American Cinematographer - December 2007 - 16

Production Slate Shifting Perspectives of a Robbery and a War Crime Brothers Hank (Ethan Hawke, left) and Andy (Philip Seymour Hoffman) devise an unusual solution to their monetary problems in Before the Devil Knows You’re Dead, shot by Ron Fortunato, ASC. A Crime That Doesn’t Pay by John Calhoun If Sidney Lumet is the proverbial old dog, then shooting high-definition (HD) video is one of those new tricks he’s not supposed to learn. But his new film, Before the Devil Knows You’re Dead, is just the latest the 83-year-old director has captured with HD cameras, and he shows no signs of looking back. “Sidney fell in love with HD, and with everything that comes up, he says, ‘Let’s do it in HD,’” says Ron Fortunato, ASC. In addition to shooting Devil, Fortunato has shot all of Lumet’s HD projects, which include the TV series 100 Centre Street (AC April ’01), the HBO telefilm Strip Search and the theatrical feature Find Me Guilty. 16 December 2007 Fortunato recalls that it was he who took some persuading regarding the format’s virtues. When he got the call from Lumet seven years ago about 100 Centre Street, his excitement over the prospect of working with a filmmaker he lionized quickly turned into trepidation. “The good news is, it’s Sidney Lumet,” recalls Fortunato. “The bad news is, it’s a multi-camera TV show, and the really bad news is that it’s shot on video.” The cinematographer, whose feature credits include Basquiat and Nil by Mouth, recalls that his prior experience with video was confined to “shooting home movies.” But when he used a prototype of the first 24p HD camera, he became a convert. “I went out with the digital-imaging technician, Abby Levine, and shot some tests, and I was really blown away.” The working relationship with Lumet turned out equally well. “He trusted me after two or three episodes; he saw I was fast, which was very important to him, that I did good work, and that when I had concerns, they were legitimate.” Devil was shot using Panavision’s Genesis camera, which, “as far as I’m concerned, is the best HD system at this point,” says Fortunato. “It’s like shooting 35mm in terms of depth of field, and it uses the Primo lenses that we’re all familiar with. The only downside is that it’s a big camera, but it’s not any bigger than a Panaflex Platinum. I think everyone’s hoping HD cameras will become tiny things, and they will, eventually. Right now, they’re still big and bulky.” ¢ Before the Devil Knows You’re Dead photos by Will Hart, courtesy of ThinkFilm.

American Cinematographer - December 2007

Table of Contents for the Digital Edition of American Cinematographer - December 2007

