American Cinematographer - December 2008 - (Page 110) Clubhouse News nizing my body of work.” He began his career making documentaries and shooting news at a television station in Reno, Nev., and then made more than 100 films for Encyclopedia Britannica Educational Films before segueing into narrative filmmaking. His cinematography credits include The Muppet Movie, Somewhere in Time and The Burning Bed. “Membership in the ASC was always one of my career goals,” notes Mankofsky, “so this honor means a lot to me.” Green, the recipient of this year’s Lifetime Achievement Award, began working as a camera assistant on industrial films, National Geographic specials Heritage Award Dedicated to Stone The ASC will dedicate the 2009 Heritage Award to the late Burton “Bud” Stone, who was president of Deluxe Laboratories for 18 years. Inaugurated in 1999, the Heritage Award — which is presented to one or more students — has commemorated a different cinematographer each year. This is the first time the award will be dedicated to another member of the film industry. “This tribute was a unanimous decision by our Board of Governors,” says Isidore Mankofsky, ASC, chairman of the ASC Education Committee. “Bud Stone was an honorary member of the ASC and served as chairman of the Awards Committee for 17 years.” Daryn Okada, ASC president, adds, “Bud Stone was an influential leader in the industry who became a legend in his own time. He had an unwavering appreciation for the role cinematographers play in the collaborative art of visual storytelling. He also made incomparable contributions to supporting cinematographers and raising our public profile.” Wexler, Burgess Rule Haskell Wexler, ASC recently presented the Woodstock Film Festival’s Haskell Wexler Award for Best Cinematography to At the Edge of the World. Directed by Dan Stone, the film was shot by Daniel Fernandez, Tim Gorski, Simeon Houtman, James Joyner, Jonathan Kane, Mathieu Mauvernay and John “Rip” Odebralski. Meanwhile, Don Burgess, ASC judged several of the regional competitions in the ninth annual Kodak Filmschool Competition. Four students were named first-place winners: Devendra Golatkar, the Film and Television Institute of India; Mateo Soler, the Universidad ORT Uruguay; Aonan Yang, Concordia University’s Mel Hoppenheim School of Cinema, Canada; and Amparo de Miguel Viguer, the Escuela de Cinematografia y del Audiovisual de la Comunidad de Madrid, Spain. I Liu, Mankofsky, Green to Receive Society Honors ASC members Robert F. “Bobby” Liu (above), Isidore Mankofsky (below) and Jack Green (right) will all be feted during the 23rd Annual ASC Outstanding Achievement Awards on Feb. 15, 2009. Liu will receive the Career Achievement in Television Award. Born in Shanghai, he studied at the University of Southern California before beginning his career in the camera department on such series as Gunsmoke, The Rockford Files and Columbo. His credits as a cinematographer include Family Ties, Hardcastle & McCormick, Lou Grant and The Nanny. “As a boy, I never thought I’d be able to work in Hollywood,” he says. “I’m proud of being born Chinese, but I am deeply grateful to have been adopted by the United States.” Mankofsky, who will receive the ASC Presidents Award, says he is “surprised and pleased the ASC is recog- 110 December 2008 Photo of Jack Green by Douglas Kirkland. and commercials. After moving to Los Angeles, in 1971, he spent 11 years working as an assistant and operator. Since climbing the ladder to director of photography, Green’s credits include Bird, White Hunter Black Heart, Twister, Unforgiven and The 40 Year Old Virgin. “Cinematography is an art, but it is also a craft,” he says. “It’s like learning to mix paints to get just the right colors. You aren’t just creating looks; you’re helping to tell the story by creating moods. I don’t believe in playing it safe. I would rather work on the edge and trust my instincts.”
Table of Contents Feed for the Digital Edition of American Cinematographer - December 2008 American Cinematographer - December 2008 Contents Editor’s Note Short Takes: True Blood Titles Tomorrow’s Technology Production Slate: Closer to Truth A High Price for Progress Rags to Riches 1-Man Riot Squad The State of the Art: An Update Post Focus: Deluxe New York New Products & Services International Marketplace Classified Ads Ad Index 2008 AC Index ASC Membership Roster Clubhouse News ASC Close-Up: Donald McAlpine American Cinematographer - December 2008 American Cinematographer - December 2008 - American Cinematographer - December 2008 (Page Cover1) American Cinematographer - December 2008 - American Cinematographer - December 2008 (Page Cover2) American Cinematographer - December 2008 - American Cinematographer - December 2008 (Page 1) American Cinematographer - December 2008 - American Cinematographer - December 2008 (Page 2) American Cinematographer - December 2008 - Contents (Page 3) American Cinematographer - December 2008 - Contents (Page 4) American Cinematographer - December 2008 - Contents (Page 5) American Cinematographer - December 2008 - Contents (Page 6) American Cinematographer - December 2008 - Contents (Page 7) American Cinematographer - December 2008 - Editor’s Note (Page 8) American Cinematographer - December 2008 - Editor’s Note (Page 9) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 10) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 11) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 12) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 13) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 14) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 15) American Cinematographer - December 2008 - Tomorrow’s Technology (Page 16) American Cinematographer - December 2008 - Tomorrow’s Technology (Page 17) American Cinematographer - December 2008 - Tomorrow’s Technology (Page 18) American Cinematographer - December 2008 - Tomorrow’s Technology (Page 19) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 20) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 21) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 22) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 23) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 24) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 25) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 26) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 27) American