American Cinematographer - November 2007 - (Page 47)

THERE’S AN AZDEN SHOTGUN MIC DESIGNED TO IMPROVE YOUR AUDIO QUALITY SGM-1000 A phantom powered shotgun mic with new high-performance microphone element that features: phantom 12-48V or 1.5V "AA" battery • wide frequency response • highly directional pick-up pattern • high sensitivity/low noise • shockmount holder with new taller integrated shoe mount • XLR output • switchable low-cut filter • On/Off power switch • standard foam windscreen • length - 310mm (12.5"). Battery and cable not included. MSRP $360. Like Fellini’s Marcello, Jude imagines herself floating above the human fray, only to be reeled back to reality by a rope attached to her ankle. enough to obscure our lighting sources,” says Lachman. To solve this dilemma, key grip Michel Périard obtained sheets of a canvas-like material that’s normally used to line gardens, driveways and swimming pools. “We placed this material in 40-by-60-foot frames positioned about 10 feet behind the Spandex walls,” Lachman continues. “We could then illuminate these frames with dimmer-controlled Nine-lights and Cyc strips placed above and below each wall. The reflected light from our canvas frames would bounce back out through the Spandex walls to illuminate the club setting.” Lachman wanted to have some control over this light, so he would only illuminate two “walls” at any given time — the wall behind the characters and one to the side. Visual-effects supervisor Louis Morin put together the rear-screen portions of the scene. Morin offers, “I got in touch with Luc Desilets, who has worked for Cirque du Soleil and helped with the screen design of Love, the Las Vegas Beatles show.” Desilets set up similar screens designed for rear-screen projection and lined up three Christie Roadster DS+25 projectors. Dataton Watchout software was used to “stitch” the three images together to prevent gaps and seams between them. “The most stunning effect to me,” says Morin, “was when we used one single image projected by the three projectors.” This shot shows a tarantula moving from one side of the background to the other — a nod to Dylan’s book of poetry, Tarantula. “We projected it as a single image the size of the three screens combined,” adds Morin. “In order to get the 4:1 aspect ratio of the triptych of screens, we shot the macro photography of the spider on Double X negative in full-gate 35mm, scanned it as a 4K DPX file and then split that into three separate files, later using Watchout software to stitch them together. ” As with all of the Jude sequences, Lachman shot Club Silver on Double-X negative. He let the white walls go about a stop and a half over, which was enough illumination to make them glow white while still maintaining some texture. He used Cooke Panchros for most of these shots, but switched to Zeiss Superspeeds for the rear-projection shots when the Panchros’ maximum aperture of T2.3 wasn’t wide enough. “I didn’t want to push the Double-X,” Lachman says. “It’s already grainy enough, but I needed the extra stop with the high-speed lenses at T1.3 for the film to read the projection.” Perhaps the most abstract iter- SGM-2X Ideal for full-size cameras, it is 2 mics in one. Combined, they are a 15.75" low-noise, wide bandwidth, shotgun, with balanced low-impedance output. Includes same features of the SGM-1000 but no phantom power. The short barrel (8.125") is a general purpose omni mic. MSRP $310 SGM-1X SGM-1X. At 298mm (11.75") with XLR output it's ideal for smaller DV cams with XLR audio inputs. Comes supplied with the same unique integrated shockmount with shoe-mount as the SGM-1000. Cable not included. MSRP $230 SGM-X At 216mm (8.5") the mini SGM-X is a complete system, including windscreen, shoe-mount holder and mini cable. With mini output, the SGM-X is perfect for smaller DV cams with mini-jack mic inputs. MSRP $155 ® P.O. Box 10, Franklin Square, NY 11010 (516) 328-7500 • FAX: (516) 328-7506 For full specifications, visit our website: www.azdencorp.com 47 http://www.azdencorp.com http://www.azdencorp.com

Table of Contents Feed for the Digital Edition of American Cinematographer - November 2007

American Cinematographer - November 2007 Contents Editor’s Note Global Village DVD Playback Production Slate Deconstructing Bob Dylan Honoring a Lost Friend Night Terrors Losing Control TV’s Top-Rated Short Takes Post Focus New Products & Services Points East International Marketplace Classified Ads Ad Index Clubhouse News ASC Close-Up

American Cinematographer - November 2007

For optimal viewing of this digital publication, please enable JavaScript and then refresh the page. If you would like to try to load the digital publication without using Flash Player detection, please click here.