American Cinematographer - October 2008 - (Page 70) Landmark Gains Laumann with only five hours to rig the nighttime bus scenes, which were shot onstage at Chicago Studio City, they elected to go with poor man’s process. Laumann recalls, “We had planned out a large dimmer rig that included more than 600 channels, but then we had to put something else together on the fly. We needed lights that actually moved, as opposed to just panning; when you physically move the light, the shadows shift and the light wraps in a way that sells the illusion [of movement] much more effectively. “We had four doorway dollies with Juniors on top — two moved back and forth in front of the bus and two worked up and down the sides,” he continues. “We cobbled together enough dimmers for a variety of lights, and we had electricians turning other instruments on and off. We also hung Kino Flos gelled with 1⁄2 Plus Green overhead 24 16 12 5 8 4 3 5 Morgenthau. “We shot Double-X with the Bolex, and we handheld the Platinum with [5205]. We also strapped the Platinum outside the bus with a side mount. I played the inside down 1 or 2 stops and kept detail in the exterior landscape and sunset skies.” When a sudden shift in the schedule left Morgenthau and Image 80 scale Truss Bounce Sight Line 20K Pipe 28 Par Can w/ FFS 21 17 Green Screen Press Box ele. v2 70 October 2008 Diagrams courtesy of Brett Laumann.
Table of Contents Feed for the Digital Edition of American Cinematographer - October 2008 American Cinematographer - October 2008 Contents Editor's Note Short Takes: DirecTV's "Fourth Wall" Campaign Production Slate: Prison Break Production Slate: Need for Speed: Undercover Middle East Intrigue Kingdom of Light Memoirs of a Spook Landmark Gains Post Focus: An Overview of the ASC CDL Filmmakers' Forum: Roger Deakins, ASC, BSC New Products & Services International Marketplace Classified Ads Clubhouse News ASC Close-Up: Ross Berryman American Cinematographer - October 2008 American Cinematographer - October 2008 - American Cinematographer - October 2008 (Page Cover1) American Cinematographer - October 2008 - American Cinematographer - October 2008 (Page Cover2) American Cinematographer - October 2008 - American Cinematographer - October 2008 (Page 1) American Cinematographer - October 2008 - American Cinematographer - October 2008 (Page 2) American Cinematographer - October 2008 - Contents (Page 3) American Cinematographer - October 2008 - Contents (Page 4) American Cinematographer - October 2008 - Contents (Page 5) American Cinematographer - October 2008 - Contents (Page 6) American Cinematographer - October 2008 - Contents (Page 7) American Cinematographer - October 2008 - Editor's Note (Page 8) American Cinematographer - October 2008 - Editor's Note (Page 9) American Cinematographer - October 2008 - Short Takes: DirecTV's "Fourth Wall" Campaign (Page 10) American Cinematographer - October 2008 - Short Takes: DirecTV's "Fourth Wall" Campaign (Page 11) American Cinematographer - October 2008 - Short Takes: DirecTV's "Fourth Wall" Campaign (Page 12) American Cinematographer - October 2008 - Short Takes: DirecTV's "Fourth Wall" Campaign (Page 13) American Cinematographer - October 2008 - Short Takes: DirecTV's "Fourth Wall" Campaign (Page 14) American Cinematographer - October 2008 - Short Takes: DirecTV's "Fourth Wall" Campaign (Page 15) American Cinematographer - October 2008 - Production Slate: Need for Speed: Undercover (Page 16) American Cinematographer - October 2008 - Production Slate: Need for Speed: Undercover (Page 17) American Cinematographer - October 2008 - Production Slate: Need for Speed: Undercover (Page 18) American Cinematographer - October 2008 - Production Slate: Need for Speed: Undercover (Page 19) American Cinematographer - October 2008 - Production Slate: Need for Speed: Undercover (Page 20) American Cinematographer - October 2008 - Production Slate: Need for Speed: Undercover (Page 21) American Cinematographer - October 2008 - Production Slate: Need for Speed: Undercover (Page 22) American Cinematographer - October 2008 - Production Slate: Need for Speed: Undercover (Page 23) American Cinematographer - October 2008 - Production Slate: Need for Speed: Undercover (Page 24) American Cinematographer - October 2008 - Production Slate: Need for Speed: Undercover (Page 25) American Cinematographer - October 2008 - Production Slate: Need for Speed: Undercover (Page 26) American Cinematographer - October 2008 - Production Slate: Need for Speed: Undercover (Page 27) American Cinematographer - October 2008 - Middle East Intrigue (Page 28) American Cinematographer - October 2008 - Middle East Intrigue (Page 29) American Cinematographer - October 2008 - Middle East Intrigue (Page 30) American Cinematographer - October 2008 - Middle East Intrigue (Page 31) American Cinematographer - October 2008 - Middle East Intrigue (Page 32) American Cinematographer - October 2008 - Middle East Intrigue (Page 33) American Cinematographer - October 2008 - Middle East Intrigue (Page 34) American Cinematographer - October 2008 - Middle East Intrigue (Page 35) American Cinematographer - October 2008 - Middle East Intrigue (Page 36) American Cinematographer - October 2008 - Middle East Intrigue (Page 37) American Cinematographer - October 2008 - Middle East Intrigue (Page 38) American Cinematographer - October 2008 - Middle East Intrigue (Page 39) American Cinematographer - October 2008 - Kingdom of Light (Page 40) American Cinematographer - October 2008 - Kingdom of Light (Page 41) American Cinematographer - October 2008 - Kingdom of Light (Page 42) American Cinematographer - October 2008 - Kingdom of Light (Page 43) American Cinematographer - October 2008 - Kingdom of Light (Page 44) American Cinematographer - October 2008 - Kingdom of Light (Page 45) American Cinematographer - October 2008 - Kingdom of Light (Page 46) American Cinematographer - October 2008 - Kingdom of Light (Page 47) American Cinematographer - October 2008 - Kingdom of Light (Page 48) American Cinematographer - October 2008 - Kingdom of Light (Page 49) American Cinematographer - October 2008 - Kingdom of Light (Page 50) American Cinematographer - October 2008 - Kingdom of Light (Page 51) American Cinematographer - October 2008 - Kingdom of Light (Page 52) American Cinematographer - October 2008 - Kingdom of Light (Page 53) American Cinematographer - October 2008 - Memoirs of a Spook (Page 54) American Cinematographer - October 2008 - Memoirs of a Spook (Page 55) American Cinematographer - October 2008 - Memoirs of a Spook (Page 56) American Cinematographer - October 2008 - Memoirs of a Spook (Page 57) American Cinematographer - October 2008 - Memoirs of a Spook (Page 58) American Cinematographer - October 2008 - Memoirs of a Spook (Page 59) American Cinematographer - October 2008 - Memoirs of a Spook (Page 60) American Cinematographer - October 2008 - Memoirs of a Spook (Page 61) American Cinematographer - October 2008 - Memoirs of a Spook (Page 62) American Cinematographer - October 2008 - Memoirs of a Spook (Page 63) American Cinematographer - October 2008 - Landmark Gains (Page 64) American Cinematographer - October 2008 - Landmark Gains (Page 65) American Cinematographer - October 2008 - Landmark Gains (Page 66) American Cinematographer - October 2008 - Landmark Gains (Page 67) American Cinematographer - October 2008 - Landmark Gains (Page 68) American Cinematographer - October 2008 - Landmark Gains (Page 69) American Cinematographer - October 2008 - Landmark Gains (Page 70) American Cinematographer - October 2008 - Landmark Gains (Page 71) American Cinematographer - October 2008 - Landmark Gains (Page 72) American Cinematographer - October 2008 - Landmark Gains (Page 73) American Cinematographer - October 2008 - Post Focus: An Overview of the ASC CDL (Page 74) American Cinematographer - October 2008 - Post Focus: An Overview of the ASC CDL (Page 75) American Cinematographer - October 2008 - Post Focus: An Overview of the ASC CDL (Page 76) American Cinematographer - October 2008 - Post Focus: An Overview of the ASC CDL (Page 77) American Cinematographer - October 2008 - Filmmakers' Forum: Roger Deakins, ASC, BSC (Page 78) American Cinematographer - October 2008 - Filmmakers' Forum: Roger Deakins, ASC, BSC (Page 79) American Cinematographer - October 2008 - Filmmakers' Forum: Roger Deakins, ASC, BSC (Page 80) American Cinematographer - October 2008 - Filmmakers' Forum: Roger Deakins, ASC, BSC (Page 81) American Cinematographer - October 2008 - Filmmakers' Forum: Roger Deakins, ASC, BSC (Page 82) American Cinematographer - October 2008 - Filmmakers' Forum: Roger Deakins, ASC, BSC (Page 83) American Cinematographer - October 2008 - New Products & Services (Page 84) American Cinematographer - October 2008 - New Products & Services (Page 85) American Cinematographer - October 2008 - New Products & Services (Page 86) American Cinematographer - October 2008 - New Products & Services (Page 87) American Cinematographer - October 2008 - New Products & Services (Page 88) American Cinematographer - October 2008 - New Products & Services (Page 89) American Cinematographer - October 2008 - International Marketplace (Page 90) American Cinematographer - October 2008 - International Marketplace (Page 91) American Cinematographer - October 2008 - Classified Ads (Page 92) American Cinematographer - October 2008 - Classified Ads (Page 93) American Cinematographer - October 2008 - Clubhouse News (Page 94) American Cinematographer - October 2008 - Clubhouse News (Page 95) American Cinematographer - October 2008 - ASC Close-Up: Ross Berryman (Page 96) American Cinematographer - October 2008 - ASC Close-Up: Ross Berryman (Page Cover3) American Cinematographer - October 2008 - ASC Close-Up: Ross Berryman (Page Cover4)
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