American Cinematographer - October 2014 - 82

T
wists and

Turns

Enrique Chediak, ASC lends his
eye to The Maze Runner, a sci-fi
drama about a group of teens
trapped in a labyrinth.
By Noah Kadner
*|*

I

n the vein of such recent young-adult novel-to-film adaptations as The Hunger Games and Divergent, The Maze
Runner hurls its teenaged protagonists through a dangerous dystopian future. Directed by Wes Ball and shot by
Enrique Chediak, ASC, the film places its young adults in the
enigmatic Glade, which is surrounded by the enormous
Maze; the Maze, in turn, physically reconfigures itself each
night, presenting the Glade's residents with new challenges

82

October 2014

and mysteries. In order to survive, the "Gladers" must learn
both self-reliance and teamwork while searching for a way out
of the Maze and attempting to decipher its true purpose.
The film marks Ball's debut feature after more than a
decade of experience directing shorts and designing visual
effects. "I made a short film called Ruin, which I put online,
and it went a little viral," the director explains. "That got me
into the studio system, and they eventually gave me the novel
of The Maze Runner, by James Dashner, to consider. I created
artwork to present my take on it - coming from my visualeffects background - and got the assignment."
Chediak was offered the job during a Skype call with
Ball and executive producer Joe Hartwick Jr. Ball recounts,
"Joe and I didn't want this to feel like a kids' movie, even
though it's about kids. We wanted something more sophisticated, gritty and guerrilla-style. I loved Enrique's work on
Turistas - it was a tiny movie but it had a fantastic look.
Enrique's a passionate, super-creative guy who operates his
own camera and captures really great things."
The cinematographer adds, "We talked ideas and

American Cinematographer



American Cinematographer - October 2014

Table of Contents for the Digital Edition of American Cinematographer - October 2014

Contents
American Cinematographer - October 2014 - Cover1
American Cinematographer - October 2014 - Cover2
American Cinematographer - October 2014 - 1
American Cinematographer - October 2014 - 2
American Cinematographer - October 2014 - Contents
American Cinematographer - October 2014 - 4
American Cinematographer - October 2014 - 5
American Cinematographer - October 2014 - 6
American Cinematographer - October 2014 - 7
American Cinematographer - October 2014 - 8
American Cinematographer - October 2014 - 9
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American Cinematographer - October 2014 - 11
American Cinematographer - October 2014 - 12
American Cinematographer - October 2014 - 13
American Cinematographer - October 2014 - 14
American Cinematographer - October 2014 - 15
American Cinematographer - October 2014 - 16
American Cinematographer - October 2014 - 17
American Cinematographer - October 2014 - 18
American Cinematographer - October 2014 - 19
American Cinematographer - October 2014 - 20
American Cinematographer - October 2014 - 21
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American Cinematographer - October 2014 - 38
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American Cinematographer - October 2014 - 40
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American Cinematographer - October 2014 - 50
American Cinematographer - October 2014 - 51
American Cinematographer - October 2014 - 52
American Cinematographer - October 2014 - 53
American Cinematographer - October 2014 - 54
American Cinematographer - October 2014 - I3
American Cinematographer - October 2014 - I4
American Cinematographer - October 2014 - 55
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American Cinematographer - October 2014 - 57
American Cinematographer - October 2014 - 58
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American Cinematographer - October 2014 - 75
American Cinematographer - October 2014 - 76
American Cinematographer - October 2014 - 77
American Cinematographer - October 2014 - 78
American Cinematographer - October 2014 - I1
American Cinematographer - October 2014 - I2
American Cinematographer - October 2014 - 79
American Cinematographer - October 2014 - 80
American Cinematographer - October 2014 - 81
American Cinematographer - October 2014 - 82
American Cinematographer - October 2014 - 83
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