American Cinematographer - December 2008 - (Page 42) A High Price for Progress On location at Twin Peaks Bar, Savides discusses a setup with Condiotti (wearing red beret), key grip Dave Childers (wearing baseball cap) and A-camera/ Steadicam operator Will Arnot (far right). walked from darkness into pools of light. I never lit the crowd in its entirety. I let the streetlamps play and put 5K and 10K Fresnels and Par cans on Condors and on rooftops in the background.” Some of the fixtures were gelled with 1⁄2 straw and 1⁄4 green to match the antique sodium-vapor streetlamps. The vigil was filmed primarily from static positions. Van Sant wanted it shot from an elevated perspective, so Arnot stood atop the Western dolly, some 12' in the air. Arnot also did two passes with the Steadicam on the dolly, using long lenses to pan across the faces of Milk’s inner circle. Meanwhile, B-camera operator Michael Chin worked handheld in the crowd, and a third camera filled in where needed. All the footage for the night marches had to be filmed over a twonight period. The work was so freeflowing that now, nearly a year later, Savides and his cameramen have a difficult time remembering which shot was designed for which march. For one of the night events, Arnot hard-mounted the Steadicam on the Western dolly; for the other, he was on an ATV. To frontlight one of the marches, Savides came up with the idea of using magnesium flares. He put two special-effects technicians on dollies and had them pulled down the street, one on either side of the marchers, just ahead of them. Each technician held a candlestickshaped flare, and as soon as one burned out, another was lit. Reflectors were placed behind each flare to increase the brightness. Condiotti also got into the act, riding an ATV and holding a small SmithVictor reflector light. “It’s like a 42 http://www.cmotion.us http://www.cmotion.us
Table of Contents Feed for the Digital Edition of American Cinematographer - December 2008 American Cinematographer - December 2008 Contents Editor’s Note Short Takes: True Blood Titles Tomorrow’s Technology Production Slate: Closer to Truth A High Price for Progress Rags to Riches 1-Man Riot Squad The State of the Art: An Update Post Focus: Deluxe New York New Products & Services International Marketplace Classified Ads Ad Index 2008 AC Index ASC Membership Roster Clubhouse News ASC Close-Up: Donald McAlpine American Cinematographer - December 2008 American Cinematographer - December 2008 - American Cinematographer - December 2008 (Page Cover1) American Cinematographer - December 2008 - American Cinematographer - December 2008 (Page Cover2) American Cinematographer - December 2008 - American Cinematographer - December 2008 (Page 1) American Cinematographer - December 2008 - American Cinematographer - December 2008 (Page 2) American Cinematographer - December 2008 - Contents (Page 3) American Cinematographer - December 2008 - Contents (Page 4) American Cinematographer - December 2008 - Contents (Page 5) American Cinematographer - December 2008 - Contents (Page 6) American Cinematographer - December 2008 - Contents (Page 7) American Cinematographer - December 2008 - Editor’s Note (Page 8) American Cinematographer - December 2008 - Editor’s Note (Page 9) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 10) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 11) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 12) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 13) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 14) American Cinematographer - December 2008 - Short Takes: True Blood Titles (Page 15) American Cinematographer - December 2008 - Tomorrow’s Technology (Page 16) American Cinematographer - December 2008 - Tomorrow’s Technology (Page 17) American Cinematographer - December 2008 - Tomorrow’s Technology (Page 18) American Cinematographer - December 2008 - Tomorrow’s Technology (Page 19) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 20) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 21) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 22) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 23) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 24) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 25) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 26) American Cinematographer - December 2008 - Production Slate: Closer to Truth (Page 27) American Cinematographer - December 2008 - A High Price for Progress (Page 28) American Cinematographer - December 2008 - A High Price for Progress (Page 29) American Cinematographer - December 2008 - A High Price for Progress (Page 30) American Cinematographer - December 2008 - A High Price for Progress (Page 31) American Cinematographer - December 2008 - A High Price for Progress (Page 32) American Cinematographer - December 2008 - A High Price for Progress (Page 33) American Cinematographer - December 2008 - A High Price for Progress (Page 34) American Cinematographer - December 2008 - A High Price for Progress (Page 35) American Cinematographer - December 2008 - A High Price for Progress (Page 36) American Cinematographer - December 2008 - A High Price for Progress (Page 37) American Cinematographer - December 2008 - A High Price for Progress (Page 38) American Cinematographer - December 2008 - A High Price for Progress (Page 39) American Cinematographer - December 2008 - A High Price for