American Cinematographer - October 2007 - 29

No Special Technicians Best of all, standard crews can handle the strobes. You don’t need any special technicians. The compact 17" wide by 7" tall heads are easily positioned by the cinematographer, with the lighting effect previewed through the camera. Not only does this save money, but you won’t have to listen to a strobe tech tell you how to do your job! Unlimited Strobes -Wireless Perhaps “unlimited” is stretching it, but Rob McLachlan ASC/CSC needed to fire 33 heads simultaneously, and he did it with Clairmont strobes and our Wireless Control. We’d show you a picture with Rob and all 33 strobes lined up, but there’s not enough room in this ad. Check out our website. Just A Phone Call Away! A large inventory of strobes and ancillary equipment is just a phone call away. And, our tech staff is always there to help. You should know that our strobes, packs, and accessories are all maintained to the high standards that sets Clairmont Camera apart from the competition. Control The Light Using Clairmont’s Preview Box you can check your setups without running the camera. It’s set at 61 fps so the strobe flashes will almost look like regular AC light. You can set the heads to get the desired lighting effect. And there’s a Low Power switch on each strobe Powerpack that reduces output one stop. Color Temperature is 7000° K. Substantial Savings Are Yours How about not needing special high speed cameras that “eat” film to sharpen action. We also think that when you do a bottom-line cost comparison with strobe packages from our competitors (including those boutique shops) you’ll see that Clairmont strobes can provide significant savings. In Sync The Sync Box automatically relays timing signals from the camera. You can capture input from multiple cameras and synchronize them with the strobe pack(s). Lightweight And Powerful Each Clairmont strobe puts out 100 foot-candles at 4 feet. If you need more lighting, the compact 17" x 7" heads can easily be stacked. A 400-footcandle source measures only 34" x 14" (or you can configure it 28" x 17"). Using tape to link heads — or attach gels— is no problem, since the strobes run cool. What’s more, each head weighs only 10 lbs., so a 4-head bank is only 40 lbs. That’s substantially lighter than any competitor’s package. Rapid Pulse And Recycle Clairmont Strobes have an exposure time of 1/50,000th –substantially less time than the shutter is open. This pulse flash, along with your T-stop, set the exposure. You can maintain the same T-stop and exposure level while varying camera speeds because Clairmont Strobes have a very rapid flash recycle time. Speeds of up to 150 frames-per-second are fine. Control The Temperature If you’re shooting food, you need strobes. Regular “hot” lights will most assuredly wilt lettuce, melt ice cream, and have an effect on steam, condensation, etc. With strobes, conditions are easier to control. It All Adds Up We believe there’s not a more compact, reliable, easy-to-use, and more controllable strobe unit on the market. You won’t find a more versatile package and better value than renting Clairmont Strobes. www.clairmont.com Hollywood 818-761-4440 Toronto 416-467-1700 Vancouver 604-984-4563 Albuquerque 818-761-4440
http://www.clairmont.com

American Cinematographer - October 2007

Table of Contents for the Digital Edition of American Cinematographer - October 2007

