American Cinematographer - October 2017 - 63

As a student at
Harvard
University,
Kaczynski (John
Berchtold) was
taken under the
wing of
psychology
professor Harry
Murray (Brian
d'Arcy James),
who subjected
him to an
abusive humanexperiment
program.

this episode - the only one in which
the filmmakers employed a handheld
camera.
The rest of the episode turns its
attention on the events of Kaczynski's
youth, with scenes set during high
school as well as his time at Harvard,
where he was taken under the wing of
psychology professor Henry Murray
(Brian d'Arcy James) and then subjected
to a series of abusive mental and
emotional attacks as part of a humanexperiment program.
Harvard's campus was re-created
from a combination of Morehouse
College interiors and Clark Atlanta
University exteriors. Because the episode
spans the course of several years in the
same location, Galler and Clear had to
relight certain interiors, such as Murray's
office, multiple times over the course of
the same shooting day. "We had five or
six different mini-scenes on that same
set," Galler recalls. "It was like a lighting
drill. Kelly and I did all of our setups on
the fly."
Scheduled for that same day at
Morehouse was the scene in which
Murray and his associates weed out their

unsuspecting test subjects. Galler
wanted to see a strong, "virtuous" light
streaming into the airy lecture hall from
its tall, open windows. "It needed to feel
like something special was happening,
but we had to work fast," he remarks, "so
we got a Bebee light. For a 12-page day
with a company move, it was our only
option."
From a broad perspective,
Manhunt is the account of one lawman's
www.ascmag.com

campaign to bring an elusive criminal to
justice; closer up, it's the tale of two men
who share an obsessive addiction to
detail. "Both Fitz and Ted see things
that no one else can," says Galler. To
depict what he and Yaitanes call "eureka
moments" - when Fitz assembles his
clues and a piece of the case suddenly
comes clear - the cinematographer
turned to Panavision Portrait Lenses,
which have a center-weighted focus that
October 2017

63


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Table of Contents for the Digital Edition of American Cinematographer - October 2017

Contents
American Cinematographer - October 2017 - Cover1
American Cinematographer - October 2017 - Cover2
American Cinematographer - October 2017 - 1
American Cinematographer - October 2017 - 2
American Cinematographer - October 2017 - Contents
American Cinematographer - October 2017 - 4
American Cinematographer - October 2017 - 5
American Cinematographer - October 2017 - 6
American Cinematographer - October 2017 - 7
American Cinematographer - October 2017 - 8
American Cinematographer - October 2017 - 9
American Cinematographer - October 2017 - 10
American Cinematographer - October 2017 - 11
American Cinematographer - October 2017 - 12
American Cinematographer - October 2017 - 13
American Cinematographer - October 2017 - 14
American Cinematographer - October 2017 - 15
American Cinematographer - October 2017 - 16
American Cinematographer - October 2017 - 17
American Cinematographer - October 2017 - 18
American Cinematographer - October 2017 - 19
American Cinematographer - October 2017 - 20
American Cinematographer - October 2017 - 21
American Cinematographer - October 2017 - 22
American Cinematographer - October 2017 - 23
American Cinematographer - October 2017 - 24
American Cinematographer - October 2017 - 25
American Cinematographer - October 2017 - 26
American Cinematographer - October 2017 - 27
American Cinematographer - October 2017 - 28
American Cinematographer - October 2017 - 29
American Cinematographer - October 2017 - 30
American Cinematographer - October 2017 - 31
American Cinematographer - October 2017 - 32
American Cinematographer - October 2017 - 33
American Cinematographer - October 2017 - 34
American Cinematographer - October 2017 - 35
American Cinematographer - October 2017 - 36
American Cinematographer - October 2017 - 37
American Cinematographer - October 2017 - 38
American Cinematographer - October 2017 - 39
American Cinematographer - October 2017 - 40
American Cinematographer - October 2017 - 41
American Cinematographer - October 2017 - 42
American Cinematographer - October 2017 - 43
American Cinematographer - October 2017 - 44
American Cinematographer - October 2017 - 45
American Cinematographer - October 2017 - 46
American Cinematographer - October 2017 - 47
American Cinematographer - October 2017 - 48
American Cinematographer - October 2017 - 49
American Cinematographer - October 2017 - 50
American Cinematographer - October 2017 - 51
American Cinematographer - October 2017 - 52
American Cinematographer - October 2017 - 53
American Cinematographer - October 2017 - 54
American Cinematographer - October 2017 - 55
American Cinematographer - October 2017 - 56
American Cinematographer - October 2017 - 57
American Cinematographer - October 2017 - 58
American Cinematographer - October 2017 - 59
American Cinematographer - October 2017 - 60
American Cinematographer - October 2017 - 61
American Cinematographer - October 2017 - 62
American Cinematographer - October 2017 - 63
American Cinematographer - October 2017 - 64
American Cinematographer - October 2017 - 65
American Cinematographer - October 2017 - 66
American Cinematographer - October 2017 - 67
American Cinematographer - October 2017 - 68
American Cinematographer - October 2017 - 69
American Cinematographer - October 2017 - 70
American Cinematographer - October 2017 - 71
American Cinematographer - October 2017 - 72
American Cinematographer - October 2017 - 73
American Cinematographer - October 2017 - 74
American Cinematographer - October 2017 - 75
American Cinematographer - October 2017 - 76
American Cinematographer - October 2017 - 77
American Cinematographer - October 2017 - 78
American Cinematographer - October 2017 - 79
American Cinematographer - October 2017 - 80
American Cinematographer - October 2017 - 81
American Cinematographer - October 2017 - 82
American Cinematographer - October 2017 - 83
American Cinematographer - October 2017 - 84
American Cinematographer - October 2017 - 85
American Cinematographer - October 2017 - 86
American Cinematographer - October 2017 - 87
American Cinematographer - October 2017 - 88
American Cinematographer - October 2017 - Cover3
American Cinematographer - October 2017 - Cover4
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