American Cinematographer - November 2008 - (Page 63) without using up rehearsal time. [Colorist] Olivier Fontenay [at EFilm Australia] worked out a way of printing the stills onto paper and creating Jpeg files, and Catherine and her team could then place the actors in our previous location photos and include their concept drawings of the sets. “During principal photography, I had a stills photographer record key shots for every scene, and on those prints I wrote the exposures for each part of the frame,” continues the cinematographer. “Shaun’s crew also took stills and created diagrams, all of which went into a database. It was an eight-month shoot, so that kind of system was essential.” Atlab processed the production’s footage, and colorists Trish Cahill and Sally Johnson at Cutting Edge’s facility in Fox Studio timed the hi-def dailies, which were shown with a 2K Barco projector. “We set up the looks beforehand using my stills, and then Trish or Sally and I just had a chat each day,” says Walker. “It was a very smooth process. I also had a 1,000-foot one-light work print made up each week to look at new scenes on film.” Walker and Luhrmann supervised the final grade with Fontenay at EFilm Australia. Asked to sum up her experience on the picture, Walker observes, “Baz described to me how he saw this film visually in detail back in 2005, but when he’s on the set, he likes to work in an intuitive, in-themoment manner. He’s like a conductor with a large orchestra, constantly finessing all the nuances even as the cameras are rolling. You’d often hear his voice in the headsets: ‘Shaun, lightning now! Brett [McDowell], slow on the dolly — slow, slow, now speed up!’ That ability to respond and refine with ever-increasing detail is what makes his films so distinctive. It’s also exciting for my crew because he knows the importance of everyone’s job and discusses things with them, involving them in the creative process. No one gets bored on one of Baz’s films!” I TECHNICAL SPECS 2.40:1 Super 35mm Panaflex Millennium, Millennium XL; PanArri 435 Primo, Panavision Ultraspeed and Superspeed, Angenieux lenses Kodak Vision2 500T 5218, 200T 5217, 100T 5212 Digital Intermediate Printed on Kodak Vision 2383 63 http://www.k5600.com http://www.k5600.com
Table of Contents Feed for the Digital Edition of American Cinematographer - November 2008 American Cinematographer - November 2008 Contents Editor’s Note Letters Short Takes Production Slate Forging a Bond The Making of a President Thunder Down Under Habitat for Inhumanity Saluting Television’s Top Talents Post Focus New Products & Services International Marketplace Classified Ads Ad Index Clubhouse News ASC Close-Up American Cinematographer - November 2008 American Cinematographer - November 2008 - American Cinematographer - November 2008 (Page Cover1) American Cinematographer - November 2008 - American Cinematographer - November 2008 (Page Cover2) American Cinematographer - November 2008 - American Cinematographer - November 2008 (Page 1) American Cinematographer - November 2008 - American Cinematographer - November 2008 (Page 2) American Cinematographer - November 2008 - Contents (Page 3) American Cinematographer - November 2008 - Contents (Page 4) American Cinematographer - November 2008 - Contents (Page 5) American Cinematographer - November 2008 - Contents (Page 6) American Cinematographer - November 2008 - Contents (Page 7) American Cinematographer - November 2008 - Editor’s Note (Page 8) American Cinematographer - November 2008 - Editor’s Note (Page 9) American Cinematographer - November 2008 - Editor’s Note (Page 10) American Cinematographer - November 2008 - Editor’s Note (Page 11) American Cinematographer - November 2008 - Letters (Page 12) American Cinematographer - November 2008 - Letters (Page 13) American Cinematographer - November 2008 - Short Takes (Page 14) American Cinematographer - November 2008 - Short Takes (Page 15) American Cinematographer - November 2008 - Production Slate (Page 16) American Cinematographer - November 2008 - Production Slate (Page 17) American Cinematographer - November 2008 - Production Slate (Page 18) American Cinematographer - November 2008 - Production Slate (Page 19) American Cinematographer - November 2008 - Production Slate (Page 20) American Cinematographer - November 2008 - Production Slate (Page 21) American Cinematographer - November 2008 - Production Slate (Page 22) American Cinematographer - November 2008 - Production Slate (Page 23) American Cinematographer - November 2008 - Production Slate (Page 24) American Cinematographer - November 2008 - Production Slate (Page 25) American Cinematographer - November 2008 - Production Slate (Page 26) American Cinematographer - November 2008 - Production Slate (Page 27) American Cinematographer - November 2008 - Forging a Bond (Page 28) American Cinematographer - November 2008 - Forging a Bond (Page 29) American Cinematographer - November 2008 - Forging a Bond (Page 30) American Cinematographer - November 2008 - Forging a Bond (Page 31) American Cinematographer - November 2008 - Forging a Bond (Page 32) American Cinematographer - November 2008 - Forging a Bond (Page 33) American Cinematographer - November 2008 - Forging a Bond (Page 34) American Cinematographer - November 2008 - Forging a Bond (Page 35) American Cinematographer - November 2008 - Forging a Bond (Page 36) American Cinematographer - November 2008 - Forging a Bond (Page 37) American Cinematographer - November 2008 - Forging a Bond (Page 38) American Cinematographer - November 2008 - Forging a Bond (Page 39) American Cinematographer - November 2008 - Forging a Bond (Page 40) American Cinematographer - November 2008 - Forging a Bond (Page 41) American Cinematographer - November 2008 - The Making of a President (Page 42) American Cinematographer - November 2008 - The Making of a President (Page 43) American Cinematographer - November 2008 - The Making of a President (Page 44) American Cinematographer - November 2008 - The Making of a President (Page 45) American Cinematographer - November 2008 - The Making of a President (Page 46) American Cinematographer - November 2008 - The Making of a President (Page 47) American Cinematographer - November 2008 - The Making of a President (Page 48) American Cinematographer - November 2008 - The Making of a President (Page 49) American Cinematographer - November 2008 - The Making of a President (Page 50) American Cinematographer - November 2008 - The Making of a President (Page 51) American Cinematographer - November 2008 - The Making of a President (Page 52) American Cinematographer - November 2008 - The Making of a President (Page 53) American Cinematographer - November 2008 - Thunder Down Under (Page 54) American Cinematographer - November 2008 - Thunder Down Under (Page 55) American Cinematographer - November 2008 - Thunder Down Under (Page 56) American Cinematographer - November 2008 - Thunder Down Under (Page 57) American Cinematographer - November 2008 - Thunder Down Under (Page 58) American Cinematographer - November 2008 - Thunder Down Under (Page 59) American Cinematographer - November 2008 - Thunder Down Under (Page 60) American Cinematographer - November 2008 - Thunder Down Under (Page 61) American Cinematographer - November 2008 - Thunder Down Under (Page 62) American Cinematographer - November 2008 - Thunder Down Under (Page 63) American Cinematographer - November 2008 - Habitat for Inhumanity (Page 64) American Cinematographer - November 2008 - Habitat for Inhumanity (Page 65) American Cinematographer - November 2008 - Habitat for Inhumanity (Page 66) American Cinematographer - November 2008 - Habitat for Inhumanity (Page 67) American Cinematographer - November 2008 - Habitat for Inhumanity (Page 68) American Cinematographer - November 2008 - Habitat for Inhumanity (Page 69) American Cinematographer - November 2008 - Habitat for Inhumanity (Page 70) American Cinematographer - November 2008 - Habitat for Inhumanity (Page 71) American Cinematographer - November 2008 - Habitat for Inhumanity (Page 72) American Cinematographer - November 2008 - Habitat for Inhumanity (Page 73) American Cinematographer - November 2008 - Saluting Television’s Top Talents (Page 74) American Cinematographer - November 2008 - Saluting Television’s Top Talents (Page 75) American Cinematographer - November 2008 - Post Focus (Page 76) American Cinematographer - November 2008 - Post Focus (Page 77) American Cinematographer - November 2008 - New Products & Services (Page 78) American Cinematographer - November 2008 - New Products & Services (Page 79) American Cinematographer - November 2008 - New Products & Services (Page 80) American Cinematographer - November 2008 - New Products & Services (Page 81) American Cinematographer - November 2008 - New Products & Services (Page 82) American Cinematographer - November 2008 - New Products & Services (Page 83) American Cinematographer - November 2008 - New Products & Services (Page 84) American Cinematographer - November 2008 - New Products & Services (Page 85) American Cinematographer - November 2008 - New Products & Services (Page 86) American Cinematographer - November 2008 - New Products & Services (Page 87) American Cinematographer - November 2008 - New Products & Services (Page 88) American Cinematographer - November 2008 - New Products & Services (Page 89) American Cinematographer - November 2008 - International Marketplace (Page 90) American Cinematographer - November 2008 - Classified Ads (Page 91) American Cinematographer - November 2008 - Ad Index (Page 92) American Cinematographer - November 2008 - Ad Index (Page 93) American Cinematographer - November 2008 - Clubhouse News (Page 94) American Cinematographer - November 2008 - Clubhouse News (Page 95) American Cinematographer - November 2008 - ASC Close-Up (Page 96) American Cinematographer - November 2008 - ASC Close-Up (Page Cover3) American Cinematographer - November 2008 - ASC Close-Up (Page Cover4)
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