American Cinematographer - September 2017 - 56

◗

Killer's Keeper

A car fire provides
additional
backlight for a
night-exterior
scene in which
Bryce and Kincaid
try to evade
Dukhovich's
mercenaries.

O'Loughlin says. "It was a strong reference for camera positions on the boats,
and a demonstration of the implicit
energy of images from a hard-mounted
camera, which is often the antithesis of
what we do these days."
Senatore's camera list usually
included four Alexa XTs, four 6K Red
56

September 2017

Epic Dragons and various Panasonic
GH4s and GoPro Hero4s as crashcameras; eight 6K Epic Dragons were
employed for 'the porcupine,' a 360degree digital-plate setup. "Some days
in Amsterdam we had more than 25
cameras shooting around a five-block
area," Senatore remarks. "My trusted
American Cinematographer

crew from Italy, first AC Emiliano
Topai and second AC Esther Venanzi,
both did an incredible job keeping on
top of all the equipment. Jules' persistent
'wide and close' mantra resulted in great
compositional dynamics that gave an
intimate immediacy [to] the action."
The Dragons were paired with
Ultra Prime lenses and recorded
Redcode Raw to 240 GB Red MiniMags. The GH4s were fitted with 1635mm and 17-40mm Canon EF zooms
- as well as 14mm, 16mm and 24mm
Samyang Optics primes - and
recorded UHD 3840x2160 resolution
to SDHC cards. The GoPros, using
their standard lenses, captured 4K raw
to SanDisk MicroSD Cards.
Due to the proximity of the
airport, the production was unable to
use drones in Amsterdam, so Senatore
devised a cable-cam system in conjunction with Bulgarian drone company
Anywhere. "In a short length of time,"
Senatore attests, "they designed a
single-cable rig that was able to run up
to one-and-a-half thousand feet in
length, support a Red Epic and an
Angenieux [Optimo] 28-76mm T2.6
zoom, and reach a top speed of almost
40 miles per hour. It was a great solution, requiring only a team of three to
set up - ready for shooting in under an
hour. The cable-cam gave us the ability
to get a lot of coverage very quickly, and
we were able to be much closer to the
action than if we'd used a drone."
The narrowness of Amsterdam's



Table of Contents for the Digital Edition of American Cinematographer - September 2017

Contents
American Cinematographer - September 2017 - Cover1
American Cinematographer - September 2017 - Cover2
American Cinematographer - September 2017 - 1
American Cinematographer - September 2017 - 2
American Cinematographer - September 2017 - Contents
American Cinematographer - September 2017 - 4
American Cinematographer - September 2017 - 5
American Cinematographer - September 2017 - 6
American Cinematographer - September 2017 - 7
American Cinematographer - September 2017 - 8
American Cinematographer - September 2017 - 9
American Cinematographer - September 2017 - 10
American Cinematographer - September 2017 - 11
American Cinematographer - September 2017 - 12
American Cinematographer - September 2017 - 13
American Cinematographer - September 2017 - 14
American Cinematographer - September 2017 - 15
American Cinematographer - September 2017 - 16
American Cinematographer - September 2017 - 17
American Cinematographer - September 2017 - 18
American Cinematographer - September 2017 - 19
American Cinematographer - September 2017 - 20
American Cinematographer - September 2017 - 21
American Cinematographer - September 2017 - 22
American Cinematographer - September 2017 - 23
American Cinematographer - September 2017 - 24
American Cinematographer - September 2017 - 25
American Cinematographer - September 2017 - 26
American Cinematographer - September 2017 - 27
American Cinematographer - September 2017 - 28
American Cinematographer - September 2017 - 29
American Cinematographer - September 2017 - 30
American Cinematographer - September 2017 - 31
American Cinematographer - September 2017 - 32
American Cinematographer - September 2017 - 33
American Cinematographer - September 2017 - 34
American Cinematographer - September 2017 - 35
American Cinematographer - September 2017 - 36
American Cinematographer - September 2017 - 37
American Cinematographer - September 2017 - 38
American Cinematographer - September 2017 - 39
American Cinematographer - September 2017 - 40
American Cinematographer - September 2017 - 41
American Cinematographer - September 2017 - 42
American Cinematographer - September 2017 - 43
American Cinematographer - September 2017 - 44
American Cinematographer - September 2017 - 45
American Cinematographer - September 2017 - 46
American Cinematographer - September 2017 - 47
American Cinematographer - September 2017 - 48
American Cinematographer - September 2017 - 49
American Cinematographer - September 2017 - 50
American Cinematographer - September 2017 - 51
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American Cinematographer - September 2017 - 53
American Cinematographer - September 2017 - 54
American Cinematographer - September 2017 - 55
American Cinematographer - September 2017 - 56
American Cinematographer - September 2017 - 57
American Cinematographer - September 2017 - 58
American Cinematographer - September 2017 - 59
American Cinematographer - September 2017 - 60
American Cinematographer - September 2017 - 61
American Cinematographer - September 2017 - 62
American Cinematographer - September 2017 - 63
American Cinematographer - September 2017 - 64
American Cinematographer - September 2017 - 65
American Cinematographer - September 2017 - 66
American Cinematographer - September 2017 - 67
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American Cinematographer - September 2017 - 70
American Cinematographer - September 2017 - 71
American Cinematographer - September 2017 - 72
American Cinematographer - September 2017 - 73
American Cinematographer - September 2017 - 74
American Cinematographer - September 2017 - 75
American Cinematographer - September 2017 - 76
American Cinematographer - September 2017 - 77
American Cinematographer - September 2017 - 78
American Cinematographer - September 2017 - 79
American Cinematographer - September 2017 - 80
American Cinematographer - September 2017 - 81
American Cinematographer - September 2017 - 82
American Cinematographer - September 2017 - 83
American Cinematographer - September 2017 - 84
American Cinematographer - September 2017 - 85
American Cinematographer - September 2017 - 86
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American Cinematographer - September 2017 - 88
American Cinematographer - September 2017 - 89
American Cinematographer - September 2017 - 90
American Cinematographer - September 2017 - 91
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American Cinematographer - September 2017 - Cover3
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