Progress (Page 40) American Cinematographer - December 2008 - A High Price for Progress (Page 41) American Cinematographer - December 2008 - A High Price for Progress (Page 42) American Cinematographer - December 2008 - A High Price for Progress (Page 43) American Cinematographer - December 2008 - Rags to Riches (Page 44) American Cinematographer - December 2008 - Rags to Riches (Page 45) American Cinematographer - December 2008 - Rags to Riches (Page 46) American Cinematographer - December 2008 - Rags to Riches (Page 47) American Cinematographer - December 2008 - Rags to Riches (Page 48) American Cinematographer - December 2008 - Rags to Riches (Page 49) American Cinematographer - December 2008 - Rags to Riches (Page 50) American Cinematographer - December 2008 - Rags to Riches (Page 51) American Cinematographer - December 2008 - Rags to Riches (Page 52) American Cinematographer - December 2008 - Rags to Riches (Page 53) American Cinematographer - December 2008 - Rags to Riches (Page 54) American Cinematographer - December 2008 - Rags to Riches (Page 55) American Cinematographer - December 2008 - Rags to Riches (Page 56) American Cinematographer - December 2008 - Rags to Riches (Page 57) American Cinematographer - December 2008 - Rags to Riches (Page 58) American Cinematographer - December 2008 - Rags to Riches (Page 59) American Cinematographer - December 2008 - Rags to Riches (Page 60) American Cinematographer - December 2008 - Rags to Riches (Page 61) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 62) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 63) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 64) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 65) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 66) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 67) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 68) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 69) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 70) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 71) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 72) American Cinematographer - December 2008 - 1-Man Riot Squad (Page 73) American Cinematographer - December 2008 - The State of the Art: An Update (Page 74) American Cinematographer - December 2008 - The State of the Art: An Update (Page 75) American Cinematographer - December 2008 - The State of the Art: An Update (Page 76) American Cinematographer - December 2008 - The State of the Art: An Update (Page 77) American Cinematographer - December 2008 - The State of the Art: An Update (Page 78) American Cinematographer - December 2008 - The State of the Art: An Update (Page 79) American Cinematographer - December 2008 - The State of the Art: An Update (Page 80) American Cinematographer - December 2008 - The State of the Art: An Update (Page 81) American Cinematographer - December 2008 - The State of the Art: An Update (Page 82) American Cinematographer - December 2008 - The State of the Art: An Update (Page 83) American Cinematographer - December 2008 - The State of the Art: An Update (Page 84) American Cinematographer - December 2008 - The State of the Art: An Update (Page 85) American Cinematographer - December 2008 - Post Focus: Deluxe New York (Page 86) American Cinematographer - December 2008 - Post Focus: Deluxe New York (Page 87) American Cinematographer - December 2008 - Post Focus: Deluxe New York (Page 88) American Cinematographer - December 2008 - Post Focus: Deluxe New York (Page 89) American Cinematographer - December 2008 - New Products & Services (Page 90) American Cinematographer - December 2008 - New Products & Services (Page 91) American Cinematographer - December 2008 - New Products & Services (Page 92) American Cinematographer - December 2008 - New Products & Services (Page 93) American Cinematographer - December 2008 - New Products & Services (Page 94) American Cinematographer - December 2008 - New Products & Services (Page 95) American Cinematographer - December 2008 - New Products & Services (Page 96) American Cinematographer - December 2008 - New Products & Services (Page 97) American Cinematographer - December 2008 - International Marketplace (Page 98) American Cinematographer - December 2008 - International Marketplace (Page 99) American Cinematographer - December 2008 - Ad Index (Page 100) American Cinematographer - December 2008 - 2008 AC Index (Page 101) American Cinematographer - December 2008 - 2008 AC Index (Page 102) American Cinematographer - December 2008 - 2008 AC Index (Page 103) American Cinematographer - December 2008 - 2008 AC Index (Page 104) American Cinematographer - December 2008 - 2008 AC Index (Page 105) American Cinematographer - December 2008 - 2008 AC Index (Page 106) American Cinematographer - December 2008 - 2008 AC Index (Page 107) American Cinematographer - December 2008 - ASC Membership Roster (Page 108) American Cinematographer - December 2008 - ASC Membership Roster (Page 109) American Cinematographer - December 2008 - Clubhouse News (Page 110) American Cinematographer - December 2008 - Clubhouse News (Page 111) American Cinematographer - December 2008 - ASC Close-Up: Donald McAlpine (Page 112) American Cinematographer - December 2008 - ASC Close-Up: Donald McAlpine (Page Cover3) American Cinematographer - December 2008 - ASC Close-Up: Donald McAlpine (Page Cover4)
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