to the material, be able
to go with the emotionality of the acting,
and understand that they have the freedom
to change a designed shot. If the actor
suddenly goes sideways, and the performance gets more emotional than it was in
rehearsal, the operator has the freedom to
grab the zoom and get right in there, to be
organic with the camera."
A-camera operator Oliver Loncraine
says that such physicality was particularly
demanding when he had to follow the
actors through grueling action scenes.
Making it easier for him to accomplish these
shots was a special backpack designed by
London equipment house Ice Film. Containing the wireless transmitter for the Cinetape
readout, the video transmitter, the camera
batteries and other devices, the backpack
could be worn by grip Andy Woodcock,
significantly lightening Loncraine's load.
"Andy and I were tied together by an umbilical cord," the operator explains. "He was
the eyes in the back of my head, and without him, I could not have completed the
show in one piece - I could not have done
shots running down the stairs backwards or
chasing Kiefer across roads with live traffic.
Andy gave me the confidence to give the
show the energy it needed. Teamwork is
always vital, but on this show especially we
really needed to act as one."
Whereas the Los Angeles-based
production of 24's initial eight seasons
tended to utilize nondescript neighborhoods, warehouses, back alleys and piers
that could stand in for locations in other
cities, Live Another Day's producers sought
to take full advantage of the London backdrop, setting key scenes at or near Wembley
Top: Simone
Al-Harazi (Emily
Berrington)
eludes Bauer in
a London
Underground
tunnel. Middle:
Bauer races
through the
streets. Bottom:
The crew preps a
scene onstage
in the old
Gillette factory
in Brentford,
West London.
26
September 2014
American Cinematographer
American Cinematographer - September 2014
Table of Contents for the Digital Edition of American Cinematographer - September 2014
Contents
American Cinematographer - September 2014 - Cover1
American Cinematographer - September 2014 - Cover2
American Cinematographer - September 2014 - 1
American Cinematographer - September 2014 - 2
American Cinematographer - September 2014 - Contents
American Cinematographer - September 2014 - 4
American Cinematographer - September 2014 - 5
American Cinematographer - September 2014 - 6
American Cinematographer - September 2014 - 7
American Cinematographer - September 2014 - 8
American Cinematographer - September 2014 - 9
American Cinematographer - September 2014 - 10
American Cinematographer - September 2014 - 11
American Cinematographer - September 2014 - 12
American Cinematographer - September 2014 - 13
American Cinematographer - September 2014 - 14
American Cinematographer - September 2014 - 15
American Cinematographer - September 2014 - 16
American Cinematographer - September 2014 - 17
American Cinematographer - September 2014 - 18
American Cinematographer - September 2014 - 19
American Cinematographer - September 2014 - 20
American Cinematographer - September 2014 - 21
American Cinematographer - September 2014 - 22
American Cinematographer - September 2014 - 23
American Cinematographer - September 2014 - 24
American Cinematographer - September 2014 - 25
American Cinematographer - September 2014 - 26
American Cinematographer - September 2014 - 27
American Cinematographer - September 2014 - 28
American Cinematographer - September 2014 - 29
American Cinematographer - September 2014 - 30
American Cinematographer - September 2014 - 31
American Cinematographer - September 2014 - 32
American Cinematographer - September 2014 - 33
American Cinematographer - September 2014 - 34
American Cinematographer - September 2014 - 35
American Cinematographer - September 2014 - 36
American Cinematographer - September 2014 - 37
American Cinematographer - September 2014 - 38
American Cinematographer - September 2014 - 39
American Cinematographer - September 2014 - 40
American Cinematographer - September 2014 - 41
American Cinematographer - September 2014 - 42
American Cinematographer - September 2014 - 43
American Cinematographer - September 2014 - 44
American Cinematographer - September 2014 - 44a
American Cinematographer - September 2014 - 44b
American Cinematographer - September 2014 - 45
American Cinematographer - September 2014 - 46
American Cinematographer - September 2014 - 47
American Cinematographer - September 2014 - 48
American Cinematographer - September 2014 - 49
American Cinematographer - September 2014 - 50
American Cinematographer - September 2014 - 51
American Cinematographer - September 2014 - 52
American Cinematographer - September 2014 - 53
American Cinematographer - September 2014 - 54
American Cinematographer - September 2014 - 55
American Cinematographer - September 2014 - 56
American Cinematographer - September 2014 - 57
American Cinematographer - September 2014 - 58
American Cinematographer - September 2014 - 59
American Cinematographer - September 2014 - 60
American Cinematographer - September 2014 - 61
American Cinematographer - September 2014 - 62
American Cinematographer - September 2014 - 63
American Cinematographer - September 2014 - 64
American Cinematographer - September 2014 - 65
American Cinematographer - September 2014 - 66
American Cinematographer - September 2014 - 67
American Cinematographer - September 2014 - 68
American Cinematographer - September 2014 - 69
American Cinematographer - September 2014 - 70
American Cinematographer - September 2014 - 71
American Cinematographer - September 2014 - 72
American Cinematographer - September 2014 - 73
American Cinematographer - September 2014 - 74
American Cinematographer - September 2014 - 75
American Cinematographer - September 2014 - 76
American Cinematographer - September 2014 - 77
American Cinematographer - September 2014 - 78
American Cinematographer - September 2014 - 79
American Cinematographer - September 2014 - 80
American Cinematographer - September 2014 - 81
American Cinematographer - September 2014 - 82
American Cinematographer - September 2014 - 83
American Cinematographer - September 2014 - 84
American Cinematographer - September 2014 - 85
American Cinematographer - September 2014 - 86
American Cinematographer - September 2014 - 87
American Cinematographer - September 2014 - 88
American Cinematographer - September 2014 - 89
American Cinematographer - September 2014 - 90
American Cinematographer - September 2014 - 91
American Cinematographer - September 2014 - 92
American Cinematographer - September 2014 - 93
American Cinematographer - September 2014 - 94
American Cinematographer - September 2014 - 95
American Cinematographer - September 2014 - 96
American Cinematographer - September 2014 - 97
American Cinematographer - September 2014 - 98
American Cinematographer - September 2014 - 99
American Cinematographer - September 2014 - 100
American Cinematographer - September 2014 - 101
American Cinematographer - September 2014 - 102
American Cinematographer - September 2014 - 103
American Cinematographer - September 2014 - 104
American Cinematographer - September 2014 - 104a
American Cinematographer - September 2014 - 104b
American Cinematographer - September 2014 - 105
American Cinematographer - September 2014 - 106
American Cinematographer - September 2014 - 107
American Cinematographer - September 2014 - 108
American Cinematographer - September 2014 - 109
American Cinematographer - September 2014 - 110
American Cinematographer - September 2014 - 111
American Cinematographer - September 2014 - 112
American Cinematographer - September 2014 - 113
American Cinematographer - September 2014 - 114
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American Cinematographer - September 2014 - 118
American Cinematographer - September 2014 - 119
American Cinematographer - September 2014 - 120
American Cinematographer - September 2014 - 121
American Cinematographer - September 2014 - 122
American Cinematographer - September 2014 - 123
American Cinematographer - September 2014 - 124
American Cinematographer - September 2014 - Cover3
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