American Cinematgrapher - December 2007
Contents
Editor's Note
DVD Playback
Production Slate
Irretrievable Deeds
Blood on the Streets
Fantastic Voyage
Promise Fulfilled
Short Takes
Post Focus
Tomorrow's Technology
New Products & Services
International Marketplace
Classified Ads
Ad Index
2007 AC Index
ASC Membership Roster
Clubhouse News
ASC Close-Up
American Cinematographer - December 2007 - Intro
American Cinematographer - December 2007 - American Cinematgrapher - December 2007
American Cinematographer - December 2007 - Cover2
American Cinematographer - December 2007 - 1
American Cinematographer - December 2007 - 2
American Cinematographer - December 2007 - Contents
American Cinematographer - December 2007 - 4
American Cinematographer - December 2007 - 5
American Cinematographer - December 2007 - 6
American Cinematographer - December 2007 - 7
American Cinematographer - December 2007 - Editor's Note
American Cinematographer - December 2007 - 9
American Cinematographer - December 2007 - DVD Playback
American Cinematographer - December 2007 - 11
American Cinematographer - December 2007 - 12
American Cinematographer - December 2007 - 13
American Cinematographer - December 2007 - 14
American Cinematographer - December 2007 - 15
American Cinematographer - December 2007 - Production Slate
American Cinematographer - December 2007 - 17
American Cinematographer - December 2007 - 18
American Cinematographer - December 2007 - 19
American Cinematographer - December 2007 - 20
American Cinematographer - December 2007 - 21
American Cinematographer - December 2007 - 22
American Cinematographer - December 2007 - 23
American Cinematographer - December 2007 - 24
American Cinematographer - December 2007 - 25
American Cinematographer - December 2007 - 26
American Cinematographer - December 2007 - 27
American Cinematographer - December 2007 - 28
American Cinematographer - December 2007 - 29
American Cinematographer - December 2007 - 30
American Cinematographer - December 2007 - 31
American Cinematographer - December 2007 - Irretrievable Deeds
American Cinematographer - December 2007 - 33
American Cinematographer - December 2007 - 34
American Cinematographer - December 2007 - 35
American Cinematographer - December 2007 - 36
American Cinematographer - December 2007 - 37
American Cinematographer - December 2007 - 38
American Cinematographer - December 2007 - 39
American Cinematographer - December 2007 - 40
American Cinematographer - December 2007 - 41
American Cinematographer - December 2007 - 42
American Cinematographer - December 2007 - 43
American Cinematographer - December 2007 - 44
American Cinematographer - December 2007 - 45
American Cinematographer - December 2007 - 46
American Cinematographer - December 2007 - 47
American Cinematographer - December 2007 - Blood on the Streets
American Cinematographer - December 2007 - BRC1
American Cinematographer - December 2007 - BRC2
American Cinematographer - December 2007 - 49
American Cinematographer - December 2007 - 50
American Cinematographer - December 2007 - 51
American Cinematographer - December 2007 - 52
American Cinematographer - December 2007 - 53
American Cinematographer - December 2007 - 54
American Cinematographer - December 2007 - 55
American Cinematographer - December 2007 - 56
American Cinematographer - December 2007 - 57
American Cinematographer - December 2007 - 58
American Cinematographer - December 2007 - 59
American Cinematographer - December 2007 - Fantastic Voyage
American Cinematographer - December 2007 - 61
American Cinematographer - December 2007 - 62
American Cinematographer - December 2007 - 63
American Cinematographer - December 2007 - 64
American Cinematographer - December 2007 - 65
American Cinematographer - December 2007 - 66
American Cinematographer - December 2007 - 67
American Cinematographer - December 2007 - 68
American Cinematographer - December 2007 - 69
American Cinematographer - December 2007 - 70
American Cinematographer - December 2007 - 71
American Cinematographer - December 2007 - Promise Fulfilled
American Cinematographer - December 2007 - 73
American Cinematographer - December 2007 - 74
American Cinematographer - December 2007 - 75
American Cinematographer - December 2007 - 76
American Cinematographer - December 2007 - 77
American Cinematographer - December 2007 - 78
American Cinematographer - December 2007 - 79
American Cinematographer - December 2007 - 80
American Cinematographer - December 2007 - 81
American Cinematographer - December 2007 - 82
American Cinematographer - December 2007 - 83
American Cinematographer - December 2007 - 84
American Cinematographer - December 2007 - 85
American Cinematographer - December 2007 - 86
American Cinematographer - December 2007 - 87
American Cinematographer - December 2007 - 88
American Cinematographer - December 2007 - 89
American Cinematographer - December 2007 - 90
American Cinematographer - December 2007 - 91
American Cinematographer - December 2007 - 92
American Cinematographer - December 2007 - 93
American Cinematographer - December 2007 - Short Takes
American Cinematographer - December 2007 - 95
American Cinematographer - December 2007 - 96
American Cinematographer - December 2007 - 97
American Cinematographer - December 2007 - 98
American Cinematographer - December 2007 - 99
American Cinematographer - December 2007 - Post Focus
American Cinematographer - December 2007 - 101
American Cinematographer - December 2007 - 102
American Cinematographer - December 2007 - 103
American Cinematographer - December 2007 - 104
American Cinematographer - December 2007 - 105
American Cinematographer - December 2007 - 106
American Cinematographer - December 2007 - 107
American Cinematographer - December 2007 - 108
American Cinematographer - December 2007 - 109
American Cinematographer - December 2007 - Tomorrow's Technology
American Cinematographer - December 2007 - 111
American Cinematographer - December 2007 - 112
American Cinematographer - December 2007 - 113
American Cinematographer - December 2007 - New Products & Services
American Cinematographer - December 2007 - 115
American Cinematographer - December 2007 - 116
American Cinematographer - December 2007 - 117
American Cinematographer - December 2007 - 118
American Cinematographer - December 2007 - 119
American Cinematographer - December 2007 - 120
American Cinematographer - December 2007 - 121
American Cinematographer - December 2007 - 122
American Cinematographer - December 2007 - 123
American Cinematographer - December 2007 - 124
American Cinematographer - December 2007 - 125
American Cinematographer - December 2007 - International Marketplace
American Cinematographer - December 2007 - Classified Ads
American Cinematographer - December 2007 - Ad Index
American Cinematographer - December 2007 - 2007 AC Index
American Cinematographer - December 2007 - 130
American Cinematographer - December 2007 - 131
American Cinematographer - December 2007 - 132
American Cinematographer - December 2007 - 133
American Cinematographer - December 2007 - 134
American Cinematographer - December 2007 - 135
American Cinematographer - December 2007 - ASC Membership Roster
American Cinematographer - December 2007 - 137
American Cinematographer - December 2007 - Clubhouse News
American Cinematographer - December 2007 - 139
American Cinematographer - December 2007 - ASC Close-Up
American Cinematographer - December 2007 - Cover3
American Cinematographer - December 2007 - Cover4
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