American Cinematographer - November 2015 - 53

towers is very dramatically depicted
throughout The Walk. Was that a
priority throughout the production?
How did Zemeckis communicate
this? And how did the eventual 3D
presentation play a part in achieving
those vertiginous perspectives?
Wolski: Well, it's interesting.
We shot both films in 6K with Red
Epic Dragons, but The Walk was shot
in 2D and converted with a postproduction 3D process [by Legend3D in
Toronto] while The Martian was shot
in 3D [using 3ality Technica stereo
rigs]. But the conversion process has
improved to the point where it can
seem even more dimensional than
something shot in actual 3D, just by
virtue of the way the image is
processed and composed in depth. If
you shoot very carefully in 2D, designing the shots correctly, the illusion of
3D is quite good. Today, if you see a
2D film converted to 3D that looks
terrible, it's probably not because of
the conversion process - it's that the
film simply was not conceived to be
seen in 3D.
As far as the towers are
concerned, there was nothing to
accentuate, as they were so bloody
high! [Laughs.] I'm kidding a little;
there was a lot of care taken in
composing shots of the towers [the
full heights of which were computer
generated], either from above or
below, by using their entire height in
the composition, if possible, to always
accentuate that distance. We did
briefly use an on-set previs system at
first to help that process, but after we
made the mental adjustment, we
didn't use it very much.
Part of Bob's visual approach to
shooting The Walk had to do with
always finding the right elements to
take advantage of the 3D, especially in
more subtle ways. For example, as
Philippe steps out onto the wire
between the towers, the wire itself is
used as a dimensional element, cutting
the image diagonally and accentuating
the depth in the composition. In other
shots, the balancing pole Philippe uses



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Table of Contents for the Digital Edition of American Cinematographer - November 2015

Contents
American Cinematographer - November 2015 - Cover1
American Cinematographer - November 2015 - Cover2
American Cinematographer - November 2015 - 1
American Cinematographer - November 2015 - 2
American Cinematographer - November 2015 - Contents
American Cinematographer - November 2015 - 4
American Cinematographer - November 2015 - 5
American Cinematographer - November 2015 - 6
American Cinematographer - November 2015 - 7
American Cinematographer - November 2015 - 8
American Cinematographer - November 2015 - 9
American Cinematographer - November 2015 - 10
American Cinematographer - November 2015 - 11
American Cinematographer - November 2015 - 12
American Cinematographer - November 2015 - 13
American Cinematographer - November 2015 - 14
American Cinematographer - November 2015 - 15
American Cinematographer - November 2015 - 16
American Cinematographer - November 2015 - 17
American Cinematographer - November 2015 - 18
American Cinematographer - November 2015 - 19
American Cinematographer - November 2015 - 20
American Cinematographer - November 2015 - 21
American Cinematographer - November 2015 - 22
American Cinematographer - November 2015 - 23
American Cinematographer - November 2015 - 24
American Cinematographer - November 2015 - 25
American Cinematographer - November 2015 - 26
American Cinematographer - November 2015 - 27
American Cinematographer - November 2015 - 28
American Cinematographer - November 2015 - 29
American Cinematographer - November 2015 - 30
American Cinematographer - November 2015 - 31
American Cinematographer - November 2015 - 32
American Cinematographer - November 2015 - 33
American Cinematographer - November 2015 - 34
American Cinematographer - November 2015 - 35
American Cinematographer - November 2015 - 36
American Cinematographer - November 2015 - 37
American Cinematographer - November 2015 - 38
American Cinematographer - November 2015 - 39
American Cinematographer - November 2015 - 40
American Cinematographer - November 2015 - 41
American Cinematographer - November 2015 - 42
American Cinematographer - November 2015 - 43
American Cinematographer - November 2015 - 44
American Cinematographer - November 2015 - 45
American Cinematographer - November 2015 - 46
American Cinematographer - November 2015 - 47
American Cinematographer - November 2015 - 48
American Cinematographer - November 2015 - 49
American Cinematographer - November 2015 - 50
American Cinematographer - November 2015 - 51
American Cinematographer - November 2015 - 52
American Cinematographer - November 2015 - 53
American Cinematographer - November 2015 - 54
American Cinematographer - November 2015 - 55
American Cinematographer - November 2015 - 56
American Cinematographer - November 2015 - 57
American Cinematographer - November 2015 - 58
American Cinematographer - November 2015 - 59
American Cinematographer - November 2015 - 60
American Cinematographer - November 2015 - 61
American Cinematographer - November 2015 - 62
American Cinematographer - November 2015 - 63
American Cinematographer - November 2015 - 64
American Cinematographer - November 2015 - 65
American Cinematographer - November 2015 - 66
American Cinematographer - November 2015 - 67
American Cinematographer - November 2015 - 68
American Cinematographer - November 2015 - 69
American Cinematographer - November 2015 - 70
American Cinematographer - November 2015 - 71
American Cinematographer - November 2015 - 72
American Cinematographer - November 2015 - 73
American Cinematographer - November 2015 - 74
American Cinematographer - November 2015 - 75
American Cinematographer - November 2015 - 76
American Cinematographer - November 2015 - 77
American Cinematographer - November 2015 - 78
American Cinematographer - November 2015 - 79
American Cinematographer - November 2015 - 80
American Cinematographer - November 2015 - 81
American Cinematographer - November 2015 - 82
American Cinematographer - November 2015 - 83
American Cinematographer - November 2015 - 84
American Cinematographer - November 2015 - 85
American Cinematographer - November 2015 - 86
American Cinematographer - November 2015 - 87
American Cinematographer - November 2015 - 88
American Cinematographer - November 2015 - 89
American Cinematographer - November 2015 - 90
American Cinematographer - November 2015 - 91
American Cinematographer - November 2015 - 92
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American Cinematographer - November 2015 - 95
American Cinematographer - November 2015 - 96
American Cinematographer - November 2015 - Cover3
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