American Cinematographer - September 2014 - 57
Lorenzo Donati and Larry McConkey.
The A camera was usually outfitted
with an 18-80mm Arri/Fujinon Alura
T2.6 zoom, which Arbogast says he
selected because there was no stop loss
at longer focal lengths. For the
Steadicam, Rouaux gathered and tested
a set of Cooke S4 lenses comprising 16
different focal lengths from 12mm to
180mm. Arbogast says he chose the
Cooke S4s because they are "gentler"
than other lenses. For exteriors, the
cinematographer also employed an
Angenieux Optimo 24-290mm T2.8
zoom.
The production recorded Sony
Raw 4K with SR-R4 recorders in
widescreen 2.40:1. Rouaux notes that
the 4K image was very demanding in
terms of focus, with less depth of field
than he was used to in 35mm. He estimates that about half the scenes were
shot with two cameras, often with a
Steadicam adding a complementary
movement or angle to the A camera. He
adds that a few picturesque scenes were
shot with an Imax Wilcam IW5A, and
that the Parisian car chase stunts were
filmed with a mixture of F65s, Alexa
XTs and Epic MXs, all set at 22 fps to
give a slight acceleration to the action.
By all accounts, Besson is a decisive director who arrives on set knowing
the shots he wants, and who works very
quickly. As the director explains,
"When I get to the set in the morning,
Top and bottom:
Lucy is held captive
in a warehouse,
where Arbogast
underscored her
brutal situation with
harsh lighting from
above. Middle: The
filmmakers used
this rotating set to
achieve the
in-camera effect of
a gravity anomaly
after the drug
releases into
Lucy's system.
www.theasc.com
September 2014
57
http://www.theasc.com
American Cinematographer - September 2014
Table of Contents for the Digital Edition of American Cinematographer - September 2014
Contents
American Cinematographer - September 2014 - Cover1
American Cinematographer - September 2014 - Cover2
American Cinematographer - September 2014 - 1
American Cinematographer - September 2014 - 2
American Cinematographer - September 2014 - Contents
American Cinematographer - September 2014 - 4
American Cinematographer - September 2014 - 5
American Cinematographer - September 2014 - 6
American Cinematographer - September 2014 - 7
American Cinematographer - September 2014 - 8
American Cinematographer - September 2014 - 9
American Cinematographer - September 2014 - 10
American Cinematographer - September 2014 - 11
American Cinematographer - September 2014 - 12
American Cinematographer - September 2014 - 13
American Cinematographer - September 2014 - 14
American Cinematographer - September 2014 - 15
American Cinematographer - September 2014 - 16
American Cinematographer - September 2014 - 17
American Cinematographer - September 2014 - 18
American Cinematographer - September 2014 - 19
American Cinematographer - September 2014 - 20
American Cinematographer - September 2014 - 21
American Cinematographer - September 2014 - 22
American Cinematographer - September 2014 - 23
American Cinematographer - September 2014 - 24
American Cinematographer - September 2014 - 25
American Cinematographer - September 2014 - 26
American Cinematographer - September 2014 - 27
American Cinematographer - September 2014 - 28
American Cinematographer - September 2014 - 29
American Cinematographer - September 2014 - 30
American Cinematographer - September 2014 - 31
American Cinematographer - September 2014 - 32
American Cinematographer - September 2014 - 33
American Cinematographer - September 2014 - 34
American Cinematographer - September 2014 - 35
American Cinematographer - September 2014 - 36
American Cinematographer - September 2014 - 37
American Cinematographer - September 2014 - 38
American Cinematographer - September 2014 - 39
American Cinematographer - September 2014 - 40
American Cinematographer - September 2014 - 41
American Cinematographer - September 2014 - 42
American Cinematographer - September 2014 - 43
American Cinematographer - September 2014 - 44
American Cinematographer - September 2014 - 44a
American Cinematographer - September 2014 - 44b
American Cinematographer - September 2014 - 45
American Cinematographer - September 2014 - 46
American Cinematographer - September 2014 - 47
American Cinematographer - September 2014 - 48
American Cinematographer - September 2014 - 49
American Cinematographer - September 2014 - 50
American Cinematographer - September 2014 - 51
American Cinematographer - September 2014 - 52
American Cinematographer - September 2014 - 53
American Cinematographer - September 2014 - 54
American Cinematographer - September 2014 - 55
American Cinematographer - September 2014 - 56
American Cinematographer - September 2014 - 57
American Cinematographer - September 2014 - 58
American Cinematographer - September 2014 - 59
American Cinematographer - September 2014 - 60
American Cinematographer - September 2014 - 61
American Cinematographer - September 2014 - 62
American Cinematographer - September 2014 - 63
American Cinematographer - September 2014 - 64
American Cinematographer - September 2014 - 65
American Cinematographer - September 2014 - 66
American Cinematographer - September 2014 - 67
American Cinematographer - September 2014 - 68
American Cinematographer - September 2014 - 69
American Cinematographer - September 2014 - 70
American Cinematographer - September 2014 - 71
American Cinematographer - September 2014 - 72
American Cinematographer - September 2014 - 73
American Cinematographer - September 2014 - 74
American Cinematographer - September 2014 - 75
American Cinematographer - September 2014 - 76
American Cinematographer - September 2014 - 77
American Cinematographer - September 2014 - 78
American Cinematographer - September 2014 - 79
American Cinematographer - September 2014 - 80
American Cinematographer - September 2014 - 81
American Cinematographer - September 2014 - 82
American Cinematographer - September 2014 - 83
American Cinematographer - September 2014 - 84
American Cinematographer - September 2014 - 85
American Cinematographer - September 2014 - 86
American Cinematographer - September 2014 - 87
American Cinematographer - September 2014 - 88
American Cinematographer - September 2014 - 89
American Cinematographer - September 2014 - 90
American Cinematographer - September 2014 - 91
American Cinematographer - September 2014 - 92
American Cinematographer - September 2014 - 93
American Cinematographer - September 2014 - 94
American Cinematographer - September 2014 - 95
American Cinematographer - September 2014 - 96
American Cinematographer - September 2014 - 97
American Cinematographer - September 2014 - 98
American Cinematographer - September 2014 - 99
American Cinematographer - September 2014 - 100
American Cinematographer - September 2014 - 101
American Cinematographer - September 2014 - 102
American Cinematographer - September 2014 - 103
American Cinematographer - September 2014 - 104
American Cinematographer - September 2014 - 104a
American Cinematographer - September 2014 - 104b
American Cinematographer - September 2014 - 105
American Cinematographer - September 2014 - 106
American Cinematographer - September 2014 - 107
American Cinematographer - September 2014 - 108
American Cinematographer - September 2014 - 109
American Cinematographer - September 2014 - 110
American Cinematographer - September 2014 - 111
American Cinematographer - September 2014 - 112
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American Cinematographer - September 2014 - 114
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American Cinematographer - September 2014 - 119
American Cinematographer - September 2014 - 120
American Cinematographer - September 2014 - 121
American Cinematographer - September 2014 - 122
American Cinematographer - September 2014 - 123
American Cinematographer - September 2014 - 124
American Cinematographer - September 2014 - Cover3
American Cinematographer - September 2014 - Cover4
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