American Cinematographer - October 2007 - (Page 29) No Special Technicians Best of all, standard crews can handle the strobes. You don’t need any special technicians. The compact 17" wide by 7" tall heads are easily positioned by the cinematographer, with the lighting effect previewed through the camera. Not only does this save money, but you won’t have to listen to a strobe tech tell you how to do your job! Unlimited Strobes -Wireless Perhaps “unlimited” is stretching it, but Rob McLachlan ASC/CSC needed to fire 33 heads simultaneously, and he did it with Clairmont strobes and our Wireless Control. We’d show you a picture with Rob and all 33 strobes lined up, but there’s not enough room in this ad. Check out our website. Just A Phone Call Away! A large inventory of strobes and ancillary equipment is just a phone call away. And, our tech staff is always there to help. You should know that our strobes, packs, and accessories are all maintained to the high standards that sets Clairmont Camera apart from the competition. Control The Light Using Clairmont’s Preview Box you can check your setups without running the camera. It’s set at 61 fps so the strobe flashes will almost look like regular AC light. You can set the heads to get the desired lighting effect. And there’s a Low Power switch on each strobe Powerpack that reduces output one stop. Color Temperature is 7000° K. Substantial Savings Are Yours How about not needing special high speed cameras that “eat” film to sharpen action. We also think that when you do a bottom-line cost comparison with strobe packages from our competitors (including those boutique shops) you’ll see that Clairmont strobes can provide significant savings. In Sync The Sync Box automatically relays timing signals from the camera. You can capture input from multiple cameras and synchronize them with the strobe pack(s). Lightweight And Powerful Each Clairmont strobe puts out 100 foot-candles at 4 feet. If you need more lighting, the compact 17" x 7" heads can easily be stacked. A 400-footcandle source measures only 34" x 14" (or you can configure it 28" x 17"). Using tape to link heads — or attach gels— is no problem, since the strobes run cool. What’s more, each head weighs only 10 lbs., so a 4-head bank is only 40 lbs. That’s substantially lighter than any competitor’s package. Rapid Pulse And Recycle Clairmont Strobes have an exposure time of 1/50,000th –substantially less time than the shutter is open. This pulse flash, along with your T-stop, set the exposure. You can maintain the same T-stop and exposure level while varying camera speeds because Clairmont Strobes have a very rapid flash recycle time. Speeds of up to 150 frames-per-second are fine. Control The Temperature If you’re shooting food, you need strobes. Regular “hot” lights will most assuredly wilt lettuce, melt ice cream, and have an effect on steam, condensation, etc. With strobes, conditions are easier to control. It All Adds Up We believe there’s not a more compact, reliable, easy-to-use, and more controllable strobe unit on the market. You won’t find a more versatile package and better value than renting Clairmont Strobes. www.clairmont.com Hollywood 818-761-4440 Toronto 416-467-1700 Vancouver 604-984-4563 Albuquerque 818-761-4440 http://www.clairmont.com
Table of Contents Feed for the Digital Edition of American Cinematographer - October 2007 American Cinematographer - October 2007 Contents Editor’s Note Letters DVD Playback Production Slate Western Destinies Emotional Betrayal Palace Intrigue Unsafe Passage Short Takes Post Focus New Products & Services International Marketplace Classified Ads Ad Index Clubhouse News ASC Close-Up American Cinematographer - October 2007 American Cinematographer - October 2007 - American Cinematographer - October 2007 (Page Cover1) American Cinematographer - October 2007 - American Cinematographer - October 2007 (Page Cover2) American Cinematographer - October 2007 - American Cinematographer - October 2007 (Page 1) American Cinematographer - October 2007 - American Cinematographer - October 2007 (Page 2) American Cinematographer - October 2007 - Contents (Page 3) American Cinematographer - October 2007 - Contents (Page 4) American Cinematographer - October 2007 - Contents (Page 5) American Cinematographer - October 2007 - Contents (Page 6) American Cinematographer - October 2007 - Contents (Page 7) American Cinematographer - October 2007 - Editor’s Note (Page 8) American Cinematographer - October 2007 - Editor’s Note (Page 9) American Cinematographer - October 2007 - DVD Playback (Page 10) American Cinematographer - October 2007 - DVD Playback (Page 11) American Cinematographer - October 2007 - DVD Playback (Page 12) American Cinematographer - October 2007 - DVD Playback (Page 13) American Cinematographer - October 2007 - DVD Playback (Page 14) American Cinematographer - October 2007 - DVD Playback (Page 15) American Cinematographer - October 2007 - Production Slate (Page 16) American Cinematographer - October 2007 - Production Slate (Page 17) American Cinematographer - October 2007 - Production Slate (Page 18) American Cinematographer - October 2007 - Production Slate (Page 19) American Cinematographer - October 2007 - Production Slate (Page 20) American Cinematographer - October 2007 - Production Slate (Page 21) American Cinematographer - October 2007 - Production Slate (Page 22) American Cinematographer - October 2007 - Production Slate (Page 23) American Cinematographer - October 2007 - Production Slate (Page 24) American Cinematographer - October 2007 - Production Slate (Page 25) American Cinematographer - October 2007 - Production Slate (Page 26) American Cinematographer - October 2007 - Production Slate (Page 27) American Cinematographer - October 2007 - Production Slate (Page 28) American Cinematographer - October 2007 - Production Slate (Page 29) American Cinematographer - October 2007 - Western Destinies (Page 30) American Cinematographer - October 2007 - Western Destinies (Page 31) American Cinematographer - October 2007 - Western Destinies (Page 32) American Cinematographer - October 2007 - Western Destinies (Page 33) American Cinematographer - October 2007 - Western Destinies (Page 34) American Cinematographer - October 2007 - Western Destinies (Page 35) American Cinematographer - October 2007 - Western Destinies (Page 36) American Cinematographer - October 2007 - Western Destinies (Page 37) American Cinematographer - October 2007 - Western Destinies (Page 38) American Cinematographer - October 2007 - Western Destinies (Page 39) American Cinematographer - October 2007 - Western Destinies (Page 40) American Cinematographer - October 2007 - Western Destinies (Page 41) American Cinematographer - October 2007 - Western Destinies (Page 42) American Cinematographer - October 2007 - Western Destinies (Page 43) American Cinematographer - October 2007 - Western Destinies (Page 44) American Cinematographer - October 2007 - Western Destinies (Page 45) American Cinematographer - October 2007 - Western Destinies (Page 46) American Cinematographer - October 2007 - Western Destinies (Page 47) American Cinematographer - October 2007 - Emotional Betrayal (Page 48) American Cinematographer - October 2007 - Emotional Betrayal (Page BRC1) American Cinematographer - October 2007 - Emotional Betrayal (Page BRC2) American Cinematographer - October 2007 - Emotional Betrayal (Page 49) American Cinematographer - October 2007 - Emotional Betrayal (Page 50) American Cinematographer - October 2007 - Emotional Betrayal (Page 51) American Cinematographer - October 2007 - Emotional Betrayal (Page 52) American Cinematographer - October 2007 - Emotional Betrayal (Page 53) American Cinematographer - October 2007 - Emotional Betrayal (Page 54) American Cinematographer - October 2007 - Emotional Betrayal (Page 55) American Cinematographer - October 2007 - Emotional Betrayal (Page 56) American Cinematographer - October 2007 - Emotional Betrayal (Page 57) American Cinematographer - October 2007 - Emotional Betrayal (Page 58) American Cinematographer - October 2007 - Emotional Betrayal (Page 59) American Cinematographer - October 2007 - Palace Intrigue (Page 60) American Cinematographer - October 2007 - Palace Intrigue (Page 61) American Cinematographer - October 2007 - Palace Intrigue (Page 62) American Cinematographer - October 2007 - Palace Intrigue (Page 63) American Cinematographer - October 2007 - Palace Intrigue (Page 64) American Cinematographer - October 2007 - Palace Intrigue (Page 65) American Cinematographer - October 2007 - Palace Intrigue (Page 66) American Cinematographer - October 2007 - Palace Intrigue (Page 67) American Cinematographer - October 2007 - Palace Intrigue (Page 68) American Cinematographer - October 2007 - Palace Intrigue (Page 69) American Cinematographer - October 2007 - Palace Intrigue (Page 70) American Cinematographer - October 2007 - Palace Intrigue (Page 71) American Cinematographer - October 2007 - Unsafe Passage (Page 72) American Cinematographer - October 2007 - Unsafe Passage (Page 73) American Cinematographer - October 2007 - Unsafe Passage (Page 74) American Cinematographer - October 2007 - Unsafe Passage (Page 75) American Cinematographer - October 2007 - Unsafe Passage (Page 76) American Cinematographer - October 2007 - Unsafe Passage (Page 77) American Cinematographer - October 2007 - Unsafe Passage (Page 78) American Cinematographer - October 2007 - Unsafe Passage (Page 79) American Cinematographer - October 2007 - Short Takes (Page 80) American Cinematographer - October 2007 - Short Takes (Page 81) American Cinematographer - October 2007 - Short Takes (Page 82) American Cinematographer - October 2007 - Short Takes (Page 83) American Cinematographer - October 2007 - Short Takes (Page 84) American Cinematographer - October 2007 - Short Takes (Page 85) American Cinematographer - October 2007 - Post Focus (Page 86) American Cinematographer - October 2007 - Post Focus (Page 87) American Cinematographer - October 2007 - Post Focus (Page 88) American Cinematographer - October 2007 - Post Focus (Page 89) American Cinematographer - October 2007 - Post Focus (Page 90) American Cinematographer - October 2007 - Post Focus (Page 91) American Cinematographer - October 2007 - New Products & Services (Page 92) American Cinematographer - October 2007 - New Products & Services (Page 93) American Cinematographer - October 2007 - New Products & Services (Page 94) American Cinematographer - October 2007 - New Products & Services (Page 95) American Cinematographer - October 2007 - New Products & Services (Page 96) American Cinematographer - October 2007 - New Products & Services (Page 97) American Cinematographer - October 2007 - New Products & Services (Page 98) American Cinematographer - October 2007 - New Products & Services (Page 99) American Cinematographer - October 2007 - New Products & Services (Page 100) American Cinematographer - October 2007 - New Products & Services (Page 101) American Cinematographer - October 2007 - International Marketplace (Page 102) American Cinematographer - October 2007 - Classified Ads (Page 103) American Cinematographer - October 2007 - Ad Index (Page 104) American Cinematographer - October 2007 - Ad Index (Page 105) American Cinematographer - October 2007 - Clubhouse News (Page 106) American Cinematographer - October 2007 - Clubhouse News (Page 107) American Cinematographer - October 2007 - ASC Close-Up (Page 108) American Cinematographer - October 2007 - ASC Close-Up (Page Cover3) American Cinematographer - October 2007 - ASC Close-Up (Page Cover4)
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