American Cinematographer - October 2007
Contents
Editor’s Note
Letters
DVD Playback
Production Slate
Western Destinies
Emotional Betrayal
Palace Intrigue
Unsafe Passage
Short Takes
Post Focus
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up
American Cinematographer - October 2007 - American Cinematographer - October 2007
American Cinematographer - October 2007 - Cover2
American Cinematographer - October 2007 - 1
American Cinematographer - October 2007 - 2
American Cinematographer - October 2007 - Contents
American Cinematographer - October 2007 - 4
American Cinematographer - October 2007 - 5
American Cinematographer - October 2007 - 6
American Cinematographer - October 2007 - 7
American Cinematographer - October 2007 - Editor’s Note
American Cinematographer - October 2007 - 9
American Cinematographer - October 2007 - DVD Playback
American Cinematographer - October 2007 - 11
American Cinematographer - October 2007 - 12
American Cinematographer - October 2007 - 13
American Cinematographer - October 2007 - 14
American Cinematographer - October 2007 - 15
American Cinematographer - October 2007 - Production Slate
American Cinematographer - October 2007 - 17
American Cinematographer - October 2007 - 18
American Cinematographer - October 2007 - 19
American Cinematographer - October 2007 - 20
American Cinematographer - October 2007 - 21
American Cinematographer - October 2007 - 22
American Cinematographer - October 2007 - 23
American Cinematographer - October 2007 - 24
American Cinematographer - October 2007 - 25
American Cinematographer - October 2007 - 26
American Cinematographer - October 2007 - 27
American Cinematographer - October 2007 - 28
American Cinematographer - October 2007 - 29
American Cinematographer - October 2007 - Western Destinies
American Cinematographer - October 2007 - 31
American Cinematographer - October 2007 - 32
American Cinematographer - October 2007 - 33
American Cinematographer - October 2007 - 34
American Cinematographer - October 2007 - 35
American Cinematographer - October 2007 - 36
American Cinematographer - October 2007 - 37
American Cinematographer - October 2007 - 38
American Cinematographer - October 2007 - 39
American Cinematographer - October 2007 - 40
American Cinematographer - October 2007 - 41
American Cinematographer - October 2007 - 42
American Cinematographer - October 2007 - 43
American Cinematographer - October 2007 - 44
American Cinematographer - October 2007 - 45
American Cinematographer - October 2007 - 46
American Cinematographer - October 2007 - 47
American Cinematographer - October 2007 - Emotional Betrayal
American Cinematographer - October 2007 - BRC1
American Cinematographer - October 2007 - BRC2
American Cinematographer - October 2007 - 49
American Cinematographer - October 2007 - 50
American Cinematographer - October 2007 - 51
American Cinematographer - October 2007 - 52
American Cinematographer - October 2007 - 53
American Cinematographer - October 2007 - 54
American Cinematographer - October 2007 - 55
American Cinematographer - October 2007 - 56
American Cinematographer - October 2007 - 57
American Cinematographer - October 2007 - 58
American Cinematographer - October 2007 - 59
American Cinematographer - October 2007 - Palace Intrigue
American Cinematographer - October 2007 - 61
American Cinematographer - October 2007 - 62
American Cinematographer - October 2007 - 63
American Cinematographer - October 2007 - 64
American Cinematographer - October 2007 - 65
American Cinematographer - October 2007 - 66
American Cinematographer - October 2007 - 67
American Cinematographer - October 2007 - 68
American Cinematographer - October 2007 - 69
American Cinematographer - October 2007 - 70
American Cinematographer - October 2007 - 71
American Cinematographer - October 2007 - Unsafe Passage
American Cinematographer - October 2007 - 73
American Cinematographer - October 2007 - 74
American Cinematographer - October 2007 - 75
American Cinematographer - October 2007 - 76
American Cinematographer - October 2007 - 77
American Cinematographer - October 2007 - 78
American Cinematographer - October 2007 - 79
American Cinematographer - October 2007 - Short Takes
American Cinematographer - October 2007 - 81
American Cinematographer - October 2007 - 82
American Cinematographer - October 2007 - 83
American Cinematographer - October 2007 - 84
American Cinematographer - October 2007 - 85
American Cinematographer - October 2007 - Post Focus
American Cinematographer - October 2007 - 87
American Cinematographer - October 2007 - 88
American Cinematographer - October 2007 - 89
American Cinematographer - October 2007 - 90
American Cinematographer - October 2007 - 91
American Cinematographer - October 2007 - New Products & Services
American Cinematographer - October 2007 - 93
American Cinematographer - October 2007 - 94
American Cinematographer - October 2007 - 95
American Cinematographer - October 2007 - 96
American Cinematographer - October 2007 - 97
American Cinematographer - October 2007 - 98
American Cinematographer - October 2007 - 99
American Cinematographer - October 2007 - 100
American Cinematographer - October 2007 - 101
American Cinematographer - October 2007 - International Marketplace
American Cinematographer - October 2007 - Classified Ads
American Cinematographer - October 2007 - Ad Index
American Cinematographer - October 2007 - 105
American Cinematographer - October 2007 - Clubhouse News
American Cinematographer - October 2007 - 107
American Cinematographer - October 2007 - ASC Close-Up
American Cinematographer - October 2007 - Cover3
American Cinematographer - October 2007 - Cover4
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