American Cinematographer - October 2014 - 104

◗

Shared Experience

Lindenlaub (middle, wearing white shirt) demonstrates lighting techniques on
the Mole-Richardson soundstage.

the set," he says. "One of the biggest
mistakes, whether you're lighting a
small or huge set, is to turn all the lights
on. It's hard to pull your concept out of
this over-lit scenario. It's important to

104

turn on the lights that create the mood
you want, and then selectively build on
top of that."
He went on to explain to the
students his concept of "boxing the set,"

as many of them didn't know how to
light a room for multiple setups. "I rim
the outside walls all the way around the
sets," he says. "I demonstrated that with
Dead Man Down. Students are
normally intimidated by a day interior
where you're looking out windows and
it seems massively overexposed. I talked
about the concept of ND'ing windows
down but still pushing light through
them. You have to push the exposure
down and minimize the interior as
much as you can."
Cinematographer
Santiago
Moga says he learned the most from his
day with Cameron. "It was so great that
he shared his practical experience,"
Moga says.
Cameron gave students the
advice that changed his professional life.
"[Director] Tony Scott said years ago
that you've got to do two things in the
world: be interesting and interested," he
says. "Being interesting is something we
all try to do [with] our style. But being


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American Cinematographer - October 2014

Table of Contents for the Digital Edition of American Cinematographer - October 2014

Contents
American Cinematographer - October 2014 - Cover1
American Cinematographer - October 2014 - Cover2
American Cinematographer - October 2014 - 1
American Cinematographer - October 2014 - 2
American Cinematographer - October 2014 - Contents
American Cinematographer - October 2014 - 4
American Cinematographer - October 2014 - 5
American Cinematographer - October 2014 - 6
American Cinematographer - October 2014 - 7
American Cinematographer - October 2014 - 8
American Cinematographer - October 2014 - 9
American Cinematographer - October 2014 - 10
American Cinematographer - October 2014 - 11
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American Cinematographer - October 2014 - 14
American Cinematographer - October 2014 - 15
American Cinematographer - October 2014 - 16
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American Cinematographer - October 2014 - 18
American Cinematographer - October 2014 - 19
American Cinematographer - October 2014 - 20
American Cinematographer - October 2014 - 21
American Cinematographer - October 2014 - 22
American Cinematographer - October 2014 - 23
American Cinematographer - October 2014 - 24
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American Cinematographer - October 2014 - 54
American Cinematographer - October 2014 - I3
American Cinematographer - October 2014 - I4
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American Cinematographer - October 2014 - 78
American Cinematographer - October 2014 - I1
American Cinematographer - October 2014 - I2
American Cinematographer - October 2014 - 79
American Cinematographer - October 2014 - 80
American Cinematographer - October 2014 - 81
American Cinematographer - October 2014 - 82
American Cinematographer - October 2014 - 83
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American Cinematographer - October 2014 - 116
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