American Cinematographer - November 2007 - (Page 41) Jude is then shown deflecting questions at a British press conference.” For this sequence, Lachman grabbed shots of Blanchett quickly, turning his Moviecam Compact on and off with ramp-ups and flashframes included to create the oppressive feeling of an attack, sometimes from Jude’s POV. The overall impression is of an artist under siege. Outlining his motivation for this and other scenes, Haynes offers, “I was interested in the moment when Dylan was making the album Blonde on Blonde. His electric-guitar music was met with historic opposition from fans, and that fueled him further in the direction punk rockers later took: taunting the audience and trying to generate friction rather than adoration.” Lachman filmed Jude’s story on Kodak Plus-X 5231 and Double-X 5222 black-and-white negative stocks. “I know the recent trend with black-and-white scenes in movies has been to shoot color and transform it into black-and-white through printing or DI techniques, but the thing I wanted to reference was the way films looked in the Sixties in terms of exposure, texture, grain and latitude,” says Lachman. Working in black-andwhite, he continues, is about more than just getting a monochromatic image. “Kodak hasn’t improved those stocks. If I shoot Double-X in 2006, it’s like shooting it back in the Sixties; it only has about 1½ stops of over- or underexposure. Also, they haven’t Tgrained it the way they have their color stocks. “By shooting real black-andwhite,” he continues, “I was able to use the same methods cinematographers used then to selectively alter tones, like, say, using a Yellow 8, Orange 21, or Red 23A to introduce tonal separations. You can change some values if you use a DI to change color to black-and-white, but it doesn’t feel or look the same in the values of tonal separation. “By originating on black-and- Top: After hitching a ride on a boxcar, Woody manages to charm a trio of tramps. Middle: The precociously talented boy entertains a suburban family with his music and tall tales. Bottom: Upon hearing that his folk idol, Woody Guthrie, has fallen ill, the boy rushes to his namesake’s bedside. American Cinematographer 41
Table of Contents Feed for the Digital Edition of American Cinematographer - November 2007 American Cinematographer - November 2007 Contents Editor’s Note Global Village DVD Playback Production Slate Deconstructing Bob Dylan Honoring a Lost Friend Night Terrors Losing Control TV’s Top-Rated Short Takes Post Focus New Products & Services Points East International Marketplace Classified Ads Ad Index Clubhouse News ASC Close-Up American Cinematographer - November 2007 American Cinematographer - November 2007 - American Cinematographer - November 2007 (Page Cover1) American Cinematographer - November 2007 - American Cinematographer - November 2007 (Page Cover2) American Cinematographer - November 2007 - American Cinematographer - November 2007 (Page 1) American Cinematographer - November 2007 - American Cinematographer - November 2007 (Page 2) American Cinematographer - November 2007 - Contents (Page 3) American Cinematographer - November 2007 - Contents (Page 4) American Cinematographer - November 2007 - Contents (Page 5) American Cinematographer - November 2007 - Contents (Page 6) American Cinematographer - November 2007 - Contents (Page 7) American Cinematographer - November 2007 - Editor’s Note (Page 8) American Cinematographer - November 2007 - Editor’s Note (Page 9) American Cinematographer - November 2007 - Editor’s Note (Page 10) American Cinematographer - November 2007 - Editor’s Note (Page 11) American Cinematographer - November 2007 - Global Village (Page 12) American Cinematographer - November 2007 - Global Village (Page 13) American Cinematographer - November 2007 - Global Village (Page 14) American Cinematographer - November 2007 - Global Village (Page 15) American Cinematographer - November 2007 - Global Village (Page 16) American Cinematographer - November 2007 - Global Village (Page 17) American Cinematographer - November 2007 - DVD Playback (Page 18) American Cinematographer - November 2007 - DVD Playback (Page 19) American Cinematographer - November 2007 - DVD Playback (Page 20) American Cinematographer - November 2007 - DVD Playback (Page 21) American Cinematographer - November 2007 - DVD Playback (Page 22) American Cinematographer - November 2007 - DVD Playback (Page 23) American Cinematographer - November 2007 - Production Slate (Page 24) American Cinematographer - November 2007 - Production Slate (Page 25) American Cinematographer - November 2007 - Production Slate (Page 26) American Cinematographer - November 2007 - Production Slate (Page 27) American Cinematographer - November 2007 - Production Slate (Page 28) American Cinematographer - November 2007 - Production Slate (Page 29) American Cinematographer - November 2007 - Production Slate (Page 30) American Cinematographer - November 2007 - Production Slate (Page 31) American Cinematographer - November 2007 - Production Slate (Page 32) American Cinematographer - November 2007 - Production Slate (Page 33) American Cinematographer - November 2007 - Production Slate (Page 34) American Cinematographer - November 2007 - Production Slate (Page 35) American Cinematographer - November 2007 - Production Slate (Page 36) American Cinematographer - November 2007 - Production Slate (Page 37) American Cinematographer - November 2007 - Deconstructing Bob Dylan (Page 38) American Cinematographer - November 2007 - Deconstructing Bob Dylan (Page 39) American Cinematographer - November 2007 - Deconstructing Bob Dylan (Page 40) American Cinematographer - November 2007 - Deconstructing Bob Dylan (Page 41) American Cinematographer - November 2007 - Deconstructing Bob Dylan (Page 42) American Cinematographer - November 2007 - Deconstructing Bob Dylan (Page 43) American Cinematographer - November 2007 - Deconstructing Bob Dylan (Page 44) American Cinematographer - November 2007 - Deconstructing Bob Dylan (Page 45) American Cinematographer - November 2007 - Deconstructing Bob Dylan (Page 46) American Cinematographer - November 2007 - Deconstructing Bob Dylan (Page 47) American Cinematographer - November 2007 - Deconstructing Bob Dylan (Page 48) American Cinematographer - November 2007 - Deconstructing Bob Dylan (Page 49) American Cinematographer - November 2007 - Deconstructing Bob Dylan (Page 50) American Cinematographer - November 2007 - Deconstructing Bob Dylan (Page 51) American Cinematographer - November 2007 - Honoring a Lost Friend (Page 52) American Cinematographer - November 2007 - Honoring a Lost Friend (Page 53) American Cinematographer - November 2007 - Honoring a Lost Friend (Page 54) American Cinematographer - November 2007 - Honoring a Lost Friend (Page 55) American Cinematographer - November 2007 - Honoring a Lost Friend (Page 56) American Cinematographer - November 2007 - Honoring a Lost Friend (Page 57) American Cinematographer - November 2007 - Honoring a Lost Friend (Page 58) American Cinematographer - November 2007 - Honoring a Lost Friend (Page 59) American Cinematographer - November 2007 - Honoring a Lost Friend (Page 60) American Cinematographer - November 2007 - Honoring a Lost Friend (Page 61) American Cinematographer - November 2007 - Night Terrors (Page 62) American Cinematographer - November 2007 - Night Terrors (Page 63) American Cinematographer - November 2007 - Night Terrors (Page 64) American Cinematographer - November 2007 - Night Terrors (Page 65) American Cinematographer - November 2007 - Night Terrors (Page 66) American Cinematographer - November 2007 - Night Terrors (Page 67) American Cinematographer - November 2007 - Night Terrors (Page 68) American Cinematographer - November 2007 - Night Terrors (Page 69) American Cinematographer - November 2007 - Night Terrors (Page 70) American Cinematographer - November 2007 - Night Terrors (Page 71) American Cinematographer - November 2007 - Night Terrors (Page 72) American Cinematographer - November 2007 - Night Terrors (Page 73) American Cinematographer - November 2007 - Losing Control (Page 74) American Cinematographer - November 2007 - Losing Control (Page 75) American Cinematographer - November 2007 - Losing Control (Page 76) American Cinematographer - November 2007 - Losing Control (Page 77) American Cinematographer - November 2007 - Losing Control (Page 78) American Cinematographer - November 2007 - Losing Control (Page 79) American Cinematographer - November 2007 - Losing Control (Page 80) American Cinematographer - November 2007 - Losing Control (Page 81) American Cinematographer - November 2007 - TV’s Top-Rated (Page 82) American Cinematographer - November 2007 - TV’s Top-Rated (Page 83) American Cinematographer - November 2007 - Short Takes (Page 84) American Cinematographer - November 2007 - Short Takes (Page 85) American Cinematographer - November 2007 - Short Takes (Page 86) American Cinematographer - November 2007 - Short Takes (Page 87) American Cinematographer - November 2007 - Short Takes (Page 88) American Cinematographer - November 2007 - Short Takes (Page 89) American Cinematographer - November 2007 - Post Focus (Page 90) American Cinematographer - November 2007 - Post Focus (Page 91) American Cinematographer - November 2007 - Post Focus (Page 92) American Cinematographer - November 2007 - Post Focus (Page 93) American Cinematographer - November 2007 - New Products & Services (Page 94) American Cinematographer - November 2007 - New Products & Services (Page 95) American Cinematographer - November 2007 - New Products & Services (Page 96) American Cinematographer - November 2007 - New Products & Services (Page 97) American Cinematographer - November 2007 - New Products & Services (Page 98) American Cinematographer - November 2007 - New Products & Services (Page 99) American Cinematographer - November 2007 - New Products & Services (Page 100) American Cinematographer - November 2007 - New Products & Services (Page 101) American Cinematographer - November 2007 - New Products & Services (Page 102) American Cinematographer - November 2007 - New Products & Services (Page 103) American Cinematographer - November 2007 - Points East (Page 104) American Cinematographer - November 2007 - Points East (Page 105) American Cinematographer - November 2007 - International Marketplace (Page 106) American Cinematographer - November 2007 - Classified Ads (Page 107) American Cinematographer - November 2007 - Ad Index (Page 108) American Cinematographer - November 2007 - Ad Index (Page 109) American Cinematographer - November 2007 - Clubhouse News (Page 110) American Cinematographer - November 2007 - Clubhouse News (Page 111) American Cinematographer - November 2007 - ASC Close-Up (Page 112) American Cinematographer - November 2007 - ASC Close-Up (Page Cover3) American Cinematographer - November 2007 - ASC Close-Up (Page Cover4)
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