American Cinematographer - September 2017 - 104
◗
Arri's Second Century
Top: On the set of A Little Chaos, director Alan Rickman takes a seat in front of the camera as
Ellen Kuras, ASC shoots from over his shoulder. Middle: Roger Deakins, ASC, BSC grabs a
handheld shot of actors Judi Dench and Rory Kinnear while shooting Skyfall with Alexa
cameras. Bottom: Deakins frames a shot of Hugh Jackman for the feature Prisoners.
104
September 2017
American Cinematographer
2016 drama Lion, directed by Garth
Davis and shot with the Alexa XT
system - has shot both 2016's Rogue
One: A Star Wars Story (AC Feb. '17) and
Davis' upcoming Mary Magdalene with
the Alexa 65.
As Fraser recounts, soon after he
was hired to shoot Rogue One, UkasBradley invited him to Arri Burbank to
offer a look at a new product. "It looked
like an Alexa XT, but with too many
donuts," Fraser says. "I thought he was
going to show me something small, like
the Alexa M, and it seemed odd that he
would show me [something that size]
when I wanted a smaller camera. But he
told me to take off the port cap, and I
did. I was blown away by the size of that
sensor."
After his first look at the prototype, Fraser says, "I got on the phone
with [Arri Rental] and they told me it
was a camera for second-unit photography - [to shoot] plates for visual
effects. I asked what the maximum
frame rate was, and they said 30 fps
right now, but 60 in a year's time. I asked
how large the files were, and they
explained that they are four times the
size of the Alexa XT's files. Then I asked
why you couldn't shoot an entire movie
on this camera. I got the camera and
tested it - and the fact is, they had
created a recording device of the highest
standard, with the most amazing bit
depth and resolution, to which I could
then attach my favorite film lenses.
"I thought it was groundbreaking," Fraser adds. "Until then, the only
way to shoot 65mm was [with very large
film cameras]. Arri created an evolution
of digital with the camera, and they did
it without knowing who would back it.
It was the classic Field of Dreams theory
- build it and they will come. So they
built a 65mm [digital] camera and
created a sudden wave of interest in that
format. It is arguably the most important evolution in digital acquisition since
digital came to the stage."
Lubezki likewise "got very lucky,"
as he says, by obtaining one of the first
working prototypes of the Alexa 65 in
time to employ it on The Revenant -
Table of Contents for the Digital Edition of American Cinematographer - September 2017
Contents
American Cinematographer - September 2017 - Cover1
American Cinematographer - September 2017 - Cover2
American Cinematographer - September 2017 - 1
American Cinematographer - September 2017 - 2
American Cinematographer - September 2017 - Contents
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