Cinematographer - December 2008 - A High Price for Progress (Page 28) American Cinematographer - December 2008 - A High Price for Progress (Page 29) American Cinematographer - December 2008 - A High Price for Progress (Page 30) American Cinematographer - December 2008 - A High Price for Progress (Page 31) American Cinematographer - December 2008 - A High Price for Progress (Page 32) American Cinematographer - December 2008 - A High Price for Progress (Page 33) American Cinematographer - December 2008 - A High Price for Progress (Page 34) American Cinematographer - December 2008 - A High Price for Progress (Page 35) American Cinematographer - December 2008 - A High Price for Progress (Page 36) American Cinematographer - December 2008 - A High Price for Progress (Page 37) American Cinematographer - December 2008 - A High Price for Progress (Page 38) American Cinematographer - December 2008 - A High Price for Progress (Page 39) American Cinematographer - December 2008 - A High Price for Progress (Page 40) American Cinematographer - December 2008 - A High Price for Progress (Page 41) American Cinematographer - December 2008 - A High Price for Progress (Page 42) American Cinematographer - December 2008 - A High Price for Progress (Page 43) American Cinematographer - December 2008 - Rags to Riches (Page 44) American Cinematographer - December 2008 - Rags to Riches (Page 45) American Cinematographer - December 2008 - Rags to Riches (Page 46) American Cinematographer - December 2008 - Rags to Riches (Page 47) American Cinematographer - December 2008 - Rags to Riches (Page 48) American Cinematographer - December 2008 - Rags to Riches (Page 49) American Cinematographer - December 2008 - Rags to Riches (Page 50) American Cinematographer - December 2008 - Rags to Riches (Page 51) American Cinematographer - December 2008 - Rags to Riches (Page 52) American Cinematographer - December 2008 - Rags to Riches (Page 53) American Cinematographer - December 2008 - Rags to Riches (Page 54) American Cinematographer - December 2008 - Rags to Riches (Page 55) American Cinematographer - December 2008 - Rags to Riches (Page 56) American Cinematographer - December 2008 - Rags to Riches (Page 57) American Cinematographer - December 2008 - Rags to Riches (Page 58) American Cinematographer - December 2008 - Rags to Riches (Page 59) American Cinematographer - December 2008 - Rags to Riches (Page 60) American Cinematographer - December 2008 - Rags to Riches (Page 61) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 62) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 63) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 64) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 65) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 66) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 67) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 68) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 69) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 70) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 71) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 72) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 73) American Cinematographer - December 2008 - The State of the Art: An Update (Page 74) American Cinematographer - December 2008 - The State of the Art: An Update (Page 75) American Cinematographer - December 2008 - The State of the Art: An Update (Page 76) American Cinematographer - December 2008 - The State of the Art: An Update (Page 77) American Cinematographer - December 2008 - The State of the Art: An Update (Page 78) American Cinematographer - December 2008 - The State of the Art: An Update (Page 79) American Cinematographer - December 2008 - The State of the Art: An Update (Page 80) American Cinematographer - December 2008 - The State of the Art: An Update (Page 81) American Cinematographer - December 2008 - The State of the Art: An Update (Page 82) American Cinematographer - December 2008 - The State of the Art: An Update (Page 83) American Cinematographer - December 2008 - The State of the Art: An Update (Page 84) American Cinematographer - December 2008 - The State of the Art: An Update (Page 85) American Cinematographer - December 2008 - Post Focus: Deluxe New York (Page 86) American Cinematographer - December 2008 - Post Focus: Deluxe New York (Page 87) American Cinematographer - December 2008 - Post Focus: Deluxe New York (Page 88) American Cinematographer - December 2008 - Post Focus: Deluxe New York (Page 89) American Cinematographer - December 2008 - New Products & Services (Page 90) American Cinematographer - December 2008 - New Products & Services (Page 91) American Cinematographer - December 2008 - New Products & Services (Page 92) American Cinematographer - December 2008 - New Products & Services (Page 93) American Cinematographer - December 2008 - New Products & Services (Page 94) American Cinematographer - December 2008 - New Products & Services (Page 95) American Cinematographer - December 2008 - New Products & Services (Page 96) American Cinematographer - December 2008 - New Products & Services (Page 97) American Cinematographer - December 2008 - International Marketplace (Page 98) American Cinematographer - December 2008 - International Marketplace (Page 99) American Cinematographer - December 2008 - Ad Index (Page 100) American Cinematographer - December 2008 - 2008 AC Index (Page 101) American Cinematographer - December 2008 - 2008 AC Index (Page 102) American Cinematographer - December 2008 - 2008 AC Index (Page 103) American Cinematographer - December 2008 - 2008 AC Index (Page 104) American Cinematographer - December 2008 - 2008 AC Index (Page 105) American Cinematographer - December 2008 - 2008 AC Index (Page 106) American Cinematographer - December 2008 - 2008 AC Index (Page 107) American Cinematographer - December 2008 - ASC Membership Roster (Page 108) American Cinematographer - December 2008 - ASC Membership Roster (Page 109) American Cinematographer - December 2008 - Clubhouse News (Page 110) American Cinematographer - December 2008 - Clubhouse News (Page 111) American Cinematographer - December 2008 - ASC Close-Up: Donald McAlpine (Page 112) American Cinematographer - December 2008 - ASC Close-Up: Donald McAlpine (Page Cover3) American Cinematographer - December 2008 - ASC Close-Up: Donald McAlpine (Page Cover4)
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